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Hamlet and relationships
Hamlet and relationships
Hamlet and relationships
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al Entry 1 Ballad of the Landlord by Langston Hughes The Ballad of the Landlord presents an immediate impression of the presence of conflict between a landlord and a tenant. The tenant calls the landlord repeatedly seeking to indicate the ignorance of the landlord regarding the concerns raised by the tenant. The main conflict within the poem revolves around money owed by each of them. While the tenant owes the landlord money in unpaid dues, the landlord also owes the tenant for failure to fix the house. The tenant seems aware of the landlord’s debt, but the landlord is ignorant of the cries of the tenant. The landlord makes no comments regarding the issues raised by the tenant. The conflict is not resolved amicably because of the ignorance of the landlord, and the subsequent desire to take legal action against the tenant. The tenant opts to punch the landlord, changing the conflict to assault. The poem was written during a period when there was persistent inequality and mistreatment of black tenants by white landlord. The landlords neglected their properties yet expected to get payment and the government failed to take action on the property owner. The landlord in a white person, protected by the government, and claims to be the government. The landlord seeks to impose his authority upon the tenant by using the government’s authority. Ballads were the common forms of verses during the period when the poem was written; hence the author called it a ballad. Another reason is that the poem presents emotional sentiments of the characters within the poem. Despite there being no romantic emotion, which are characteristic of ballads, the emotions in the poem are equal in terms of magnitude but move in the opposite direction; hatred. Jour... ... middle of paper ... ...g the relationship with Hamlet. Ophelia’s family members including her father perceive the Hamlet’s declarations of love for Ophelia as false and advise her to refrain from meeting Hamlet, in order to preserve her chastity and she agrees. Chastity is perceived as a woman’s most valuable belonging, which must be protected Other themes within the story are also introduced within this section of the story. Power struggle is presented by the rumors of Norwegians planning to attack the Danish kingdom. The revelation by old Hamlet’s ghost that Claudius killed him also presents the theme of power struggle. The themes contained within the story are clearly understandable but the Early Modern English used in writing the text presents a significant challenge. Philosophical questions used by the characters present a series of continuous puzzles throughout the beginning pages.
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia’s obedience towards her untrusting father is indescribable ( I; iii; 101-103. "Affection? Pooh! You speak like a green girl, unsifted in such perilous circumstance. Do you believe his tenders, as you call them"?). Why a grown woman would listen to her father and not help the man of her dreams in his time of need is disheartening. A man’s girlfriend should be there for him when a family member passes away, no matter what. If she had been with him on the plan to kill Claudius and knew about his fathers ghost who told Hamlet that Claudius was the one that murdered him, than neither one of them would have went crazy.
Writing the poem in ballad form gave a sense of mood to each paragraph. The poem starts out with an eager little girl wanting to march for freedom. The mother explains how treacherous the march could become showing her fear for her daughters life. The mood swings back and forth until finally the mother's fear overcomes the child's desire and the child is sent to church where it will be safe. The tempo seems to pick up in the last couple of paragraphs to emphasize the mothers distraught on hearing the explosion and finding her child's shoe.
In the play Hamlet, Ophelia’s downfall is dependent on love. Being one of the two women in the play, Ophelia lives in a very male dominated society. When the ties are broken between her relationships with the significant men in her life, it breaks Ophelia to
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
The poem Ballad of the Landlord tells a story while bringing up a social injustice that existed in America. The poem begins by the tenant listing off broken aspects of the house that he had asked the landlord to fix. The landlord ignores these problems and insists that the tenant pay his ten dollar rent. The tenant says he will not pay until the problems are fixed. The landlord then threatens eviction and the tenant threatens to hit the landlord to quiet him. The poem ends with the reading of a headline “MAN THREATENS LANDLORD/ TENANT HELD NO BAIL/ JUDGE GIVES NEGRO 90 DAYS IN COUNTY JAIL” (Volume 1, page 1316, lines 31-33). This poem brings up the social injustices. The landlord, police and judges are all white and the tenant is black, this leads to an unfair and racist ruling of the case. The idea of storytelling or folklore in poems was a way to bring up injustices in the American society. This technique in early African Americans poems was a precursor for the later poetry of the Harlem
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Hamlet’s disillusionment with the women in his life, come from confusion as to where they’re allegiance lies. Firstly, Ophelia abruptly ends her relationship with Hamlet, simply because Polonius states that “[he] would not have you give words to Lord Hamlet”. Ophelia obeys her father by denying “his [Hamlet’s] access to me”, proving that her loyalty lies with her father. In addition to this, Ophelia outwardly lies to Hamlet during Polonius’ trap, stating that her father is “at home”. Hamlet’s reservations towards women can be seen when he says to Ophelia “if thou dost marry…marry...
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Ophelia’s father and brother instructed her to cut off all relations with the Prince of Demark because if any word about their affairs were to get out it would most likely ruin their family reputation in the land. Laertes explains to Ophelia that, “Fear it, Ophelia, fear it, my dear sister, And keep you in the rear of your affection, out of the shot and danger of desire” (I.iii. 33-35). The aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid afor Laertes takes the time to discuss with Ophelia the importance of why she should cut off the dangerous relationship with Prince Hamlet. He explains to her how there is no possible way the two could ever truly be with each other due to the difference in social status and power he warns her to clear out before she gets caught up and things get too deep. Along with social class and power, the men represented in William Shakespeare’s Hamlet are portrayed as more powerful and dominant than the women in their play.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life