Mark Anthony Luhrmann, most commonly known as ‘Baz Luhrmann’, born in Sydney on September 17, 1962, is an Australia director who is highly credited as one of the greatest and easily depicted actors of Australia. This is shown through the direct use of camera angles, bright distinct colour and fast-paced editing which allows the audience to interpret the film as one directed by Luhrmann. In particular, Luhrmann directed the 1996 re-enactment of Shakespeare’s original ‘Romeo and Juliet’, set in Verona featuring two young stars who fell endlessly in love. Leonardo DiCaprio representing Romeo and Claire Danes acting as Juliet allowed for a slight insight as a modern audience to comprehend with the original aesthetics, ideas and perspectives of the film.
With the original concept of William Shakespeare’s film ‘Romeo and Juliet’ being kept, Luhrmann has adapted the film to be coherent with modern society and the themes followed through into the twentieth century which catered for today’s understanding of the film. Brought to life in modern times, Baz Luhrmann directed and co-wrote his own version of ‘Romeo and Juliet’ in 1996, allowing for societies themes to be understood through visual elements. In Luhrmann’s version, camera angles allow for
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In particular Luhrmann uses colours to show the emotions of the scene and to allow viewers to interpret and feel as though they know what is going on. Along with this, the colours used allow Luhrmann to capture the attention of those watching to emphasise on the main issue of what is occurring in that scene. Capturing the effects of colours opens up a whole new window to the way we visualise certain
Context has greatly influenced how Romeo and Juliet was written by William Shakespeare in the 1500’s to how Williams Shakespeare’s Romeo + Juliet was produced in 1996 by Baz Luhrmann with a more modern intention.
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
“The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one way to clearly show how each director clearly reaches their target audience. Overall however Luhrman’s adaptation would be more effective for capturing the teenage audience.
Baz Luhrmann's Success of Making Romeo & Juliet Accessible to a Modern Audience. In this essay I am going to write about how successfully Baz Luhrmann made his film Romeo and Juliet accessible to a modern audience. Baz Luhrmann uses Shakespeare's authentic text, combining it with a modern setting. This combination attracts the off spring of the modern.
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through the renewal of props and costumes, the reconstruction of the prologue and the upgrading of the setting, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
...e tragic celebration of young, forbidden love told by William Shakespeare, Romeo and Juliet, has been tailored for many motion picture adaptations. The most famous of these adaptations are Franco Zeffirelli’s version and Baz Lurhmann’s film produced in 1996. These two films applied Shakespeare’s most well-known work as a basis for their motion pictures. Both films had similarities, but the differences were much more apparent. Ever since William Shakespeare’s Romeo and Juliet has been debuted, it has and forever will be an artistic influence for playwrights, directors, and other artists.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespeare's Romeo and Juliet. “Romeo and Juliet” is a famous love story written by William Shakespeare. The. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play.
Luhrmann’s 1996 Romeo and Juliet is compelling when communicating the main ideas of the play by providing the audience with a modern translation of the play using the motifs in the film which correlate to the play.
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.
So begins Baz Luhrmann’s production of Shakespeare's beloved play, "Romeo and Juliet," from the famous opening line of "Two Households both alike in dignity.." to the tragic end, the viewer is whisked away into the ‘depths’ of heightened realism in the world of Verona Beach.
Mohau Manamela English essay fourth genre 12.1 “the evolution of Baz Lurhmann as a director” Baz Lurhmann is an Australian film director, screenwriter and producer and is one of the most prominent and successful directors of our time. The born director was raised by both this mother, ballroom dance teacher and his father a farmer, who also ran a local cinema. And after a childhood training in ballroom dance, the young man unsurprisingly graduated enrolled and graduated at the prestigious national institute of dramatic arts in Sydney. During this he became a prominent figure in Australian theatre, directing a number of plays, short films and even a number of operas, some of which including the original strictly ballroom, a thirty-minute play, and 1990 remake of puccini la bohame for the Australian opera.