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Much ado about nothing analysis english act 4 scene 1
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How much does ado about nothing portray
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Coming back from the war there is love in the air, some not even expecting nor wanting it however, love is an unpredictable force. It’s hard to find love but once you find it you can’t let it go, love has to be nurtured and cared for not betrayed or disrespected. It is difficult to trust people, but trust is the foundation you must build upon to make a relationship work. Never knowing when love will happen is frightening but in the end it is a beautiful thing. In Much Ado About Nothing, a comedic play written by William Shakespeare Beatrice and Benedick are a more realistic couple in modern times as opposed to Claudio and Hero who have an over dramatic relationship.
The relationship of Beatrice and Benedick conveys a modern day relationship
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While barely knowing one another, a marriage was proposed to be scheduled within days. Leonato tells Claudio who wants to rush the marriage “Not till Monday, my dear son, which is hence a just sevennight”. Generally modern day relationships do not get married so quickly, Claudio wanted to get married the very next day, but Leonato explained next monday will be suitable. In every relationship communication is key, this is something Claudio and Hero did very little to none of. In the text it states “Then after to her father I will break”. Direct communication with one another is more so common in this time rather than speaking with other people. As shown Leonato has chosen for Claudio to be Hero’s husband. Leonato tells Claudio “Daughter, remember what I told you. If the Prince do solicit you in that kind, you know your answer.” While passing through various of time periods the husband of a female is not chosen for them, they may simply take that upon themselves. Claudio and Hero do not display a realistic relationship to modern day relationships for multiple reasons such as, getting married to quickly, no communication, and Hero’s father choosing her
In the play, “Much Ado About Nothing”, love and romance play a major role throughout the play.It takes place in Messina. The play has a lot of characters that fall in love with each other. Besides romance and love there is a lot of jealousy in the play. Characters will have up and down moments throughout the book, but they will all get together at the end of the story. Many scenes in the play will be about characters making other characters fall in love by telling one another that one likes the other. The play is all about characters getting together and being happy.
Entry 1: Act I. Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love. React: Is it a In Shakespeare’s Much Ado About Nothing, there are the usual characters that show up in most of Shakespeare’s pieces.
On the “second” wedding day of Hero and Claudio, Benedick showed maturity by not fighting Pedro and Claudio when they teased him about loving Beatrice.
Much Ado About Nothing is a tale of two very different relationships. The relationship between Beatrice, the niece of the Governor of Messina and Benedick, a close friend of the Nobleman Don Pedro and that of a young soldier called Claudio and The Governor’s young and beautiful daughter Hero.
Set in the sixteenth century, Much Ado About Nothing is revolved around the thought of love and marriage. Primarily, this is prevalent in the two main characters, Beatrice and Benedick. They have once been courted which suggests more maturity than the majority of couples in Shakespeare’s various plays. In the duration of the play, the violent language between Benedick and Beatrice is most evident through their ridicule. Both characters always speak critically regardless of whether they are talking to each other or out loud about one another. This is highlighted when Beatrice exclaims, “What should I do with him—dress him in my apparel / and make him my waiting gentlewoman? He that hath a / beard is more than / a youth, and he that hath no beard is less than a/ man; and he that is more than a youth is not for me, and he that is less than a/ man, I am not for him...
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
However, at the end of the play, Benedick submits to Beatrice at the end of their confessions. The change in his ways his shown in the quote ‘Enough, I am engaged; I will challenge him. I will kiss your hand, and so leave you. By this hand, Claudio shall render me a dear account. As you hear of me, so think of me. Go comfort your cousin’. Before realising that he was in love with Beatrice, he was very argumentative with Beatrice, and wouldn’t listen to her. This quote shows that Benedick is so in love with Beatrice that he would do anything for her to be happy, even if it means that he has to kill Claudio, one of Benedick’s good friends; he is giving in to her wishes, and will allow himself to commit crimes for her. When Benedick says ‘Claudio shall render me a dear account’, Benedick is saying that he will make Claudio pay for what he’s done- he is showing a sensitive and sympathetic side to Beatrice. The phrase ‘Go comfort your cousin’ has an underlying message; Benedick is telling Beatrice to not worry and that he will take care of it, making a change from the arrogant, rowdy man at the beginning of the play.
In Shakespeare's Much Ado About Nothing, Beatrice and Benedict rant about marriage for most of the beginning of the play, while Claudio raves about how wonderful it will be being married to Hero. Yet in the end, Claudio exchanges his marriage to Hero for an opportunity to bash her in public, while Beatrice and Benedick marry despite that they were mortal enemies for most of the first three acts. How did the situation swing around to this degree? Beatrice and Benedick had been using the most extreme metaphors to demonstrate their scorn of each other and of marriage, and Claudio had been doing the same to demonstrate his love of Hero. Not only did none of these three characters mean what they were saying, but meant the reverse, and the people that plotted to bring them together or pull them apart plotted because they understood on some level what each really wanted.
In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity amongst the complications of their hearts. In this essay we are going to explore the fundamental scenes that contribute to this, as well as overall changes in the characters and the techniques used to imply given ideas.
William Shakespeare wrote the play the play ‘Much Ado About Nothing’ in approximately 1598/ 1599. The title ‘Much Ado About Nothing’ means ‘Much fuss about nothing’. This is a metaphor for the events including Hero and Claudio. One of the main issues raised is that back then and even now the fact that there is not enough of an equality and that women do not have enough self assertiveness. The way that Beatrice is represented in this play contrasts with the way that the women in Shakespeare’s time behaved. Shakespeare uses iambic pentameter, which helps the responder and the audience to understand his language – it gives emphasis on particular ideas. Whilst Much Ado About Nothing was written 400 years ago the relevance of Shakespeare’s issues of Love and Deception are still universal. The theme of love transcend on all things, Beatrice and Benedick relationship is an archetypal for unconditional and unwavering love. Deception is still a common occurrence in our modern world. Don John is the most deceptive character in the play as he deceives character after character though dramatic irony and the setting.
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories. What is not to like about a play that is hilarious, romantic, and has a happy ending? In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have. This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future. Benedick’s counterpart in the play is Beatrice who is an independent woman with a quick tongue. Benedick and Beatrice despise and cannot stand each other because it is seemingly impossible for them to have a conversation without arguing and angering each other. The two of them provide some of the more amusing scenes of the play with their word play and mocking of each other. In reality though, they have much in common that they have yet to realize. Both of them despise marriage, are witty, and are each their own persons. These however are not the reasons why they come together. They are brought together by their respective companions who conspire to tell each of them that the one loves the other as the two misdirected lovers listen in. In his speech directly after this, Benedick is swayed to a life that he previously would have avoided at all costs. In hearing of Beatrice’s supposed affection he immediately changes his entire outlook on perpetual bachelorhood and pronounces a love that is not real or his own, but comes secondhand from trickery.
Shakespeare’s play ‘Much Ado about Nothing’ has two main female characters, Beatrice and Hero, who are cousins. Both appear to be completely different in the beginning of the play but, as things progress and their characters develop, there are also some very obvious similarities between them. Hero and Beatrice have a very close relationship; they are best friends. Leonato is Hero’s father but Beatrice has no parents, which gives her greater freedom. Where Hero is polite, quiet, respectful and gentle, Beatrice is feisty, cynical, witty, and sharp.
First of all, in Much Ado about Nothing, Claudio was a young soldier who fell in love with Hero at his first sight. At the beginning of the play, they looked like the perfect match in audience’s eyes because Claudio was a good soldier and had returned as a hero from battles; On the other hand, Hero was a young, beautiful, and virtual maid. However, after the first time meeting with Hero, Claudio’s first question about her is on the inheritance of her father’s wealth. After knowing Hero was the only heir of Leonato, Hero’s father, Claudio asked Don Pedro, the good Prince...
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.