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Ancient civilizations of Central and South America
Ancient civilizations of Central and South America
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Art History of central America
Chavin de Huantar was located in Peru and developed around 900 B.C. late in the Initial Period. At an elevation of 3,150 m., Chavin de Huantar was situated at the bottom of Cordillera Blanca’s eastern slopes, approximately halfway between tropical forests and coastal plains. At the intersection of major routes, Chavin de Huantar was in the position to control the routes, increase their exchange with others, and receive goods that were not natural to their area. Chavin de Huantar was an agricultural society, home to a fairly large population.
The Old Temple was built during the late Initial Period and it was the “center of supernatural power and authority.” It was a U-shaped platform opening to the east with a circular courtyard in the center. The Old Temple also consisted of numerous passageways and chambers underground called galleries. These galleries were used for storage chambers, religious rites, and possibly temporary or permanent living for small groups working with temple activities. The Lanzon Gallery is located at the very center of the Old Temple. It was where the sculpture of the Lanzon was found. The Lanzon, the supreme deity of Chavin de Huantar, is anthropomorphic. With its feline head and human body, it has intertwined the feline deity of Chavin de Huantar and the shaman of the pre-Chavin period.
For the pre-Chavin period, the object of worship was the feline, but this was gradually changed. By the time of Chavin de Huantar, it was anthropomorphic. During this time, it was believed that priests could become jaguars and interact with the supernatural forces. This was achieved by taking hallucinogenic drugs as part of rituals at the Old Temple. There are many sculptures that decorate the Old Temple depicting the transformation of the priests. There have been mortars, pestles, conch-shell trumpets, and many other items with anthropomorphic design found and thought to be associated with Chavin rituals.
The New Temple “forms a continuum” with the Old Temple. The same belief system continues and there is evidence of the same rituals. The New Temple also has galleries and plazas.
The Lanzon, although in a different stance, continues to be a symbol of mediation and harmony. The right hand of the deity holds a Strombus shell, for male forces, and the left hand holds a Spondylus shell, for the female forces. The New Temple, however, did not replace the Old Temple.
The Kunz Axe is a votive axe that is associated with the Olmec culture. It was found in the hills of Oaxaca, Mexico by George Kunz in 1890. The axe appears to be dating around 800-500 BC, which is part of the Middle Formative period. Although this artifact is considered an axe, it does not mean that this was its function. The votive axe appears more of a sculpture and it is “more likely that it was used in ritual settings” (Milner Library, n.d.). The material that was used to made this artifact is jade. Because the artifact was made out of jade, it is believed that it was “reserved for the adornment of gods and royalty” (The Met, n.d.). The Kunz Axe has a blue green color and it is about eleven inches high. It appears to depict a human with
One of the most well known figures of the twentieth century pottery world is Maria Martinez. Maria Martinez is a Pueblo Indian part of the San Ildefondo tribe. Pueblo pottery from the American Southwest holds a unique place in ceramic art forms of American art. It is full of age-old tradition and culture handed down form family members and potters of the past. The old Pueblo ways of creating it still hold true today and have not been changed or influenced like so many other styles in modern times.
This Cactus Stirrup vessel was created by the Chavin. This was made in Peru, and sometime between 900 and 200 BC. These vessels were used for looks. This Cactus vessel is a Tembladera-style. The material this vessel is made out of is gold and ceramic Chavin ancient artifacts. The purpose of this vessel was that it was a the Chavin's gold crown. Also, it served as feline, the Cactus Stirrup
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
Depictions of Xibalba suggest the Maya believe it as a world of “festering boils, rotting flesh, and decomposition” of people and animals (Wilson 2006). References to Xibalba originate in the Maya creation story, Popul Vuh, where games of defeat “doomed a soul to burial in the evil smelling Xibalba, whereas victory allowed it to dance away and, with other reborn ancestors, guide its descendants” for years to come (Bower 1986). Depicted on Pakal the Great, King of Palenque’s sarcophagus in the Temple of Inscriptions (683 A.D.) is a picture of the ruler surrounded by Xibalba (Scherer 2012). Schele and Miller (1986: 268) interpret the lid as a guide to lead Pakal’s soul into the underworld (See figure 1). A ceramic vase, with remnants of painted stucco, found in the Mirador Basin (A.D. 670-760) presents a scene similar to a segment of the Popul Vuh; the cunning Hero Twins trick the lords of the underworld into their own decapitations (See figure 2) (Coe
There has been evidence of over two hundred human sacrifices in just one general area of Mesoamerica. Not just in an area of a city – but a “building”. Many pyramids, temples, and art forms such as sculptures were made and used just for the purpose of sacrifices and blood-letting rituals. Such violent rituals are shown in art and architecture to show the effect of symbols on the humans of Ancient Mesoamerica. The question that will be uncovered is, how far did the Mesoamericans go? To what extend do symbols effect Mesoamerican art and architecture? These effects could of course lead to the stronger subjects, specifically human sacrifices. The extent of symbols on the architecture and art therefore is reflected as the extent it had on ancient Mesoamericans. It will first be evaluated how Architecture is made to reflect their beliefs on the lives of their gods. Second, how architecture and art can depict symbols will be revealed, and lastly it will be discussed how architecture and art shows the effect of symbols on ancient human lives and interactions. Finding these things will answer the research question by revealing how much effort believers would make to please their symbols, how Mesoamericans believe their gods to be, and how far they would go with tradition or rituals.
As can be seen throughout history, art is a powerful expressive model that has the capacity to instruct and construct social change within a community. The art born out of the Chicano Movement of the 1960’s is a perfect example of this phenomenon. In response to the struggle for civil rights for Mexican-Americans immigrants, Chicanos and Chicanas created an art aesthetic that embodied the activist spirit of the movement. As Alicia Gaspar de Alba once stated, “the Chicano art movement functioned as the aesthetic representation of the political, historical, cultural and linguistic issues that constituted the agenda of the Chicano civil rights movement.” By taking an activist approach to challenge the stereotypes, economic inequality and xenophobic shortcomings of the dominant mainstream and by promoting awareness of history, culture and community the visual art of the Chicano Movement served as a political tool to enact social change for Mexican-American Immigrants of all generations.
The culture and political structures of Panama as we know it today has evolved from an incredibly diverse and interesting history. Geographically, Panama lies on an isthmus, a strip of land that essentially connects the greater landmasses of North and South America. It is believed that volcanic activity in the late Pliocene era closed the former Central American Seaway that had separated the two continents. The climatic implications of this landform are incredible, allowing for the redistribution of oceanic currents and the formation of the Gulf Stream of the Atlantic of today.
Carnival season begins on January sixth while the actual date of Mardi Gras varies every year. Mardi Gras Day is the "Fat Tuesday" before Ash Wednesday and Lent. Ok, you will need to know a bit about its' history. The origin of Mardi Gras can be traced back to Rome in the middle ages w/ the welcoming of Spring. In 1872, the appearance of Rex as the King of Mardi Gras brought about the presentation of Carnivals' colors, flag and anthem. The colors of Mardi Gras are purple , gold, and green. While they were probably chosen simply because they looked good together, a meaning was assigned to each of them by King Rex. Purple represents "justice", Green stands for "faith", and Gold signifies "power". A group known in the 1830's as the Comus organization established several Mardi Gras traditions such as the word "Krewe" which is the name for the parades members. Comus also chose
Mardi Gras is one of the biggest hits in the city of New Orleans. It’s not just the fun from the parades that bring all of the guests together; it’s also the culture and history behind the holiday. The green, purple, and gold colors all play a special part in this holiday season. Mardi Gras has a very interesting and far back history.
These issues are of utmost importance, gang membership does not only present an issue on an individual level, but on a societal level as well. Gangs are well-known for their proclivity for violence, even to those who were simply in the wrong place at the wrong time. Youth gang crime is no longer limited to big cities; these problems have now spread beyond those boundaries into suburbs, small cities, and even rural areas (Spergel & Grossman, 1997). These organizations put us all at risk, and are a threat to public safety. Furthermore, these groups put our youth at risk and threaten to destroy their
The term gang refers to “a group of people with a discernible structure, a recognized territory, and distinctive beliefs, values, attitudes, and behaviors” (Pearce and Pettis, 2011). Gang violence is a wide spread phenomena. Gang violence can be found in all fifty states and in most major cities. With gang violence being so common, it is no surprise that this type of violence is not only affecting are youth, but they are also becoming a main cause of this violence (Graulich, 2010). Youth gang violence has grasped the attention of the communities. Members of the community are joining forces to put a stop to this type of violence (O’Brien, Daffern, Chu, and Thomas, 2013). It is important to learn and understand the history
Mardi Gras is celebrated once a year prior to Lent beginning. In the early 1700’s , French Colonist brought Mardi Gras to America. It flourished in New Orleans, as well as other Southern states. Mardi Gras is classified as a legal holiday in the state of Florida and Alabama, as well as 8 counties throughout Louisiana. Numerous well to do families would leave their rural estates to spend their winter months in New Orleans. During this time the families would throw extravagant parties and masked balls. In 1781, the first Mardi Gras celebration addressed problems that arose from slaves wearing mask. The United States gained power over Louisiana and in 1806 the city council made the decision to ban mask from being worn. However, in the mid 1820’s the ban was lifted and costumes and mask could now be worn. The first Mardi Gras parade took place in 1837 and became an yearly tradition. Mardi Gras is a never ending party. It is well known for its vibrant parades. The colors are : Gold, Purple, and Green. Gold symbolizes “Power”, Green signifies “Faith” and Purple stands for “Justice” People travel from all over to get in on the fun, from the huge parades to the explosion of lights, the...
finally the survival of the roman temples are all thanks to the christian churches, they managed to keep many in good shape they would transform the temple by sealing the wall and building a door. such as the temple of portunus it was in fact changed to a church and name the the church of saint mary of egypt. many other temples were change and very possible for many temples to still be found.
Carnival today in the twin island state of Trinidad and Tobago have come a very long way since its segregated beginnings of higher and lower class .In fact it is now a time where every creed, race, colour and gender from all faiths and walk of life participate in together without judgement. Trinidad and Tobago has gained international recognition and thus the government of the twin island state now invest, time and some effort towards the Carnival season because of the revenue it generates for the country. However, with time, change is expected, the root of the festival is there but it has evolved with some of its basic heritage becoming obsolete.