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The portrayal of women in Shakespeare's plays
The portrayal of women in Shakespeare's plays
The portrayal of women in Shakespeare's plays
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Beatrice and Benedick in Much Ado About Nothing by William Shakespeare
Much Ado About Nothing opens in a situation with a war that has just
ended. The men enter a "golden world" in Messina where the women are
already located. In this situation, people fail to take things
seriously causing the peace soon to turn into a war of words. Benedick
and Beatrice are the main examples of male/female rivalry that
converts into belligerent wordplay.
The first confrontation between Beatrice and Benedick appears in Act
One Scene One. Beatrice interrupts the conversation between Don Pedro
and Leonato (71-84) with her more lively language and Benedick
responds to that. She starts the conversation by pretending to ignore
Benedick. Beatrice tells him that 'nobody marks' him meaning that
nobody listens to him. Benedick replies straight away (88) in the same
offensive way 'Are you yet living?'. He also calls her 'Lady Disdain'
implying that she looks down on other people. The war of words starts
as they are picking up on each other's language. Beatrice takes into
account 'Disdain' and plays around with the word (89-91). Especially,
in lines 89-90, when she says 'meet food' she shows her skill in using
the language. The expression she chooses might have a couple of
different meanings: a) she might mean normal food such as meat - lamb
etc. b) Benedick is suitable food for her disdain 'meet'. She enjoys
using puns. She also might be playing around with the sounds: feed,
food; alliteration appears at this point. In line 92, Benedick thinks
of himself as an experienced ladies man and that all of them love him,
only Beatrice is the exception. This statement might imply that
Benedick would like Beatrice to fall in love with him as well. It
might also mean that there is something wrong with Beatrice. Benedick
also accepts the fact that he is a villain by saying that 'for truly'
he 'loves none'. The same idea is expressed in line 123 when he says
he is a 'professed tyrant'.
Beatrice is an extremely crucial character in ‘Much Ado About Nothing’. She is one of the reasons that many plans and schemes fall into place to provide us with the outcome that the play finally reaches. Shakespeare depicts Beatrice as a very strong character who knows what she wants and how she wants to achieve it. Her characteristics of sharp wit and her ability to be acutely opinionated allow her to be a notable contrast from the other women in the play, whether this be in a positive or a negative way.
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
The 3 deliberately have a conversation about Beatrice love and affection for Benedick, causing him to question whether or not what is being said is true or not. As Leonato starts to speak, he says… By my troth, my lord, I cannot tell him what to think of it, but that she loves him with enraged affection, it is past the infinite of thought. (3.4.107-110). Typically saying Beatrice love for him is by far more than any man can comprehend by far even withstand having knowledge of. By this time Benedick seems to question whether or not this is credible, but hearing it from Leonato he thinks it has to be true because he has never spoken any words other than the
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
Set in the sixteenth century, Much Ado About Nothing is revolved around the thought of love and marriage. Primarily, this is prevalent in the two main characters, Beatrice and Benedick. They have once been courted which suggests more maturity than the majority of couples in Shakespeare’s various plays. In the duration of the play, the violent language between Benedick and Beatrice is most evident through their ridicule. Both characters always speak critically regardless of whether they are talking to each other or out loud about one another. This is highlighted when Beatrice exclaims, “What should I do with him—dress him in my apparel / and make him my waiting gentlewoman? He that hath a / beard is more than / a youth, and he that hath no beard is less than a/ man; and he that is more than a youth is not for me, and he that is less than a/ man, I am not for him...
adds to the comedy of the rest of play. It is obvious to the audience
Beatrice is the ever-witty Lady Disdain, outspoken and opinionated niece of Leonato. She and Benedick are involved in a "merry sort of war". Always ragging on each other in a sort of easy going way, but never the less hurting each other's feelings. Both are cynical about Love. Beatrice is described by her uncle to mock all of her wooers out of suite.
Feminist critics of Much Ado About Nothing, like Sylvia Townsend Warner, praise Beatrice for being "free and uninhibited" ("Women as Writers," Warner, 272). Beatrice is a strong female character who marries only after asserting her disapproval for the traditionally voiceless role of women in marriage and courtship relationships of the 16th and 17th c. Beatrice is a fearless verbal warrior, and Benedick is her greatest challenger. Their verbal bantering allow for each of their strengths and opinions to show, and together they glory in the challenge of their next duel.
This is part of her “merry war” with Benedick. Beatrice appears to loathe Benedick and vice versa; they engage in many “skirmishes of wit.” However, although Beatrice appears hardened and sharp, she is vu...
Beatrice is, without a doubt, one of the strongest female characters that Shakespeare ever came up with in his time of writing. Shakespeare shows, through Beatrice, how every woman should act in an era where only the men were even able to have control. In this era, or the renaissance time, no woman had free will; they were always told what they could and could not do, as well as, who they were to marry. In the play “Much Ado About Nothing” Beatrice has many qualities but the ones that stand out the most in the play are: her independence, her feistiness, and of course her openness to defy male subjection.
Shakespeare makes sure that Beatrice comes off as a woman who is not afraid to speak her mind to anyone. This is portrayed in the beginning of act one, when the mail messenger comes to announce that the soldiers are on their way to Messina. They start a conversation about Benedick and he tells Beatrice that Benedick is a "lord to a lord, a ...
Much Ado About Nothing, one of Shakespeare’s “festive” comedies, centers around two couples. One, Claudio and Hero, fall in love at first sight. The other, Benedick and Beatrice, have a verbal war almost every time they meet. Disguise is not an integral part of this play, but they are used during the masque that takes place. During the masque, Beatrice talks with a masked Benedick; she also talks degradingly about him. A question that always comes up in discussion of this play is whether or not Beatrice knows that she is actually speaking to Benedick, and that is why she calls him “t...