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Auteur theory paper
Arguments against auteur theory
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This week we delve deeper into the concept of authorship, particularly around what and how we understand authorship to exist. The theorists of week two provide examples of authorship that do not entirely coincide with the auteur theory, more so they present ideologies that challenge the atypical notion of auteurism. John Hartley’s three headings of authorship (God, No-One, Everyone), Jonathan Gray’s pluralistic authorial view, and Walter Benjamin’s conceptualization of the author as producer. John Hartley theorizes three sub-categories for authorship: God is an Author, No-One is an Author, and Everyone is an Author; each of these concepts furthered by anecdotal emphasis and overall illustrating the vastness of the term author. God is an Author …show more content…
Essentially, Gray believes that no-one person is a singular author, but rather there are multiple collaborators. Gray is a couple weeks ahead of his time by elaborating the differences between many of the theorists we will discuss in class notably the differences in ideology between Roland Barthes and Michel Foucault. It is important to note that Gray not only furthers the concept of multiplicity in terms of authorship, but he presents new foundations for how to approach the contested topic: “debate over authorship has often been those of ‘who is the author?’ and ‘what is the author?’ both of those questions may be more profitably answered by asking instead ‘when is the author?’ and ‘how does the authorship happen?’” (Gray, 107). Gray emphasizes the point that the initial birth of authorship is not the key point, but rather what the extenuating circumstances surrounding the author that is more important. Finally, Walter Benjamin continues Gray’s concept of ‘how does authorship happen?’ through his theory of ‘the Author as producers.’ Benjamin contends that authorship is formed when a creator is “inserted into the context of living social situations” (Benjamin, 87). Essentially, the author cannot simply view a subject from the outside but instead be immersed in the content that they write about. Benjamin poses the question as to why we value
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd Ed. Studio City: Michael Wiese Productions, 2007.
The Power of an Author Authors have the ability justify the worst actions. Authors have a way of romanticizing certain situations in order to convey a specific message. A good author has power to influence the reader into believing whatever it is the author wants. When it comes to the story of Hannah Dustan, authors such as John Greenleaf Whittier have romanticized her captivity story along with the actions she took throughout her journey. Introducing a character that will be seen in the story is one of the most vital parts when creating a piece of literature.
“I write because I love. I write for the survival of self, my children, my family, my community and for the Earth. I write to help keep our stories, our truths, our language alive”. (qtd. in Anthology 396.)
Secondly, “A Place to Stand On” an essay of assimilation and connection to the past. And finally, “Why I Write” a composition on how writing grows along side the author. Each of these essays relays the proposition of writing being more than an escape, but less than an accustomed piece of work. Barbara Kingsolver, author of “Not So Deadly Sin” allows herself to
Wright, Richard. "The Man Who Was Almost a Man." Literature and the Writing Process. Ed.
"I no longer believe that the author has a sort of patria potestas over his brainchildren. Once they are printed they have reached their majority and the author has no more authority over them, knows no more about them, perhaps knows less about them than the critic who comes fresh to them, and sees them not as the author hoped they would be, but as what they are" (45).
"It is one of the blessings of this world that few people see visions and dream dreams" (Hurston). An author, especially during the Harlem Renaissance which immediately followed World War One, is someone who took their dream, acted upon it, and made it into something tangible on paper. An author takes their thoughts and creates something beautifully unique each and every time. Being an author takes a lot of strength in order to find your place in the overpopulated industry of up and coming authors-to-be. In any industry, not just writing, it takes a while to find one's special voice and style. A well respected author of the Harlem Renaissance, Zora Neale Hurston wrote
Although William Shakespeare is considered to be one of the most revered and well-renowned authors of all time, controversy surrounds the belief that he actually produced his own literary works. Some rumors even go so far as to question the reality of such a one, William Shakespeare, brought on by paralleling the quality of his pieces with his personal background and education. With such farfetched allegations, it persuaded others to peek into the person we all are taught to learn as “Shakespeare”, but who is actually the person behind these genius works of literary promise and enlightenment? To some, Shakespeare is as much accredited to his works as frequently as you see his name placed. To others, Shakespeare is a complex enigma into which we the people are supposed to unravel; the true author behind a falsely-given pseudonym. The debate pertaining to the true authorship of William Shakespeare’s works are still questioned in today’s society.
Orenstein, Peggy. “What’s Wrong with Cinderella?” The New York Times Magazine. 4 Dec. 2006. Rpt. in Writing Communities and Identities. Ed. Cynthia Debes et al. 6th ed. Plymouth, MI: Hayden-McNeil Publishing, 2009. 50-54.
The notion of the author has often been disputed when it comes to critical literary studies. The argument centers around one basic question: Should the author be considered when looking at a text? There are numerous reasons given as to why the author is important or why the ...
and Other Greats : Lessons from the All-star Writer's Workshop. New York: McGraw-Hill, 2006. Print.
There is no doubt that the literary written by men and women is different. One source of difference is the sex. A woman is born a woman in the same sense as a man is born a man. Certainly one source of difference is biological, by virtue of which we are male and female. “A woman´s writing is always femenine” says Virginia Woolf
Gilbert, Sarah M. and Gubar, Susan. "From the Infection in the Sentence: The Woman Writer and the Anxiety of Authorship." The Critical Condition: Classic Texts andContemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1361-74.
When we interpret a text, we bring our own hopes, fears, joys and beliefs to the forefront, despite our claims of intellectual objectivity, and what is at stake is not just an evaluation of the work itself, but often an evaluation of our political, social, psychological and emotional identities. What we see or read into a text can become a kind of experiment, a literary depiction of the way we see, or would like to see, and interpret ourselves and our world. Often, in the course of interpreting, we feel compelled to name and label both writer and text in order to talk about them in ways that make sense to us, and in order to pinpoint them in relation to ourselves. When we label anything, we attempt to control or own it; we assign values or a set of rules to that person or object. What is lost in that process...