Compare and Contrast Works of Art
Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no individual associated with the arts with the possible exception of André Malraux, had been involved in direct political action more than David Alfaro Siqueiros” (Siqueiros Biography online). Personally that to me said a lot and that got me intrigued, and made me want to know more about him and his work. Cauduro on the other hand got me intrigued through his illusionistic approach to art and interpretation of his view of things. Eve thought they seem like different approach to art they are both similar in different ways.
My first artist is Rafael Cauduro. Rafael Cauduro was born in capital city of Mexico and now resides in the city of Cuernavaca (state of Morelos) 1950. Rafael started out making superior studies of architecture and industrial design in the Latin American University in Mexico City. According to his biography Cauduro is a self taught painter who steps outside of traditional artist’s standard. Cauduro’s paintings contain a “trompe de l’oeil” (Fool the eye) quality as indicated in by how in his paintings walls, fences, and objects are so real that people can almost touch them. To the visual realism of Cauduros work, according to critic Ruiz Soto, adds what he termed “critical illusion” which combines an extreme technical proficiency with fantasy-filled concepts(www.rafael cauduro.com). Rafael Cauduro painting technique is of a surrealism in which the reality of dreams, or subconscious mind are as more real than the surface reality of everyday life (Sayre p.51). Cauduro paints in a Surrealistic way usually portraying the forces of dreams and subconscious that he has been famous for. This artistic movement originat...
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...eiros and Cauduro works are politically motivated, but like people, depict them in their own way. Siqueiros because of his military background and more no nonsense look at life is more straight forward as compared to Cauduro, but have similar objectives. Cauduro a more recent unknown artist is more contemporary in the sense that explorers the mind of viewers and makes them think and come with their own conclusion of his views. I liked both of these artist and enjoyed learning more about them and how similar they were, yet so different in terms of style.
Art is a language of its own and with out he proper understanding, people are like expression goes “left on the outside looking in”. In other words, people without the proper understanding of art, technique and form as well as other elements can’t appreciate a work of art as much as when you understand why an artist painted in the way they did and what they are trying to get across to his audience. Despite artists attempts to try and make their works as viewer friendly as possible, without the understanding and knowledge gained from an art class as this one people will never fully understand the a work of art as it is meant to be.
Two of the most extensively analyzed works of art are Diego Velasquez's Las Meninas and Jan Van Eyck's Arnolfini Double Portrait. Both of these artist's talent won them recognition not only during their lifetime but after as well. Both Velasquez and Van Eyck have a justly earned title as the most talented artists of their respective times. A detailed examination of the details and intricacies of these artist's respective masterpieces, their similarities, and what sets them apart not just from each other but from other paintings from their time period and style, will lead the viewer to a better understanding of the mentalities of these gifted artists and how they transcend their respective genres and contemporaries to create their own artistic identities.
Helm, MacKinley. Mexican Painters: Rivera, Orozco, Siqueiros and Other Artists of the Social Realist School. New York: Dover Publications, 1989. Print.
Siqueiros, whose full name is David Alfaro Siqueiros, was a Mexican painter and muralist. He organized and led unions of artists and workingmen. He that art and politics blended together seamlessly together. His murals were big and bold and had causes that supported his leftist politics in them. He was often jailed for the things
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Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
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