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Audre Lorde is an American Writer and Feminist who understands that women deserve a tremendous voice. She expressed, “I write for those women who do not speak, for those who do not have a voice because they were so terrified, because we are taught to respect fear more than ourselves. We’ve been taught that silence would save us, but it won’t”. Lorde declares that women should not be discouraged to stand up for what they need. She says that by writing she is making a voice for others that are too fearful. While some may think that writing has exceeded every boundary, that is misrepresented there is still suppression against women in literature. Women are oppressed in literature because of society and cultural views, ignorance in both genders, …show more content…
female archetypes, and stereotyping in children's books. To illustrate, literature even at a young age, when brains are still developing, has supported stereotypes that are oppressing adolescent girls. A numerous amount of educators have recorded the bias toward male characters rather than female characters. This is validated in a recent Research Journal “Sex Roles”, written by Professor Mykol C. Hamilton, it states, “Gender stereotyping and under-representation of girls and women have been documented in children’s picture books in the past...” (Hamilton). She acknowledges that in the past children's books have based female characters on stereotypes. Hamilton writes furthermore, “We explored sexism in top selling books from 2001 and a 7-year sample of Caldecott award-winning books, for a total of 200 books. There were nearly twice as many male as female title and main characters. Male characters appeared 53% more times in illustrations. Female main characters nurtured more than male main characters did, and they were seen in more indoor than outdoor scenes. Occupations were gender stereotyped, and more women than men appeared to have no paid occupation.” (Hamilton). Hamilton points out in the 200 children's books that most of protagonists are male. When there are female characters they consistently do not have a profession and stay home with the children. According to Hamilton women's oppression starts at a young age in children's books. In addition, in the text Things Fall Apart it reveals patterns of female characters who emphasize or dismiss certain customs.
Ekwefi, Okonkwo’s second wife of three, is devoted to her daughter Ezinma because she is the only child out of ten that survived. She gave up all hope until Ezinma lived past the age of four. In that culture if a mother loses that many children that woman is known as a “cursed” woman. In that culture women are seen as property and they are expected to provide their husbands with many children. The husbands also want male children who are strong and will carry on the family legacy. When Ekwefi could not bear children, especially not male ones for a legacy, that is when she was named “cursed”. Not only are women seen as objects that just pop out babies for the husband's benefit they also get beaten for not staying in line. There are many instances where Ekwefi is beaten by Okonkwo. The first instance would be around the time of the festival. Achebe writes, “And then the storm burst. Okonkwo, who had been walking around aimlessly in his compound in suppressed anger suddenly found an outlet. ‘Who killed this banana tree?’ he asked” (Achebe 38). Achebe points out that Okonkwo was walking around bored and angry and just needed a release so he picked something that was not important to do so. In this culture it is not unusual for the husbands to beat their wives. Achebe writes, “As matter of fact the tree was very much alive. Okonkwo’s second wife had merely cut a few leaves off it to wrap some food, and she said so. Without further argument Okonkwo gave her a sound beating and left her and her only daughter weeping.” (Achebe
38).
Women have faced oppression in the literary community throughout history. Whether they are seen as hysterical or unreliable, women writers seem to be faulted no matter the topics of their literature. However, Anne Bradstreet and Margaret Fuller faced their critics head-on. Whether it was Bradstreet questioning her religion or Fuller discussing gender fluidity, these two women did not water down their opinions to please others. Through their writings, Bradstreet and Fuller made great strides for not just women writers, but all women.
Women had an important role in the family as the caregiver to their husband and children. They were also expected to cook and clean their compound, plan parties and entertain guests. Men were involved in the politics of their culture and were in charge of the King Yams, their main and most important crop. According to Carrera, the women’s role in the Igbo culture was to be weak and pure for their husbands. The men’s role was to be dominant, in society and at home, this is why they have the “right” to beat their wives. In chapter 4, the author shows the right that men have, “... she returned he beat her very heavily.” The reason that Okonkwo beat his wife was because she didn’t make dinner for him and her children, instead she went to plait her hair. Also, in the Igbo culture men were able to have multiple wives, on the other hand, women were expected to have only one husband. There is however a lot of respect for both genders in their culture though because women were allowed to leave one husband to be with another. On page 109, chapter 11, it shows that Ekwefi was able to do this, “Two years after her marriage to Anene she could bear it no longer and she ran away to Okonkwo.” The respect and value for both of these gender’s was what helped keep the Igbo culture alive and
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Ekwefi and Ezinma relationship is more like one between sisters rather than between mother and daughter. Ekwefi receives a great deal of comfort and companionship from her daughter. Ekwefi loves and respects her daughter for lots women’s having a child is the crown achievement of their life, this is not a attitude of a savage women. It’s a universal trait that can be relative around the word regardless of ones social label placed on them. The mutually supportive between Okonkwo’s wives the kinship; female bonding and protecting each other from Okonkwo’s wrath is present like it would be to this day in modern society. This is taken to the extreme when Chielo takes Ezinma sickness into her own hands by taken her from Ekwefi to the medicine doctor in the caves to find a lasting cure for Ekwefi life long health problems. Both Ekwefi and Okonkwo do not stop Chielo’s authority to take Ekwefi. Chielo is the only woman that can stand up against Okonkwo knows he has to obey her words. Okonkwo shows that his ancestry customs trump his personal views, even if it’s a women carrying out those roles. It also shows that when it comes to maternal love Ekwefi is braver than Okonkwo but he makes up an excuse why he did not follow after Chielo from the beginning as being the defender of his family.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
A main character in the novel, Okonkwo has several wives. He orders them around like dogs. They are never to question what they are instructed to do; they are expected to be obedient. We see this early in the story, when Okonkwo brings Ikemefuna into his home. Okonkwo tells his senior wife that Ikemefuna belongs to the tribe and that she is expected to look after him. She in turn asks him if he will be staying with them for a long period of time. This sends Okonkwo into a fury. He snaps at her in a very degrading manner, "Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"(pg.12) Clearly she receives no respect. Later in the story we see this woman try to comfort Ikemefuna. She "mothers" him as if he is one of her own children. She tries to put him at ease and can almost instinctively feel how much he misses his own mother.
Throughout literature’s history, female authors have been widely recognized for their groundbreaking and eye-opening accounts of what it means to be a woman in society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women characters in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a woman during the time of the Restoration Era and give authors and essayists of the modern day, such as Chimamanda Ngozi Adichie, a platform to become powerful, influential writers of the future.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
“As a matter of fact the tree was very much alive. Okonkwo’s second wife had merely cut a few leaves off it to wrap some food, and she said so. Without further argument, Okonkwo gave her a sound beating and left her and her daughter weeping”, women were expected to be there for their husband to get beaten when things were not going well for them, even though it was not the woman's fault.He was so mad at the fact that a woman stood up to him and he did not respect her enough to let her explain so he just beat her. In Igbo culture men get more than one wife, for them having many wives means more power or have control. Women could also be considered as slaves,that is why men feel to have more power when they have a many wives. In chapter two Okonkwo treats his wife like a worker telling her that she has to do whatever he commands with her not asking any questions.”Is he staying long with us?” “Do what you are told, women” Okonkwo thundered and stammered” women were taught to be silent and obedient. Sometimes they were not called by their given names but as to what their men want to call
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing.