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Essay about Impressionism
Impressionism easy of art
Essays on impressionism
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Impressionism was born from the urge to break free from the constraints of Art forms in the 19th century. Many studies under mentors who passed on the traditional styles painting form and figure, but some spoke of revolutionizing the art world. World events and public attitude toward art allowed impressionists to break free from the mainstream French Art scene.
Impressionism was initially forged out of a love for nature. The artists were interested in depicting reality as they saw beauty in even the mundane facets of life. The brush strokes and color changes are obvious and the choppy effect sometimes has to be viewed at a distance to determine the picture’s message. When viewed closely, the artist’s emotion is easily discernable with their brush strokes. When viewing impressionist work, it is almost as if you are viewing a memory of what the artist saw. As it loses its accuracy over time, it becomes less focused and sometimes more vibrant in color.
A group of up and coming painters developed the Impressionist art form in France in the late 1800’s. This group of painters, who called themselves “Intransigents”, consisted of Bazille, Monet, Sisley, and Renoir. Fed up with imitating the rigid style of those they studied under, they met on their way home from the studio discussing revolutionizing the art world. They longed to break from the mold. Édouard Manet’s painting of Luncheon in the Grass in 1863 became their inspiration to pursue the artistic form. Manet’s painting was an adaptation of Raphael’s engraving “Judgment of Paris” Years later, as they developed their craft, the need to display their art became apparent. At the time, the Salon was the only contemporary art museum, which was also an artist’s ticket durin...
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...ssionism revealed their craft at an opportune time, as the war had ended many were looking for something other than what the Salon was offering. Though they were criticized and rejected by some, they still pursued their craft influencing painters long after they deceased.
Works Cited
Brodskaya, Nathalia. Impressionism. New York: Parkstone International, 2012.
Columbia Electronic Encyclopedia. Impressionism, in painting. 6th. Columbia University Press, September 2013.
O'Donovan, Leo J. "A promise of happiness -- origins of Impressionism." America. Vol. 171 . no. 17. November 26, 1994. 16-19.
Rewald, John. The History of Impressionism. 4th. New York, New York: The Museum of Modern Art, 1973.
Tucker, Paul. "The First Impressionist Exhibition and Monet's Impression, Sunrise: A Tale of Timing, Commerce, and Patriotism." Art History 7, no. 4 (December 1984): 465-476.
Third Impressionist exhibition in Paris, held in 1877. Currently displayed in the Art Institute of
Walcutt, Charles Child. "Sherwood Anderson: Impressionism and the Buried Life." The Achievement of Sherwood Anderson. Chapel Hill: University of North Carolina Press, 1966. 158-170.
Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w...
A Sunday Afternoon on the Island of La Grande Jatte, located in the Art Institute of Chicago, is one of the most recognizable paintings of the 19th century, a painting made by Frenchman Georges Seurat. Finished in 1886, it has gained much of its recognition over the time of its completion; the pop culture of today has played a pivotal role into the popularity of it. An example of that is being apart in one of the most recognizable scene in Ferris Bueller's Day Off, where one of the main characters is solely staring at the painting until he can’t even recognize the artwork. This painting also gets much attention because it was an early example of the style of pointillism, at the time; pointillism was becoming a new way of expressing one self with the new technique. It also brought upon about the way we saw paintings, and what we gained from the artwork as whole. In all this painting has become an icon in the art scene, due to the technique it used, and how much of an impact it has had in today culture.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Impressionist painting was the beginning of a cultural shift away from religious and mythic themes, to subjects and styles that are less static such as everyday life of the general people, and the fleeting moments around them. As history progresses, so does art and the movements they create. The impressionism movement started in an already war-ravaged France where the evolution of ideals and way of life were as impermanent as the subject of the paintings of the time.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
The Impressionist movement began in France in the 1860s, when several art students challenged the established artistic
“Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness.” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
Lawrence Gowing, Paintings in the Louvre (New York:Stewart, Tabori & Chang, Inc. 1987), p672.
Impressionism grew out of and followed immediately after the Barbizon school. A distinctive feature of the work of the Impressionists was the application of paint in touches of mostly pure colour rather than blended; their pictures appeared more luminous and colourful even than the work of Delacroix, from whom they had learned the technique. To the modern eye, the accepted paintings of the salon artists of the day seem pale and dull.
...m each other. I like the way in which the Impressionist painters managed to break away from the traditional ways of painting. Their careful ways painting which show the effects of light (especially on water) so well are really to be admired. Their use of light bright colours made the way for future painters to become free and express their artwork how they choose. They used short sharp brushwork similar to the Post-Impressionist painters and I feel that Post-Impressionism seems to be almost like a more extreme version of Impressionism. However of the two styles I think that I prefer the Post-Impressionist style as I feel it is freer, bright and shows more emotion. I especially like the long broken and sometimes swirly brushwork which gives everyday scenes a more interesting and exciting feel .The use of bright and vibrant colours brings the paintings to life and creates a range of moods .The artist which I like the most is Van Gogh as I feel his artwork is really quite outstanding .He creates whole new and exciting visions of his interpretations on the things he sees. Not only did he create vivid and intense paintings but also he could express his moods and feelings through them.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Holt, Elizabeth G. From the Classicist to the Impressionists: Art and Architecture in the 19th Century. New Haven, CT: Yale University Press, 1966.
In order to explore new venues of creativity Modernists tinkered with the perception of reality. During the Renaissance, the depiction of a subject was very straight forward. A painting had to look like what it represented. The truth was absolute and right and wrong were clearly defined. For Modernists, the world is much more obscure. In Impressionist paintings, lines are not definite and things tend to blur together. Faces usually do not differentiate one person from another.