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Literature and identity
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The value of a life can only be adequately defined by its possessor. So It is that, to be true oneself can only defined by the possessor. In the essay, "A conflict of Interest" by Zera Neale Hurston and the short story "It's Hard Enough Being Me" by Anna Lisa Raya, both authors illustrate what it means to be true to oneself. As well as what it means to not be true to oneself. In which case, being true to oneself means acquiring the maximum amount of self interest to ones best abilities. The essay "A Conflict of Interest" by Zera Neale Hurston; a segregation writer. Is an essay written in the point of view of an African American woman. In Washington, DC during 1942. The essay is about a Negro man that goes into a whites only barber shop demanding for someone to cut his hair. The barber shop consists of all black employees. Mr. Banks;the owner refuse to cut the Negro's hair. He says "I don't know how to cut your hair…I was trained on straight hair. Nobody in here knows how." (Hurston 1293) Referring to the fact that the Negros hair is curly, but really insinuating that he does not want to cut a black man's hair. Instead the Negro remains persistent on getting his hair cut in that particular barber shop. Eventually everyone, weary of the scene he was making, all came together. Black and whites worked together to throw the Negro out of the barber shop. Houston; a black woman also wanted the Negro to leave the shop because his presence creates a threat to her business. " He was one of us. Perhaps it would have been a beautiful thing if Banks had turned to the shop crowded with customers and announced that this man was going to be served like everyone else." (Hurston 1294) Hurston admits that a rebellion against the Jim Crow Laws wo... ... middle of paper ... ...truly is. "I have to be politically-and-socially-aware-Latina-with-a-chip-on-my-shoulder-because-of-how-repressed-i-am-in-this-country…I am a quintessential imperfect Latina." (Raya 1041) Ultimately Raya later becomes true to herself when she realizes that she is herself and no one else. And she should not seek the approval from no one but herself. Overall both authors Zora Neale Hurston and Anna Lisa Raya become the epiphany of being true to oneself. Although they achieve their understanding at different stages in their life. Hurston almost immediately of when the incident happens, chooses the side that would most benefit her. Raya has to go through years of self discovery before she understands what it means to be truly true to oneself. Everyone goes through a journey of self discovery. it is also a person's responsibility to figure out what honestly defines them.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
“I have lived every day of my life asking myself ‘is what I’m doing reflective of who I am? Or who I want to be?’ If not...”
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Main characters often struggle with finding their self-worth, but the distinction between self-worth and selfishness may often be unclear. The protagonists of both Anthem, by Ayn Rand, and Siddhartha, by Herman Hesse, fluctuate between being self-aware and being selfish. If Equality is an honest narrator, then to describe him as selfish would be an incorrect understanding, because the laws in place by Equality 7-2521’s community strips every one of their individuality and, therefore, their humanity; however, to describe Siddhartha as selfish is a more accurate understanding, because Siddhartha never lost his humanity and only strives for his own desires.
Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist. Hurston, sitting on her porch imagines it to be a theatre as she narrates her perspective of the passing white people. She finds a thin line separating the spectator from the viewer. Exchanging stances at will and whim. Her front porch becomes a metaphor for a theater seat and the passers
In the article Daydreams of What You’d Rather Be by Lance Morrow; a Harvard graduate who is a contributor to Time, proposes the idea that there is a distinct relationship in-between the self and the “anti-self”. He exposes this idea throughout by using different examples that involve numerous people, and also by using different comparisons to make his writing more relatable and more easily understood. The methods that Morrow uses to support the claims that he is making and to help uncover that message that is being emphasized in the article are essential to the meaning and the understanding. In Daydreams of What You’d Rather Be, Lance Morrow validates his main idea that underneath every person there is an “anti-self” that is just begging to be let out; by using examples of different people and situations, but also by using different comparisons and going as far as to explaining his true thoughts on this person that everyone has inside of them.
...racter that has been blind to the realities of life. Through phenomenal epiphanies, these characters grow stronger and are able to finally see a much clearer picture and perception of their own lives. By changing our ways, and becoming more open to new experiences and risks, we can all learn something new about ourselves, which is the greatest discovery of them all.
Like many Chicanos, she developed a strong sense of cultural belonging. This is primarily due to discrimination amongst neighboring Mexicans, whites, and anyone in between. Latinos and latinas would attack her, saying “...cultural traitor, you’re speaking the oppressor’s language, you’re ruining the Spanish language” (Anzaldua 412). It was this ethnic struggle that drove her to latch onto her cultural background so strongly. In the personal narrative “How to Tame a Wild Tongue” by Gloria Anzaldua, Anzaldua states “When other races have given up their tongue, we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture” (Anzaldua 419) when referring to the resilience of her native people. She states this in response to other cultural groups having abandoned their language, meanwhile they retained theirs. The Chicanos are aware of the harsh standards of North American society. By saying “When other races have given up their tongue, we’ve kept ours,” she means that even when other ethnicities have been pushed to eliminate their languages, her ethnicity stayed strong; they refused to cave in. Likewise, when Anzaldua states “We know what it is to live under the hammer blow of the dominant norteamericano culture,” she draws pride from her culture’s ability to fend off even the most suffocating adversities. In this way, Anzaldua conveys
...re many similarities when it comes to technique, characterization, themes, and ideologies based on the author's own beliefs and life experiences. However, we also see that it appears the author herself often struggles with the issue of being herself and expressing her own individuality, or obeying the rules, regulations and mores of a society into which she was born an innocent child, one who by nature of her sex was deemed inferior to men who controlled the definition of the norms. We see this kind of environment as repressive and responsible for abnormal psyches in the plots of many of her works.
To most people, the name Zora Neale Hurston is associated solely with Their Eyes Were Watching God, her most famous work. In some cases her name is synonymous with the Harlem Renaissance. However, very few people are informed about the aspects of Zora's life that influenced her writing of Their Eyes , nor do they know about how she arrived in New York to become one of the most famous Black female writers of her time. Robert Hemenway's Zora Neale Hurston: A Literary Biography and Valerie Boyd's Wrapped in Rainbows: The Life of Zora Neale Hurston both seek to educate people about the life of this writer and to give the reader information about her other literary works. Both authors also draw from other sources to tell the story of Zora's life, including interviews with friends and colleagues and Zora's own words.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
Everyone encounters struggle and “ain’t nobody bothering you” but yourself (1872). Many African Americans encounter hardships and conflict in their own lives because of their race. Before integration, not only were African Americans facing internal struggles but also the external struggles caused by prejudices. A Raisin in the Sun elaborates on the conflicts of African Americans when dealing with segregation, discrimination, and few opportunities to improve their lifestyle. Hansberry expresses her hardships as an African American woman without civil rights in the 1950’s through the Younger family and the decisions they make when confronting their own struggles.
In the essay "It’s Hard Enough Being Me," Anna Lisa Raya relates her experiences as a multicultural American at Columbia University in New York and the confusion she felt about her identity. She grew up in L.A. and mostly identified with her Mexican background, but occasionally with her Puerto Rican background as well. Upon arriving to New York however, she discovered that to everyone else, she was considered "Latina." She points out that a typical "Latina" must salsa dance, know Mexican history, and most importantly, speak Spanish. Raya argues that she doesn’t know any of these things, so how could this label apply to her? She’s caught between being a "sell-out" to her heritage, and at the same time a "spic" to Americans. She adds that trying to cope with college life and the confusion of searching for an identity is a burden. Anna Raya closes her essay by presenting a piece of advice she was given on how to deal with her identity. She was told that she should try to satisfy herself and not worry about other people’s opinions. Anna Lisa Raya’s essay is an informative account of life for a multicultural American as well as an important insight into how people of multicultural backgrounds handle the labels that are placed upon them, and the confusion it leads to in the attempt to find an identity. Searching for an identity in a society that seeks to place a label on each individual is a difficult task, especially for people of multicultural ancestry.
Unlike the earlier era, in which they had received freedom but it was so new to them, and they truly didn’t understand what it meant to be a free group, they began to move into a time period where they were finding their voice, and “finding their freedom”. Instead of writing about becoming free, and wanting freedom, they begin to act free. They begin to prove they were free by giving off confident in their culture and in their work. In her writing she has many different subsections where she rebuttals the ideas pushed onto the African American race. She proves the stereotypes wrong using the truth. The first example is, under the section titled “originality” she wrote, “it has been said so often that the negro is lacking in originality that has almost become a gospel. Outward signs seem to bear this out. But if one looks closely its falsity is immediately evident.” and , “So if we look at it squarely, the Negro is a very original being. While he lives and moves in the midst of a white civilian, everything that he touches is re-interpreted for his own use. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country, just as he adapted to suit himself the sheik haircut made famous by Rudolph Valentino.” this passage shows how much she believes in her race. She isn’t asking for anything from anyone. She doesn’t beg for respect, acceptance, or freedom, she is telling them to treat them like they are free. This passage really exemplifies the theme of accepting themselves and their culture during this time period. The African Americans were able to begin to stand up for themselves and up against the falsely acclaimed stereotypes that have been made against them. During this time period they were recreating the culture that had been taken away from them. They were finding their voice through