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History of indian art essay
How hinduism has influenced art in india
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London McDaniel
Art Appreciation
Ms. Raab
11/13/17
According to the Hindu view, there are four goals in life. Each of these goals should be aspired by human beings according to Hinduism. The four views are dharma, artha, karma, and moksha. Dharma is righteous living. Artha is wealth that is acquired through the pursuit of a profession. Karma is human sexual love and finally, Moksha is spiritual salvation. Each of the views was deprived from the artistic production of India. Art that is created in India is connected somehow to the goals that the Hindu people believe in. Art in India is important to the Hindu faith. (A new view of Hindu art)
The first piece of art is an artifact from India it is called “Krishma killing the Horse Demon.” It was
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By slaying Keshi, Krishma has lived up to the righteous living belief. The second piece of artwork is “Shiva as Lord of the dance.” This is a sculpture and its medium is Copper Alloy. Again the artist is unknown but was created in the 11th century. Shiva represents the destructive force in the Universe, destroying those whose time has come. (Hinduism and the religious arts) The sculpture is an example of how the Indian culture believes that life is a never-ending cycle of time. Shiva’s is surrounded by a flaming halo. Each of his extremities has a representation of the Hindu Faith. In his upper right hand, he holds damaru which is a hand drum that made the first sounds of creation. In his upper right hand, he holds agni that is a fire that is strong enough to destroy the universe. With the lower right hand, he has abhayamunda which is a gesture that allays fears. The figure that is located on the right foot is apasmara purusha and that is an illusion, that will lead mankind away. "Shiva's front left hand, pointing to his raised left foot, signifies refuge for the troubled soul.” The energy that is created by his dance makes his hair fly to the sides. (Hindu Art and Architecture before 1300) This relates back to Moksha which is spiritual salvation since the sculpture signifies a troubled
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
Both sculptures represent Mary holding the dead body of Jesus. According to our textbook, “This figure group represented a challenge for sculptors, because the body of the adult Christ had to be positioned across his mother’s lap,” (139). Both of the sculptures were created through carving. This is a “subtractive process in which a block of material is cut away to reveal the desired form,” (Carving).
The two pieces of art that I have chosen to compare is the ‘Green Tara 14th century’ and ‘Tara 19th century’ which are both from the collection at the Rubin Museum of Art. The Green Tara sculpture is from central Tibet and is made of Gilt copper alloy. The Tara 19th century is from Kham province in Tibet and is painted with pigments on a piece of cloth.
The principles, elements and structures of Buddhism have been practiced for hundreds of years. Artistic renditions of Buddha have also been portrayed in many different ways. Drawings, sculptures and statues are just a few of the many types of art forms created since the beginning of Buddhism. The Metropolitan Museum of Art has many different stylistic artworks that are exceptionally intriguing. In particular, I have chosen two pieces of artwork I consider to be most interesting.
He has a human body that is blue, and has four arms. Shiva is the destroyer of the world. Hindu’s believe that Shiva is a good and bad source. They believe that even though Shiva destroys what has been created, good effects come out if. Shiva looks like a blue normal man.
This sculpture seems to epitomize the ideal male human form. All of the body parts seem perfectly proportioned and the muscles are beautifully defined as if the image were of an athlete. The image is youthful with a calm demeanor. The right missing forearm looks as if it used to be resting at his side, while the left elbow was probably at a 90 degree angle, with the hand holding something. The slight bend in the left leg gives the impression of movement, as if the image was frozen while walking. The counterpoised stance adds an air of nobility to the "man".
...social values of rich stones resembled their higher standards of living in those days. Also, two different types of art based on Indian culture and society such as “Shiva Nataraja” and “Adios, Mahatma” depicted great religious and social perspective of Hinduism and free spirit of will, respectively. Also, “Heheya Kachina” and “The Light Inside” presented two unique forms of art which is so rare or so common in the modern society that we sometime forget to notice if these types of art exist.
Man has always found pleasure in expressing himself by creating art. Through the centuries, man’s art has left behind clues and insight that enables the generations of today to understand their ancestors. In particular, historians and artist alike can see what certain Asian sculptures reflect of the culture and religious beliefs of Hinduism and Buddhism. Hinduism is the parent religion to Buddhism; much like Judaism is to Christianity. Despite Buddhism and Hinduism sharing similar philosophies and various idealisms, their respective sculptures also show their differences. There are two important characteristic of the sculptures of these religions. The first is motion versus rest, and second the subject matter. It is these two types of characteristics historians and artist can help use to decipher Hindu and Buddhist sculptures.
Stunning ornament details were given to this divine statue. The head of Ganesha is decorated with large amount of jewelries, and he is also wearing necklace, bracelets, body chains and anklets that are made of strings of beans. Despite the enormous efforts put in the ornaments, the artist also put close attention on the details of the religious figure’s body parts such as the wrinkled skin on his ears. His jolly appearance and detailed features of the real elephant perhaps explains his popularity as a deity in Hindu. And his popularity is shown through the enormous jewelries and sweets given to him by the Indians to show their love towards this lovely
Gandhara had absorbed Indian and Mediterranean influence in its art as well as its culture. This fusion of civilizations had taken place during the 6th and 5th century B.C, it was during this time period that the rhythm of civilizations was maintained. It was noted for the distinctive Gandhara style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. As mentioned earlier the Gandhara artists were said to have hand of a Greek but the head and heart of an Indian . During this period the devotees had dedicated themselves to the novel task of carving stone images of Buddha and Bodhisattvas. In their version of the Buddhist legends, the Gandhara artists, heavily favored the use of classical Roman art with bounteous of Greek mythology such as the angels that had garlands, Centaurs with human heads, arms and the body, spiral and flowing lines, Tritons with the fish tails and horse’s forefoot, scrolls and stuccos. The carving of the drapery showed the Hellenic influence on Gandhara art, for example the bright disc around the head of the Buddha or the half human being with the head of trunk of a women and tail of a fish. Similarly the wavy treatment of the hair, balance and distribution of weight considering the frame of human parts certain motifs and patterns all indicated a full close knowledge of
Religious art helps people that are looking for security and hope. Today society is looking for peace and an anchor to hold onto. This religious art lifts the spirit and brings peace within through a beautiful way. It helps reassure people that there is a life after this one. One needs not fear the power of God but to understand his actions and the way one should live his or her life.
Shiva is known as the destroyer of the world, but he also has many other roles. According to The Hindu Traditions Shiva is the; creator and destroyer, movement and tranquility, light and dark, and man and woman. These roles tend to be contradicting but Shiva has these roles in order to show that these things are more closely related than they appear to be. There are four main images of Shiva and they include: Mahayogi, Nataraja, Ardhaharishvara, and lingam. The four images of Shiva represent his different roles. The image of Shiva as the Mahayogi presents him in meditation and in a serene state. In this state Shiva is wearing animal skins and his eyes are only half open. The animal skin is a representation of being in touch with nature and his eyes are symbolizing that he is only partially in the world according to The Hindu Tradition’s. In the Mahayogi image he also tends to have a three prong trident that represents dominance over intelligence, mind and body. The cobra wrapped around his neck is his power over ego and in his hair is where the goddess Ganga lives. The image of Nataraja is one of the more famous images of Shiva and it displays him dancing. He is famous for his dancing and is often referred to a...
The first and most highly regarded brand of Hinduism is the symbol of Brahman, Aum or Om. The Aum is made of three Sanskrit letters A, U, and M. All the major Hindu matrams begin with the chanting of “Aum”, which they believe was the only sound heard when the universe was brought into motion. Hindus often wear this symbol on their clothing and jewelry, put it on their cars and plaster it onto temple walls. They believe that it will protect them from evil and bring them good luck. Another common symbol of Hinduism is the Swastika. Although this sign is generally associated with Nazi Germany, it originally was derived from the Hindu religion where it represents peace and prosperity. “Swastika” literally translates to “everything is good”. The symbol used by the Germans was a slightly tilted inversion of this Hindu symbol. A third symbol which is often linked to Hinduism is the lotus. Many gods and goddesses are depicted holding or sitting on a lotus. However, it is specifically a representation of the goddess “Shri” or “Lakshmi” who is “associated in every possible way with the lotus” (Zimmer, p. 91). The flower also represents politeness and culture and is used in certain rituals. These symbols among many others, are extremely important in performing rituals and carrying on
Art is one of the most intriguing and exiting forms of human expression. A picture can tell a thousand words and often stir up feelings inside the viewer. Art is all around us.buildings,electronic equipment like a computer, and even automobiles are all a form of art.