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Racial conflict in South Africa
Racial conflict in South Africa
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Athol Fugard's drama, "Master Harold" . . . And The Boys, was
written during a time of great conflict in South Africa, where he
was raised. Fugard was torn between his mother, who was
"Afrikaaner," (1291) and his father, who was "of English decent"
(1291). These differing influences caused Fugard to use the
discussions between Sam and Hally to demonstrate the religious,
racial, and political tensions of his lifetime in South Africa.
The discussion between Sam and Hally about who was "a man of
magnitude" (1300) represents the religious tensions of Fugard's
lifetime in South Africa between the growing belief in evolution
and Jesus Christ's teaching of Creation. Hally says that Charles
Darwin was "a man of magnitude," (1300) because he was "somebody
who benefited all mankind" (1301). He admires Darwin "for his
Theory of Evolution" (1301), which according to Hally, proves
"where we come from and what it all means" (1301). Sam totally
disagrees with Darwin's "Theory of Evolution" (1301) because
evolution is in contrast to the Bible's teaching on Creationism,
and he says that just because it is in a book it "does not mean
[he's] got to believe it" (1301). Sam believes that "Jesus
Christ" (1302) was "a man of magnitude" (1300). Hally is
obviously against Sam's suggestion of Jesus Christ, because Hally
makes it clear that he is "an atheist" (1303). This disagreement
between Sam and Hally is really just an example of the religious
tensions in South Africa during Fugard's lifetime between the
"Theory of Evolution," (1301) which was becoming more accepted,
and Christianity, which was taught by Jesus Christ.
A second discussion between Sam and Hally that occurs after Hally
learns that his father has gone home demonstrates the racial
tensions of Fugard's lifetime in South Africa. When Sam starts
lecturing Hally about how he treats his father, Hally becomes
angry and tells Sam that he is "treading on dangerous ground"
(1321). Hally also tells Sam that his "mother is right"(1322)
about "warning [him] about allowing you to get to familiar"
(1322). The climax of the argument is when Hally tells Sam that
he is "only a servant" (1322). This is the first noticeable
statement that Hally makes that demonstrates the racial tensions
experienced in South Africa. The next racial statement Hally
makes is when he tells Sam that his father is his boss because
"he's a white man and that's good enough for [him]" (1322).
Unlike most “victimized” cultures of Western European domination, the Ottoman Empire was considerably successful and powerful for many years, particularly in the sixteenth and early seventeenth century under the rule of Sulayman the Magnificent (Haberman, 132). By 1520, the Ottoman Empire had secured much of the Arab Middle East, Belgrade and most of Hungary (Haberman, 132...
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Despite the retirement income crisis, Social Security should be expanded, not reduced. In Arthur Delaney’s article on the Huffington Post, Senator Bernie Sanders stated, “With the middle class struggling and more people living in poverty than ever before, we cannot afford to make life even more difficult for seniors.” A push to adopt CPI-E, rather than a switch to a “chained” consumer price index that cuts retiree benefits, would m...
In William Shakespeare’s A Midsummer Night’s Dream, there are endless images of water and the moon. Both images lend themselves to a feeling of femininity and calm. In classical mythology, the image of water is often linked with Aphrodite, goddess of passion and love. Born of the foam of the sea, Aphrodite was revered as an unfaithful wife to her husband Hephaestus (Grant 36). This may have a direct coloration to the unfaithful nature of the four lovers, Hermia, Helena, Lysander, and Demetrius, while in the woods. Perhaps more important, however, is Aphrodite’s link to the other Olympian maiden goddesses. As Aphrodite was attributed with love and beauty, Athena was the protector of war and arts, and finally, Artemis was the goddess of the woods and wild things (Hamilton 31). Artemis was brother of Apollo, god of the sun, and therefore she was the goddess of the moon. Through out literature it seems imagery of the moon and water can be used nearly interchangeably because they both imply feminine powers; water is representative of life and motion and the moon is representative of Artemis directly. Shakespeare seems to have been quite aware of the duties and powers of this ancient goddess.
William Shakespeare's A Midsummer Night's Dream In the following essay I am aiming to show how Lysander's claim that 'the course of true love never did run smooth' is supported by other events in the play. "A Midsummer Night's Dream" was written by William Shakespeare. No one knows the exact date it was written but we know it was between 1589 and 1595. He combines romance with comedy to produce this popular story.
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Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
He based this conclusion on a British research study. He stated the study asked “400 accomplished women and 500 accomplished men to name their favorite novels. The men preferred novels written by men…the women leaned toward books written by women.” However, everyone knows that there are gender differences amongst reading preferences. There often significant group differences, sometimes even strong ones, but we 'd also find that individuals are complicated and groups are flexible. His analysis does not completely support his
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Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
tells us not that you can't tell a book by its cover. From him saying this I
In 1991, William Shakespeare’s great play “Macbeth” was re-created into a modern day version titled “Men of Respect.” Was the plays textual fidelity lost in transition during the making of the film, or did the film show total loyalty and devotion to the text and the feelings of the play? A closer examination of the characters/lines, classification between good and evil, and the use of light and dark will compare the many differences and similarities between William Shakespeare’s “Macbeth” and William Reilly’s “Men of Respect.”