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Character development of othello
Character analysis of the play othello
The problem of making moral choices in othello
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In Shakespeare’s Othello the reader is shown a vicious cycle of emotions and the difficult choices for Othello, which at first he displays great ability at being a critical thinker referred to in Ruggiero’s Beyond Feelings. Yet this is a short moment for as the play progresses Othello relies more on his distinct emotions and horrid errors in reasoning while investigating for evidence that aids in his decisions and later interprets this new found evidence poorly leading to the end of Desdemona, Emilia, Roderigo’s lives and his own. Though his beliefs in superstitions also aid in his downfall from a great general of Venice toward a foolish and blind man of jealousy. The decisions Othello makes using his emotion, beliefs, and errors in reasoning …show more content…
Othello displays the ability to defy judgment and wait for more evidence to be presented before making final decisions. A clear point of this was when Othello tells Barbantio, “Were it my cue to fight, I should have known it/ Without a prompter. Where will you that I go/ To answer this your charge,” (1.3.83-85) where Othello chose not to fight with Barbantio and actually resolve the situation peacefully. This event also showed Othello’s terrible ego and over self-confidence that expands beyond his natural limitations for his own belief of being a perfect creature in his own eyes. Othello quickly flips over to being more emotionally drive by the time he sees Desdemona asking to go with Othello to Cyprus which Othello, “Vouch with me, heaven, I therefore beg it not/To please the palate of my appetite,/Nor to comply with heat the young affairs/In my distinct and proper satisfaction,” (1.3.258-261) which Othello tries to persuade that he is not going to asking that she come with him because he wants to indulge in pleasure with Desdemona, but to ease her mind of his absence. Later it is revealed they indulge from the moment they see each other again on Cyprus in Act
In the beginning Othello is seen as a calm collected man when put into an awkward situation, such as being ridiculed by his wife’s father in thinking that Othello has used some sort of magic to gain Desdemona 's infection. Othello’s calm collected ways start to deteriorate after he is convinced by Iago, a deceiving evil man that Desdemona has slept with Cassio. Othello’s self control no longer exist once he is fully convinced that it is in fact true that Desdemona has been unfaithful. His sense of what is real and what is not real is thrown out the window. Othello starts to become extremely jealous of his used to be beloved Cassio, and after considering giving back his spot as liternuanat he denies him that. He starts to become cold and distant towards his wife, and starts to call her out of her name. As Othello continues to lose control the people around him start to doubt his abilities of being able to protect Cyprus, and even his wife starts to doubt him, and agree with her father. No one knows who this man is anymore, he has started to act in an insanely matter. He can longer be his true self and take on the responsibilities of being general as he starts to crack. With Othello being faced with evil, him being calm is no longer an option for him because he can’t face the fact that the person he loves so dearly is cheating on him. Going back the they handkerchief, the symbol of his love for her. Othello seeing Cassio with Desdemona’s handkerchief sets him over the edge becoming truly convinced that his wife has betrayed him. Even when Desdemona and her maid Emila, Iago’s wife, has told him countless times that she has not been unfaithful, he is so far gone from reality that he does not believe either one of them. With the state of mind he’s in he cannot bear the thought of another man touching his wife. Othello and Iago plan to kill Cassio and Desdemona. After he
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
But when he realises that it is Othello the Duke offers his regrets to Brabantio. Othello describes how his meeting with Desdemona took place. He uses a very educated way of speaking and to the audience he would appear to be the more intelligent of the two. Othello then asks Desdemona to be called for and for her to tell her side of things. was a wise move on Othello's behalf as he is using Desdemona as a. witness to their love.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
The scene in which Othello and Brabantio argue their cases before the Duke is the culmination of the underlying conflict between Desdemona and Brabantio. Desdemona's direct part in the saga is less important than the effects of this conflict on Othello, who emerges an honorable and lawfully wedded man after his appearance before the Senate. However, the dubious nature of the marriage is to cause conflict later in the story, as Brabantio effectively disowns Desdemona and gives fuel to the gossip machine. Several times the fact that Othello stole Desdemona is given as proof that she can be stolen from him.
The theme of reason versus emotion can be found by analyzing individual character’s actions in William Shakespeare’s Othello. However, the line between to the two decision-making mindsets is not always very apparent. Three characters – Iago, Desdemona, and Othello – will be analyzed to show that Shakespeare wanted to blur the line between reason and emotion and demonstrate that individuals do not necessarily operate with only one or the other.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Psychoanalysis is an integral part of understanding the motives of the many characters in Othello and is essential in the breakdown of character development. It can be used to dissect the reasoning behind character motivation and why certain people think the way they do. The id, ego, and superego are all responsible for the conscious and unconscious thoughts of an individual and they influence the decisions that are made. William Shakespeare created his characters with specific motivations and morals in mind and crafts their beliefs to fit those motivations. The main characters of focus for this analysis are Iago, Othello, Desdemona, and Cassio.
As Iago subtly plants these suspicions of Desdemona, Othello jumps to conclusions. He immediately questions himself, “Why did I marry?” (III.iii.66) This instant doubtfulness towards Desdemona is a huge mistake made my Othello. If he were able to think rationally and consider Desdemona’s innocence before jumping to conclusions, then all of this could have been avoided. However his inability to trust his own wife increases his anger towards her tremendously and the desire to kill begins to build up inside him. Later on, when Lodovico arrives at Cyprus in Act 4, Desdemona and him discuss Cassio and Othello’s situation. Othello is irritated by Desdemona’s friendly comments about Cassio and lashes out, striking her and calling her a devil. Afterwards, Lodovico is shocked, questioning, “Is this the noble Moor whom our full senate call all in all sufficient?” (IV.i.93) Referring to him as a once “noble Moor” explains how worthy Othello’s reputation was before coming to Cyprus. However, Lodovico can no longer imagine this is the same Othello he once knew, proving that Othello has changed quite a bit since his arrival at Cyprus. Before Cyprus, Othello would have never struck his wife in public, but Iago’s manipulation has caused his anger to finally break out. Othello does not have the confidence within himself to believe in Desdemona. Therefore,
...haracters. When Cassio asks Desdemona to speak to Othello on his behalf she makes a bold promise, 'I give thee warrant of thy place'. Desdemona then goes on to say, ' My lord shall never rest,/ I'll watch him tame and talk him out of patience'. Desdemona will keep on arguing Cassio's case. This amplifies her strong will and passion. Additionally due to the brawl caused when Cassio is drunk, the audience sees Othello's sense of fairness and justice, since he fires Cassio from his position as lieutenant even though he is his friend, ' Cassio I love thee,/ But never more be an officer of mine.'
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
In society there are always people who are easily manipulated and possess poor judgment. This leads them to make wrong decisions and negatively affect their lives and the lives of the people around them. The reason for Othello’s tragic downfall was because of his poor judgement, his easily manipulated conscience and his jealousy and obsession with. These traits displayed why Othello was responsible for the play’s tragic outcome.