Sydney Walton English IV, Period 3 Research Paper 11 December, 2015 The Harsh Reality Many people know of the social struggles faced by black people in the 1930’s, from the Great Depression to Jim Crow laws. Though few can say, “Wow, life must have been hard,” or “Times were tough.” they cannot fully grasp the hardships faced by blacks during this time period. Moreover, people who are still alive can say they knew what it was like growing up as a struggling black citizen from an underprivileged neighborhood, such as the notorious Harlem, New York. But many cannot empathize with being a underprivileged gay black youth raised in Harlem, New York. For author James Baldwin, this was his harsh reality. Baldwin’s struggles, as tragic as they were, could only be expressed through his writing. James Baldwin uses the semi-autobiographical aspect of Go Tell It on the Mountain to discuss his sexuality, religion, and the impact of racism on his life. John Grimes, the character Baldwin creates as his alter-ego, is raised in Harlem, New York and lives with his parents …show more content…
John, however, had the ability to please both whites and blacks. When a white teacher showed interest in John, he felt that he had a special gift. John also seeks the approval from his white friends and holds their opinions to a high standard (Baldwin 89). Racism not only divided people by skin color, but also managed to divide families. John was disgusted by his father’s reaction to his brother standing up for his mother. Gabriel slapped his mother for speaking out of term and then beat Roy, who had already been beaten by the white boys, with a belt for defending his mother (Baldwin 48). As, John becomes more intrigued with white people during this time period, his father only despises him more. Though John makes an effort to be apart of the dominant culture in his community, he ultimately still felt the rejection of his
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
Reilly, John M. " 'Sonny's Blues': James Baldwin's Image of Black Community." James Baldwin: A Critical Evaluation. Ed.Therman B. O'Daniel. Howard University Press. Washington, D.C. 1977. 163-169.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Baldwin’s story presents the heart breaking portrayal of two brothers who have become disconnected through respective life choices. The narrator is the older brother who has grown past the depravity of his childhood poverty. The narrator’s profession as an algebra teacher reflects his need for a “black” and “white,” orderly outlook on life. The narrator believes he has escaped life’s sufferings until the death of his daughter and the troubling news about his brother being taken in for drug possession broadside him to the reality of life’s inevitable suffering. In contrast, his brother, Sonny has been unable to escape his childhood hardships and has ended up on the wrong side of the law. While their lives have taken ...
More specifically speaking, Baldwin is assessing through the fictional story the difficulties in understanding and accepting those who do not comply with social norms. Throughout the entirety of the story it is clear that Sonny’s brother cannot understand his brother or his brother’s choices. This inability to identify with and comprehend his brother drives a wedge between the two, until finally, the narrator shows up to a performance put on by Sonny, opens his mind and his prejudices, and begins to finally understand his
Baldwin's mind seems to be saturated with anger towards his father; there is a cluster of gloomy and heartbreaking memories of his father in his mind. Baldwin confesses that "I could see him, sitting at the window, locked up in his terrors; hating and fearing every living soul including his children who had betrayed him" (223). Baldwin's father felt let down by his children, who wanted to be a part of that white world, which had once rejected him. Baldwin had no hope in his relationship with his father. He barely recalls the pleasurable time he spent with his father and points out, "I had forgotten, in the rage of my growing up, how proud my father had been of me when I was little" (234). The cloud of anger in Baldwin's mind scarcely lets him accept the fact that his father was not always the cold and distant person that he perceived him to be. It is as if Baldwin has for...
Throughout his literature, James Baldwin discusses the issues of racial inequality within America and discusses reasons for the conflicts between races, proposing his solutions to the problems. One of the most important and recurring motifs between his works is the idea of history; the history of whites in western society and its origin in European thinking and the history of the American Negro, whose history is just as American as his white counterpart’s. The importance of these histories as being one combined “American history” is integral to the healing process between the two races. The 1954 Brown v. Board of Education Supreme Court decision is a landmark event for blacks and whites alike, and the events following three years later in Little Rock, Arkansas mark the beginning of a long journey to fulfill the promise of equal education made by the Supreme Court. The 1957 events in Little Rock quickly became the nationally covered story of the Little Rock Nine, a legacy that still lives on today despite a James Baldwin prediction made in his essay “Take Me to the Water.” Specifically, nine African-American students were given permission by the Little Rock school board to attend Central High School, one of the nation’s top 40 high schools, integrating a formally all-white campus. During the initial weeks, these students were prevented from entering the school by US military summoned by the Arkansas governor. The Little Rock case drew immediate media attention and became a nationwide symbol of the civil rights movement. The story of the Little Rock Nine embodies James Baldwin’s arguments and observations regarding necessity of education as a crucial step to achievin...
“In 1963, Attorney General Robert Kennedy invited Baldwin and other prominent blacks to discuss the nation's racial situation” (Magill 103). The meeting only reminded Baldwin on how far the nation still had to come (Magill 103). Baldwin continued to write. “During the last 10 years of his life, he produced a number of important works of fiction, non-fiction, and poetry” (PBS 4). For awhile he taught and lectured, but soon it became more and more difficult for him to write (Magill 103). The years of drinking, smoking and traveling finally took their toll (Magill 103). “In 1987, James developed stomach cancer, and it took his life at the age of 63 on December 1, in his home in France” (PBS 4). Being a successful black man in the 1900s shows how smart and gifted James Baldwin
James Baldwin, an African American author born in Harlem, was raised by his violent step-father, David. His father was a lay preacher who hated whites and felt that all whites would be judged as they deserve by a vengeful God. Usually, the father's anger was directed toward his son through violence. Baldwin's history, in part, aids him in his insight of racism within the family. He understands that racists are not born, but rather racist attitudes and behaviors are learned in the early stages of childhood. Baldwin's Going to Meet the Man is a perfect example of his capability to analyze the growth of a innocent child to a racist.
In James Baldwin’s 1952 novel “Go Tell It On The Mountain” the characters in the novel each embark on a spiritual journey. Baldwin has dedicated a chapter to each member of the Grimes family, detailing their trails and tribulations, hopes and aspirations, as each one’s quest to get closer to God becomes a battle. I have chosen the character John because I admire the fierce struggle he endured to find his spirituality. I will examine how he’s embarked on his quest and prove that he has done it with integrity and dignity.
... the miserable life that African Americans had to withstand at the time. From the narrator’s life in Harlem that he loathed, to the drug problems and apprehensions that Sonny was suffering from, to the death of his own daughter Grace, each of these instances serve to show the wretchedness that the narrator and his family had to undergo. The story in relation to Baldwin possibly leads to the conclusion that he was trying to relate this to his own life. At the time before he moved away, he had tried to make a success of his writing career but to no avail. However, the reader can only be left with many more questions as to how Sonny and the narrator were able to overcome these miseries and whether they concluded in the same manner in the life of Baldwin.
Baldwin and his ancestors share this common rage because of the reflections their culture has had on the rest of society, a society consisting of white men who have thrived on using false impressions as a weapon throughout American history. Baldwin gives credit to the fact that no one can be held responsible for what history has unfolded, but he remains restless for an explanation about the perception of his ancestors as people. In Baldwin?s essay, his rage becomes more directed as the ?power of the white man? becomes relevant to the misfortune of the American Negro (Baldwin 131). This misfortune creates a fire of rage within Baldwin and the American Negro. As Baldwin?s American Negro continues to build the fire, the white man builds an invisible wall around himself to avoid confrontation about the actions of his ?forefathers? (Baldwin 131). Baldwin?s anger burns through his other emotions as he writes about the enslavement of his ancestors and gives the reader a shameful illusion of a Negro slave having to explai...
The novel, Go Tell it on the Mountain by James Baldwin, provides a particular insight into the African-American religious experiences in the early twentieth century. The author shows the reader a glimpse into the African-American church in the northern part of the United States by framing the book largely within the characters prayers. Baldwin also forms the characters to show how their past religious experiences mediate their relationships with one another and their surroundings. While there are a large number of outside influences that shape how one relates to others, Baldwin argues that religion is one of the key components in African-American relationships in the early twentieth century.
James Baldwin’s Go Tell it on the Mountain portrays the discrepancies between societal moral codes that uphold the current distribution of power, and ethics that benefit the greater community. These differences lead to theological systems that exalt the clergy regardless of their true ethical standing. Thus, Baldwin argues that widespread Manicheanism leads to rigid and oppressive hierarchies.
Shortly after James Baldwin was born, his mother divorced his biological father. He was addicted to drugs and his mother did not want her children growing up around a man like that. Baldwin’s mom moved their family up to Harlem New York. There she married a preacher by the name of David Baldwin. Their family was very poor. For the majority of his childhood, James had the responsibility of taking care of his younger siblings while his mother and father tried to put food on the table. Baldwin’s stepfather was known to have been abusive to James and his other siblings, but he especially harshest on James. While James was a teen he had a self-realization that he was in fact gay. Being an African American was difficult enough in the 1940’s but to add to that he was a writer and a homos...