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Critical assessment of the twentieth century war poetry
Essay on poetry of the first world war
Critical assessment of the twentieth century war poetry
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In the article, “Avrom Sutzkever’s Art of Testimony: Witnessing with the Poet in the Wartime Soviet Union,” Hannah Pollin-Galay makes the argument that Avrom Sutzkever’s poetry had a large influence on the portrayal of the Holocaust in war-time Soviet Union. Pollin-Galay supports this notion by evaluating Sutzkever’s credibility in the context of expressing Holocaust victim testimonies and addresses the role it played in advancing his influence. Also, Pollin-Galay establishes that Sutzkever’s addition to the literary portrayal of the Holocaust was drastically different than anything that had previously been seen before that time. Furthering this idea, she distinguishes two different criteria that created this meaningful difference: emphasis on dialogue and reciprocity. She evaluates the dramatization of speech and conversation used by Sutzkever, which allowed for a more accessibly genuine portrayal of the Nazi Atrocities that had been occurring prior. Lastly, Pollin-Galay clarifies the importance of Sutzkever’s poetry in the effect it had on not only the general public, but more so, the victims whose stories were previously altered or not appropriately expressed. She stresses that the impact Sutzkever had on his audience was that of great importance. …show more content…
Pollin-Galay makes the claim that Sutzkever’s poetry had a large impact on the portrayal of the Holocaust in the war-time Soviet Union. Furthermore, she attributes this influence to his method of expressing victim testimonies. In analyzing these stories and evaluating his experience with the Holocaust, she concludes that his experience during those times granted him a distinguishing credibility in expressing other’s experiencing that elevated his influence above others who had previously attempted to do the same. This provides a reason why his work was as impactful as it
More than 12,000 children below the age of 15 proceeded through the Terezin Concentration Camp, known by its German name of Theresienstadt, between the years 1942 and 1944. Out of all, more than 90 percent deceased during the Holocaust. To add on, Jewish children wrote poetry about their horrific experiences they went through in Nazi concentration camps. Additionally, the poet’s word choice produces the narrator’s point of view. For example, in the poem The Butterfly, it states, “It went away I'm sure because it wished to kiss the world goodbye” (stanza 2). In other words, Pavel Friedmann, poet, uses first-person point of view, so the narrator can be the main person in the poem by saying things from his/her perspective. From this, we can infer that the poet’s word choice in a way puts the narrator into their feet, in order for him/her to have a feeling as if they’re the one confronting this harsh obstacle in life like the poet had to challenge with.
It is interesting to read the connections of Night, by Elie Wiesel because they include the experiences of the Holocaust from other people's’ points of views. In A Spring Morning, by Ida Fink, it is shocking that the innocence has been stripped away from the child as the speaker reveals, “Fire years old! The age for teddy bears and blocks” (Wiesel 129). This child is born innocent, she has not harmed anyone, yet she has to suffer. Reading about the Holocaust is difficult, I wonder how others had the motivation to live during it. The description of a little girl getting shot is heartbreaking as the speaker explains, “At the edge of the sidewalk lay a small, bloody rag…. He [Aron] had to keep on walking, carrying his dead child” (Wiesel 133).
The use of eyewitnesses has been a constant in of criminal justice system since its very beginning. Unfortunately, people do not make the best witnesses to a crime. The person may not have seen the actual criminal, but someone that looks similar to them. The witness may lie about what he or she may have scene. Also the witness can be influenced by the police as to who or what they saw at the time of the crime. The witness or victims memory of the person may have faded so that they don’t remember exactly what had seen, which could be disastrous for the accused.
Most historical events, whether beneficial or detrimental to society, bear witnesses. Regardless of how many total were affected by the event, each person owns a personal account of what they endured during the event. Elie Wiesel, author of Night, expresses the personal account of Elizer, a Jewish teenager, who fought to stay alive during the holocaust, and shows the importance of witness accounts, the will to survive, and the remembrance of past historical events. Night encompasses the idea of “Literature of Witness” by simultaneously showing how millions of people were affected by the holocaust and how each person, principally Elizer, has their own personal story to tell to understand and remember that horrendous time.
The poem “Woodchucks” by Maxine Kumin, is about the narrator’s attempt to eradicate woodchucks from a garden. The figurative message of the poem is how a person can change from good to evil effortlessly. The metaphor of the Holocaust is intertwined in the poem and helps enhance the figurative message. The uniform format and the implication of Kumin’s word choices creates a framework that allows the reader to draw out deeper meanings that the literary devices create. Maxine Kumin’s use of an undeviating format, word choice, and allusion to the Holocaust reinforces the purpose of her poem.
Since the publication of, Night by Eliezer Wiesel, the holocaust has been deemed one of the darkest times in humanity, from the eradication of Jewish people to killing of innocents. Wiesel was one of the Jewish people to be in the holocaust and from his experience he gave us a memoir that manages to capture the dark side of human nature in the holocaust. He demonstrates the dark side of human nature through the cruelty the guards treat the Jews and how the Jews became cold hearted to each other. Wiesel uses foreshadowing and imagery, and metaphors to describe these events.
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
The resistance of the Holocaust has claimed worldwide fame at a certain point in history, but the evidence that the evil-doers themselves left crush everything that verifies the fantasy of the Holocaust. For an example, in Poland, the total Jewish population of over thirty-three hundred thousand suddenly plummeted to three hundred thousand. Ten percent of the population survived the Holocaust in Poland. Almost every country that the Nazis have conquered has the same percent of survival as Poland. In Elie Wiesel Wiesel’s memoir Night, the activities in the concentration camps, the suffering of Jews, and the disbelief of the inhumane actions of the Nazis result in making people resist the truth.
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
During World War I Avrom Sutzkever spent most of his early childhood in Siberia where he and his parents took refuge from German armies. His father died in Siberia and his mother then moved the family back to Avrom’s birthtown in nineteen twenty-one, three years after World War I had ended. Following the war Avrom attended a local Polish Jewish high school, attended university classes in Polish literature, and was...
In Art Spiegelman’s Maus, the audience is led through a very emotional story of a Holocaust survivor’s life and the present day consequences that the event has placed on his relationship with the author, who is his son, and his wife. Throughout this novel, the audience constantly is reminded of how horrific the Holocaust was to the Jewish people. Nevertheless, the novel finds very effective ways to insert forms of humor in the inner story and outer story of Maus. Although the Holocaust has a heart wrenching effect on the novel as a whole, the effective use of humor allows for the story to become slightly less severe and a more tolerable read.
The delineation of human life is perceiving existence through resolute contrasts. The difference between day and night is defined by an absolute line of division. For the Jewish culture in the twentieth century, the dissimilarity between life and death is bisected by a definitive line - the Holocaust. Accounts of life during the genocide of the Jewish culture emerged from within the considerable array of Holocaust survivors, among of which are Elie Wiesel’s Night and Simon Wiesenthal’s The Sunflower. Both accounts of the Holocaust diverge in the main concepts in each work; Wiesel and Wiesenthal focus on different aspects of their survivals. Aside from the themes, various aspects, including perception, structure, organization, and flow of arguments in each work, also contrast from one another. Although both Night and The Sunflower are recollections of the persistence of life during the Holocaust, Elie Wiesel and Simon Wiesenthal focus on different aspects of their existence during the atrocity in their corresponding works.
The Holocaust continues to exist as a black mark in the history of Germany; through the government supported torture and extermination of both men and women, more than 6 million lost their lives. As a consequence of the collective tragedy for both sexes, there has been much debate pertaining to the focus of gender specific suffering in Holocaust literature; for this reason, the Holocaust accounts of women writers were largely ignored prior to the 1970’s. Many historians still refute disparities existed between the male and female experience. However, it is worth noting that the social, familial, and cultural expectations of men and women, both prior to and during the war, varied greatly. Moreover, these diverging roles promoted distinctively different coping, processing, and accounting of the tragedies stemming from the Holocaust. By examining the unique experiences of women, both within and outside the concentration camps, one can logically conclude these remarkable accounts broaden the scope of Holocaust literature. Embedded gender roles helped the survival efforts of women, and these unique female perspectives are valuable in accurately portraying the Holocaust experience.
The poem ‘Frozen Jews’ is a pragmatic representation of the Jewish holocaust, in which was written by a survivor Avrom Sutzkever. One year before the denomination of the crisis, Sutzkever was finally able to tell his story after its release on July 10th 1944. Avrom illustrates the vexatious deaths of his fellow Jewish people, stranded and enshrouded by accumulated mounds of snow; deprived of optimism, support or any chance of survival. Sutzkever gives insight on his story through the use of poetic devices, his eloquent writing techniques and the composition of mood and tone throughout the poem. The conflict of man verses society is distinctly established within the poem.
Strangeways, Al. "'The Boot in the Face': The Problem of the Holocaust in the Poetry of