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One of the most complex and elaborate characters in Bastard Out of Carolina by Dorothy Allison is Bone. Throughout the story Bone has to live a life where she thinks that she is the leading mystery of the trouble being caused. She has numerous unhappy situations and is in no way self-satisfied with herself. She doesn’t appreciate who she is physically. She constantly thinks she is the most homely and dull person who causes the most inconvenience in the family. This sense of selflessness is mainly due to the physical and sexual abuse brought upon by Daddy Glen, Bone’s stepfather. Unfortunately, the assaults were stretched out over a long period of time, leaving little chance for Bone to recover as an adult if any at all. I decided to take a more scientific approach to discussing Bone’s future as an adult. The most common disorders I feel Bone is likely to face are posttraumatic stress, cognitive distortions, emotional pain, and avoidance, an impaired sense of self and interpersonal difficulties.
After finishing some research I concluded that Bone would most likely be diagnosed with posttraumatic stress disorder. It entails enduring certain psychological symptoms that occur in reaction to a highly distressing, psychically disruptive event. A diagnosis of posttraumatic stress disorder (PTSD) requires the occurrence of a traumatic event, as well as frequent experiencing of the event through nightmares or intrusive thoughts, a numbing of general responsiveness to, or avoidance of, current events, and persistent symptoms of increased arousal, such as jumpiness, sleep disturbance, or poor concentration. All of these occurrences are a result from the sexual abuse Bone was forced to tolerate from Glen. Triggers of flashbacks include sexual stimuli or interactions, abusive behavior by other adults, disclosure of one's abuse experiences to others, and reading or seeing sexual or violent media depictions, all of which would more than likely be experienced throughout Bone’s adult life. Unfortunately all of these experiences are apart of life and in most cases can’t be avoided. Bone is obviously going to be exposed to such things, which could induce flashbacks.
Without question Bone would suffer from cognitive distortions. As a result from the traumatic events throughout her life with Glen her assumptions and self-perceptions typically reflect an overestimation of the a...
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...ren attempt suicide each year because they can‘t bear being abused any longer. Fortunately, Bone hasn’t reached that point yet. Depending on the circumstances ahead in the future, I see suicide as a last resort.
It is important to appreciate that these issues are very complex, and to be familiar with how abuse and neglect can affect various aspects of a person's life. Child abuse does not affect every person the same. The extremity of the abuse and different situations determine the effect. Some people could live on to become great people and do great things. They don’t look at the abuse as something negative but rather as something that made them strong and made them believe that they were better and could do better than the situation that they were in. Dealing with abuse after it is over is the toughest thing to handle, most people that could afford therapy go to it, but since most people can‘t afford it they try to deal with it the best they can. Although in most cases the child is removed from the home that the abuse is happening in, sometimes child abuse can slip by unnoticed and that can have severe consequences on the child as well as others.
“Post traumatic stress disorder is a debilitating condition that follows a terrifying event” (Marilyn 8). It occurs when one has witnessed or experienced a traumatic event, such as war, child abuse, or other types of violence. Victims may claim to relive or re-experience events that were traumatic to them. They may even “feel” or “hear” things from the event. Other symptoms may include: “forgetfulness…amnesia, excessive fantasizing…trancelike states…imaginary companion, sleepwalking, and blackouts” (Putman 2). A lot of times, coping mechanisms fail and the following inner dissonance can lead to a multiplicity of upsetting emotional and physical symptoms (Robert Saperstein 2). Some children suffering from PTSD may show traumatic play. This refers to the reenactment of a traumatic experience. Usually, children will change the ending to make it happier. This is an extreme example of using the imagination as a way to escape the terrible memories. Billy has all the symptoms associated with the disorder as he also used his imagination to escape his bad memories.
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
She becomes too weak to write and devotes all of her time to studying the wallpaper. She begins to see shapes in the wallpaper -- to start off with, it looks to her as it is filled with “absurd, unblinking eyes.” The more she examines the wallpaper, the more she sees. She sees a pattern within the initial pattern -- something she describes as “a strange, provoking, formless sort of figure.” She feels as though her condition has not improved and her husband states that he will send her to Weir Mitchell, a well renowned physician, but Jane does not want this. Her mental state starts to decline and she becomes more emotional, crying at almost anything and her obsession with the wallpaper grows, with her becoming determined to find the purpose of the wallpaper’s pattern. The “strange, provoking, formless sort of figure” she initially sees begins to take the shape of a woman, whom she believes is trapped inside the wallpaper. At night when she’s watching this “woman”, she sees her struggling to free herself from the
A spouse or caretaker, maybe even a daughter or son, can “find themselves having negative feelings about the traumatized family member. They may believe the trauma survivor no longer shows or even posses the qualities that they loved and admired (A Supplement Take-Home Module).” In Slaughterhouse-Five this is exact idea is presented when Billy’s daughter, Barbara, comes to his home to check on him. Barbara calls out his name but does not receive a response. When she finds her dad she says, “‘Father, Father, Father—what are we going to do with you? Are you going to force us to put you where your mother is (Vonnegut 29)?’” Here, Barbara demonstrates her impatience and lack of sympathy for her father’s actions showing her negative feelings towards
Charlotte Perkins Gilman’s powerful story, “The Yellow Wallpaper”, is about a woman who was driven to madness by her depression and controlling husband. The story is told by the wife, in first person, and is based on Gilman’s own life experience. Gilman suffered from post-partum depression after her daughter was born and was prescribed the “resting cure” which is resting and isolation. In the story, the narrator’s husband puts her in isolation because he believes that will cure her of her depression and breakdowns. He won’t let her do anything, so she turns to writing in her secret journal to try and cure her depression. Since she has nothing to do all day, she turns her attention to the yellow wallpaper in the room. She becomes obsessed with it and begins to see a woman trapped inside the pattern. The wallpaper dominates the narrator’s imagination and she becomes possessed and secretive about hiding her obsession with it. The narrator suspects the her husband and sister are aware of her obsession so she starts to destroy the wallpaper and goes into a frenzy trying to free the caged woman in the pattern of the wallpaper. The narrator becomes insane, thinking that she also came out of the wallpaper, and creeps around the room, and when her husband checks on her, he faints because of what she has become, and she continues to creep around the room, stepping over body.
...rld. Throughout the story, the wallpaper becomes an outlet for the narrator to exercise her literary imagination. She soon comes to find that the wallpaper holds a feminine figure, or so she thinks. By using her initial feeling of being watched, the narrator decodes the chaotic pattern and locates the figure of a woman. A woman struggling to break free from the bars in the pattern. As her insanity increases, the narrator completely relates with this woman. She then begins to believe that she, too, is trapped within the wallpaper. When she tears down the wallpaper, she believes that she has finally broken out of the wallpaper. The wallpaper that she believes John has imprisoned her. By tearing it down, the narrator asserts her own identity, which unfortunately by now is confused. As she crawls around the room, she is initiating the first stage of a feminist uprising.
Lemoncelli, John, and Robert S. Shaw. Healing from Childhood Abuse: Understanding the Effects, Taking Control to Recover. ABC-CLIO,
Frightening details begin to unfold about the room, including: barred windows, a bolted down bed, and of course, the wallpaper itself (227). Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge. Her tense mind is then further pushed towards insanity by her husband,
Charlotte Perkins Gilman wrote, “The Yellow Wallpaper” in the first person as a journal in the 19th century not with the intent to drive people crazy, but as social criticism, against the haunting psychological horrors of a doctor’s error in treatment of women using the “rest cure,” during this time. Gilman was a women’s right activist, wife, mother, and author who illustrates how women where submissive to male authority and did not have rights during this male dominated era in society. She believed women’s lives were not only controlled, but also limited preventing them from experiencing anything outside the home hindering their creative and intellectual development. Writing was one of the only forms of survival for women during this period.
As she studies the incoherent pattern in the wallpaper she becomes determined to make sense of it and begins to see a pattern “like a broken neck and two bulbous eyes stare at you upside down” (219), and begins to distinguish a woman creeping secretively behind the pattern. Here, through symbolism, Gilman is able to portray the wallpaper pattern as a metaphoric prison, and the protagonist’s mind as this new mysterious figure in the pattern, trapped and having to covertly move around. Although the protagonist studies the pattern in the wallpaper, it never makes any sense to her and likewise, no matter how hard she tries to recover, the terms established by John for her recovery never make any sense to her, either. Further, the protagonist view’s John’s sister, Jennie, more as a prison guard than a beloved in-law, so when she hears Jennie coming up the stairs to check on her, she quickly puts away her writing and adopts a more restful position in order to not alert them to what she is
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
He tells stories and accounts that encompass symptoms pointing towards Post Traumatic Stress Disorder (PTSD). John Haley describes PTSD as, “A psychological disorder that can occur as a result of experiencing or witnessing an extremely stressful event” (Haley 1). A severe symptom of PTSD that Mr. O’Brien shows towards the end of the novel is where the person will become belligerent and relive their unsightly traumatic event or events over and over again, “At night I sometimes drank too much. I’d remember getting shot and yelling out for a medic and then waiting and waiting. Passing out once, then waking up and screaming some more….. I kept going over it all in every detail” (O’Brien 200-201). Another symptom related to PTSD is that the person will become detached from the outside world or depression. O’Brien describes his time after the war as, “I survived but its not a happy ending” (O’Brien 61). PTSD can cause a variety of effects; one effect that Mr. O’Brien reveals is about memory loss and goes on to say, “What sticks to memory, often, are those odd little fragments that have no beginning and no end” (O’Brien 98). In conclusion all these symptoms of story-truth Tim O’Brien point to him having post traumatic stress
Child abuse is a very serious problem that continues to happen all over the world. The Federal Child Abuse Prevention and Treatment Act, defines child abuse as a failure to act as a parent or caregiver which results in physical/emotional harm, sexual abuse, and in some cases death. There are many different types of child abuse such as emotional, physical, neglect, and sexual. With each type of abuse there are warning signs you can spot before it is too late. When a child is abused there is a huge possibility that it can cause them to have many long term effects.