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August Wilson was a famous African American screenwriter from the nineteen-fifties, known for his production of Fence, a play about disfunction African American family during the nineteen-fifties, was revered for his contribution to the Black Arts Movement. Along with his piece Fences, it brought forward the work and brilliance of the Black Arts Movement to a wider audience, across the United States’ mostly-white dominated theaters. This was no small task; Wilson states the hardships when asked in an interview with Paris Review “ If you had to construct an imaginary playwright, with what qualities would you endow him or her?”, he answer with the word ‘Honesty’, which is the way Wilson wanted to make his plays, because he wanted others to know …show more content…
A double-sided word, which is hard to come by in a society that was and in many ways still is racist, sexist, and corrupt. Wilson didn’t want to paint people a picture of a nuclear family with no problems, but instead one of the truth. Wilson realized if he wrote an honest play people would come to understand just how dysfunctional the majority of communities he was raised in were. Where poverty was widespread, local governments were discriminatory against the African Americans community, its people had little education, and therefore hurt their chance of success. Along with problems families faced, Rose, Troy’s wife and Cory’s mom, starts off her marriage to Troy with an ultimatum in Fences she says:”I told him if he wasn't the marrying kind, then move out the way so the marrying kind could find me.”.While the majority of the children of these communities were doomed to work the same low paying jobs as their fathers. Wilson knew that his passion was the Arts so he did what he could to combat the harsh lifestyle black communities were facing. He accomplishes this reality with Fences, therefore his work is praised by people across the country and is seen that his ‘Craft’ was used to the best of his abilities and ends up merged with majority of Arts departments, making a more racially diverse
“Fences” is a play written by August Wilson about a family living in Pittsburgh, Pennsylvania in 1957. Troy and Rose have been married for 18 years and have two grown children; Lyons and Corey. Troy is an uptight, prideful man who always claims that he does not fear death, the rest of his family is more laxed and more content with their lives than Troy is. As the play progresses the audience learns more about Troy’s checkered past with sharecropping, his lack of education and the time he spent in prison. The audience also learns more about Troy’s love for baseball and the dreams he lost due to racism and segregation. In the middle of the play the author outwardly confirms what the audience has been suspecting; Troy isn’t exactly satisfied with his life. He feels that he does not get to enjoy his life and that his family is nothing more than a responsibility. Getting caught up in this feelings, Troy cheats on Rose with a woman named Alberta and fathers a child with the mistress. By the end of the play Troy loses both of the women and in 1965, finally gets the meeting with death that he had been calling for throughout the play. Over the
Fences was published in 1983 but the setting was the 1950s in August Wilsons home town. Wilson’s main purpose of this play is to show how the separation of humans into racial groups can create social and finance instability and can have a huge effect on African Americans and whites. The 1950s was the middle of the civil rights era. The Maxsons Family is African American, In the 1950s there was not many jobs for African Americans; most people believed that this is what pushed Troy to steal things in order to provide for his family. Troy went to prison for murder and when he got out he was determined to do good deeds and to turn his life around; shortly after he got out of prison he got a job as a Garbage man. Troy is a tragic figure and a villain; he is a tragic figure because he made great effort to do good deeds for his family, but he allowed his imperfections to get in his way which led to a horrible death. Troy is a villain because of what he did to his wife Rose. (Shmoop; Editorial Team)
Fences is a play that deals with boundaries that hold people back and the trials and tribulations of those who try or wish to cross them. The characters are African-Americans in a time before the civil rights movement, living in an industrial city. The main character, Troy Manxson, is a talented baseball player who never had the chance to let his talent shine, with restrictions on race and his time in jail as the main obstacles that held him back. He is now hard working and loves his family. However, he tends to exaggerate and has his faults, most prevalent a wandering eye when it comes to women. His wife, Rose, is younger than him and loyal, but she may not have known about all of his faults when she married him. At the beginning of the play, Troy has a son from a previous marriage, Lyons, and a son with Rose, Cory. Also appearing are Bono, Troy’s drinking buddy, and Gabriel, his brother.
Then, in the play, Wilson looks at the unpleasant expense and widespread meanings of the violent urban environment in which numerous African Americans existed th...
The theatrical production Ma Rainey’s Black Bottom is one that has many themes. Not only does the playwright August Wilson bring up several thoughts on the injustices and social issues of the time he also displays how it effected blacks. With all of these ideas it made me wonder what audience was Wilson trying to address with play. In reading the play there were several instances where I could see where Wilson was addressing a mixed audience. Let me explain.
August Wilson was born in 1945, in Pittsburg, Pennsylvania. He was one of the most acclaimed American playwrights of the 20th century. His plays won two Pulitzer Prizes in drama, one for Fences and the other for The Piano Lesson, eight New York Drama Critics ' Circle Awards, and the highest honor on Broadway, the Tony Award. He married three times. His first wife was Brenda Burton, a Muslim, with whom he had a daughter named Sakina Ansari. After the marriage ended in 1972, he later married his second wife, Judy Oliver, a white social worker, who fiscally supported him during the early years of his career as a playwright. After their divorce in 1990, he later married his third wife, Constanza Romero, a costume designer, with whom he had a daughter named Azula Carmen. He died of liver cancer on October 2, 2005. Then two weeks later, the Virginia Theatre in New York City was renamed the August Wilson Theatre in his honor. Then on May 30, 2007, the State of Pennsylvania designated his childhood home a historical landmark. His mother’s name was Daisy, similar to Rose, is the name of a flower which symbolizes the love, kindness, care, and upbringing mothers show their kids. She practically had to raise four kids alone because of the absence of support from her husband. She is an example of the silencing of women. She was in an interracial marriage, which caused them to move to a new neighborhood where she was a victim of racial prejudice. During this time, whenever someone fell victim to racial prejudice people usually threw bricks through their windows in order to intimidate them to leave, so this might have been one of the problems his mom faced along with feeling out of place and getting bitter looks from the neighbors
Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a kind of limbo between human and object. Nadel’s thesis is easy to spot, and is actually pointed out directly on page 88 of the text. It reads that August Wilson’s play actually investigates the position of black persons as the metaphorical “fence” between humanity and property, arguing that the effects of this situation interacts within the “context of white [America]” so that a wider range of people are able to view the internal struggles of the black community.
Winner of multiple awards such as the Tony Award, the New York Drama Critics Circle Award, and the Pulitzer Prize, August Wilson is known most for his forceful cultural plays. Born and raised in Pittsburgh, Pennsylvania, Wilson was born to a white father that later abandoned his family, and a black mother. Wilson dropped out of school in the ninth grade after being accused of plagiarism. Wilson after went to public libraries and read various books; this was an initiation for Wilson and his successful future. When Wilson first started writing he didn’t think he was able to write his own works because of such great writers before him. “Quote black literature criticism”. However Wilson has managed to accomplish great works such as his second Pulitzer Award winning play, The Piano Lesson. The play introduces an outstanding and dynamic cultural view of many black Americans in the twentieth century. It conveys a family feud that is set off by a piano, a miraculous piano. In The Piano Lesson, August Wilson introduces two siblings, Boy Willie Charles and Berniece Charles Crawley, set in 1937. Wilson first reveals that Boy Willie lives in Mississippi, and Berniece lives in Pittsburgh, Pennsylvania (set of the play). This identification of the two allows the audience and reader to know that there is and will be a difference between the two siblings.
Wilson does a creative job by using the fence metaphorically and literally. The fence was supposed to represent protection and family ties for the Maxson family. However, Troy’s past has left him with many scars. As he continues to make decisions for Rose and Cory, the layers of paint begin to strip away, revealing Troy’s failings to all, even to Death. After Troy’s failings become obvious to readers, the fences throughout the play begin to take form. The literal fence becomes a symbol that seals up the whole play. Readers see how if one continues to fence their loved ones out then eventually they will be left alone with their worse fear.
The theme of August Wilson’s play “Fences” is the coming of age in the life of a broken black man. Wilson wrote about the black experience in different decades and the struggle that many blacks faced, and that is seen in “Fences” because there are two different generations portrayed in Troy and Cory. Troy plays the part of the protagonist who has been disillusioned throughout his life by everyone he has been close to. He was forced to leave home at an early age because his father beat him so dramatically. Troy never learned how to treat people close to him, and he never gave anyone a chance to prove themselves because he was selfish.
life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.
Racism is everywhere; it is all around us and at most times it resides within us. Racism basically refers to the characterization of people (ethnicity based) with certain distinct traits. It is a tool with which people use to distinguish themselves between each other, where some use it to purposely inflict verbal, physical or mental attacks on others while some use it to simply distinguish or differentiate from one another. It all depends on the context in which it is used. The play Fences by August Wilson, takes place during the late 1950’s through to 1965, a period of time when the fights against segregation are barely blossoming results. The main protagonist, Troy Maxson is an African American who works in the sanitation department; he is also a responsible man whose thwarted dreams make him prone to believing in self-created illusions. Wilson's most apparent intention in the play ‘Fences’, is to show how racial segregation creates social and economic gaps between African Americans and whites. Racism play a very influential role in Troy’s but more importantly it has been the force behind his actions that has seen him make biased and judgmental decisions for himself and his family. Lessons from the play intend to shed light on how racism can affect the mental and physical lives of Troy Maxson and his family.
Nadel, Alan. May All Your Fences Have Gates: Essays on the Drama of August Wilson. Iowa City: U. of Iowa Press, 1994. Print.
August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep things inside or outside Troy used the fence he was building to keep out death, his family, and his disappointments in life while Rose used the fence to keep those she cared about inside and help them bond.
August Wilson created many themes throughout his famous play, Fences, but the most prominent one is the relationship between fathers and sons. The three father-son relationships introduced in this play seem to be complicated or difficult to understand. However, it is clear that the relationships built between Troy Maxson and his son Cory, Troy and his other son Lyons, and Troy and his own father are not love-driven. The parallelism of actions, events, and tension amongst each of the father-son relationships in the play illustrate how the sons try to break free from the constraints the father has set, yet in the end, these attempts seem to be pointless as the father leaves an everlasting effect on the sons, ultimately creating a cycle of actions