Patrick Rosal’s poem, “BEAST,” is a unique poem that diverges from the archetypal model of poetry. Perhaps, to an untrained eye, it may seem like a poorly written poem, however, it is actually quite eloquently crafted. There are several elements that give it a deeper meaning that might be difficult to understand upon the first couple readings. The more the poem is read, the more obvious the elements become. Rosal’s consistency with his diction throughout the story, the first portion of the poem acting as a juxtaposition to the second, and connections with the poem, “How to Fall in Love With Your Father,” are combined perfectly to form this excellent piece of work. Throughout the entirety of the poem, the diction has a very negative animal-like connotation. Rosal refers to the protagonist as a “beast,” and a “monster” in the beginning (Rosal). To add to it, he replaces the word, mouth, with mandible which is reminiscent of a bug; not a human. In the last few lines, when Beast’s father dies is where the diction is shown most in the end. …show more content…
Rosal keeps up with the startling choice of words that evoke a negative response in the reader for the entire poem. Another irrefutable element that is present in the poem is the juxtaposition of the poem within itself. The first portion of the poem is set in a gym with a “crud-ridden” floor where monsters go to play their “ugly” game (Rosal). Now, the change comes with the world “but” in the lines, “This is how I listened to Beast recite after those Wednesday nights his invented names for fire in such holy brag and trash but also
The poem is written in the style of free verse. The poet chooses not to separate the poem into stanzas, but only by punctuation. There is no rhyme scheme or individual rhyme present in the poem. The poems structure creates a personal feel for the reader. The reader can personally experience what the narrator is feeling while she experiences stereotyping.
If someone had previous knowledge of a crime, are they just as guilty for not reporting that a crime was going to happen as the person(s) that actually perpetrated the crime? This question was a major point of discussion and the major driver of the plot in the book Monster by Walter Dean Myers. In this book, 16 year old Steve Harmon is being tried for felony murder for participating in a robbery perpetrated by James King, Bobo Evans, and Osvaldo Cruz that ended in the death a Alguinaldo Nesbitt. Although the jury found Harmon innocent in the end, the readers still learn that Steve knew that a robbery was going to happen. Also, scattered throughout the book were bits of evidence that alluded to Steve’s involvement in the robbery. Therefore,
The poem is written in the father’s point of view; this gives insight of the father’s character and
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
There is no greater bond then a boy and his father, the significant importance of having a father through your young life can help mold you to who you want to become without having emotional distraught or the fear of being neglected. This poem shows the importance in between the lines of how much love is deeply rooted between these two. In a boys life he must look up to his father as a mentor and his best friend, the father teaches the son as much as he can throughout his experience in life and build a strong relationship along the way. As the boy grows up after learning everything his father has taught him, he can provide help for his father at his old-age if problems were to come up in each others
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
The fairytale The Beauty and the Beast is illustrated as a love story, however when looking deeper into Belle’s nature it seems to be that she is affected by several disorders throughout the film. In Beauty and the Beast, we see Disney once again sugarcoat personal problems in order to present a young audience with a one dimensional and simple female hero. Belle has clearly shown symptoms of Schizoid Personality Disorder, Stockholm Syndrome and Schizophrenia which can be treated by a biological therapeutic approach or a psychoactive drug approach and therapy.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
Upon reading Robert Hayden's 1970 poem, 'The Whipping'; (1075), one may find themselves feeling very disturbed. The title is not subtle in hiding the fact that the plot of the poem is of a mother beating her son. The tone of the poem is very violent, and filled with a lot of anger. The boy's character immediately demands sympathy from the reader and just as instantaneously, the mother is hated by the reader. From his first stanza, to his sixth, Hayden utilizes an arsenal of words, symbols, and images to create a scene that is intense and emotional to the reader.
The tone in O’Connell’s poem is very tense, with words like rusty, splintered, sizzled, and bullets. The anxiousness that is given off in the writing is a perfect mirror of the girl in the poem’s feelings and the violent words from her father. It is not until he has passed that she finds the fierceness inside of her.
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
The monsters that ravage the world of men are nothing without the perverted natural space they occupy. Their liminal nature, the quality which makes them monstrous, is reflected in the spaces they occupy within the landscape of the poem. These monsters are constructed by and inextricable from the landscapes which they inhabit. The landscape gives these monsters meaning. These monsters are not so much living breathing creatures, but a manifestation of Old English elemental fears in the dreamlike configuration of the narrative. Whether its Heorot, the sea, Grendel’s Fens or Grendel's mothers mere; these landscapes help define these entities in this
Poetry often allows readers to identify complex issues through the underlying idea or theme. Robert Hayden, Sylvia Plath, and Shakespeare vividly express their perspectives through the theme of love, providing readers with various outlooks into their individual perceptions of love. For instance, Hayden conveys his conflicting feelings of love towards his foster father. As a young child Hayden perceived his father as cold and grim. However, as an adult he becomes fully aware of the sacrifices his father made for him as a child in the name of love. Similarly, Plath professes her unresolved feelings about her daddy’s domineering love. Frequently, Plath identifies herself as a victim of his venomous affection, one in which she can not escape through
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.
A specific example of a man who tosses three girls out the window and then plunges to his own death serves to show us the horror of the situation. the poem then continues on to tell us of in humane conditions in Scotland. It ends by telling us about the slaves who picked and planted the cotton. The speaker seems to be telling us a story in order to inform us of what's going on in the shirt industry.Robert Pinsky doesn't have many obvious examples of diction in his work, although hints of it can be found. There is a simile in the first line of the tenth stanza.