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How are women portrayed through literature
Culture assimilation thesis
The role of women in ancient Greece
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Aristophanes' Assemlywomen and Lysistrata
Typically in Athenian society, women took care of the things in the household while men, although still retaining the final say over matters of the household, focused most of their attention on the world outside the home. In the plays Assemblywomen and Lysistrata, Aristophanes explores roles of men and women in society, specifically what would happen if women were to take on the roles of men. Looking at these two plays about Athenian society as metaphors for marital life, it shows that men and women were incapable of having balanced power in their relationships. In both of these plays, the men were unable to keep their own sense of power when the women took over politics, and they eventually moved into the submissive role of women. In Lysistrata, the women used their seduction to gain power. Similarly, in Assemblywomen, the women came into power through deception and clever planning. This paper explores why women rarely stepped up to take power; how they would gain power when they would step up to claim it; and how the men would respond once confronted with a woman in power. This all serves to show that in Athens, a marriage of man and woman could not exist with mutuality of power – rather, one (typically the man) would dominate, while the other (typically the woman) took the submissive role.
Throughout both Lysistrata and Assemblywomen, both the men and women were convinced, to varying degrees, that the women were incapable of handling any kind of authority or challenging task. In fact, only the dominant, leader women (Lysistrata and Praxagora) of the two plays had enough confidence to handle a position of power. These women have been brought up i...
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...brought this power imbalance to the open, however, by exploring what would happen if women took the initiative to claim the dominant rold in society. The women, when able to successfully overcome the men and take power in the city, left the men with no choice but to either fight to regain the power, as they attempted to do in Lysistrata, or succumb to the women’s plans, as they did in both Assemblywomen and, eventually, Lysistrata. In relinquishing their power to women, the men forfeited their masculinity and became stereotypically feminine while the women also forfeited their gender norms to stay in power. Athenian unions, therefore, subsisted on a constant inequality of power kept carefully balanced by each partner staying in their designated role in the marriage – the husband the strong moneymaker living outside of the house, the wife the submissive homemaker.
... and is in effect to help protect and solely help the public out. Currently, Joseph White is the professor at the University of California, Irvine.
Response: Habitat for Humanity’s mission is to bring people together to build homes, communities, and hope. Habitat for Humanity believe that everyone deserves a decent place to live and brings resources together to build affordable housing for the in need population.
...a, Cheo Feliciano, and even Tego Caulderon of today’s reggaeton genre. These men not only stood for Latino pride, but the acknowledgement and equal appreciation of the African decent.
The exploitation and eventually liberation of the Jamaican people have produced a very unique social condition. Reggae music is an optimistic answer to the history of oppression that draws upon the past, and uses it as a resource. In order for there to be a good future, the past must be considered and accepted. There is no way to right the wrongs of Jamaican history, but there is a way to promote awareness of these wrongs.
Women in the ancient world had few rights, they differed from country to country or, in the case of the women of Athens and Sparta, from city-state to the city-state. The women of the city-states of Athens and Sparta had profound differences in their roles in the political and the daily lives of their families and their cities. When it came to the difference in levels of power and the rights of women, Sparta was a leader in its time. At the same time, their rights as citizens were almost the same. While they did not take an active part in politics, they had opinions and ideas like women all over the world. Their thoughts, deeds, and opinions rarely recorded or if they were, the male historians or philosophers of the time recorded them. What were roles did the women in ancient Athens and Sparta? Were they citizens, did they have personal freedoms? On the other hand, did they in a time when the beginnings of democracy were happening were they less than a second-class citizen? The misogyny and patriarchal societies continued throughout the ancient and classical periods only beginning to change in the Hellenistic era.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Oct. 29: Puerto Rican Music Between Rafael Hernandez and Rafael Cortijo. Guest Lecture by Prof. Lise Waxer, Music Dept., Trinity College
The establishment of United States rule in Puerto Rico had an effect on the evolution of Puerto Rican culture as experienced by musicians in the United States. In evaluating the Puerto Rican situation it is important to discuss the context in which Puerto Rican musicians came to the United States, more specifically New York City, and what led to this migration.
Latinoamericanitas, 1976. Print. Vélez, Germám. Phone Interview. February 10th, 2011. Waterman, Richard Alan. Folk music of Puerto Rico . Washington: Library of Congress,
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...
Aristophane’s Lysistrata is a flawed classic filled with the power struggle between man vs. woman. It is entirely focused and written from the male perspective, in which male-privilege dominated and disregarded the women’s outlook entirely. This “classic” is full of misogynistic perspectives, and should be disregarded as a great piece in Athenian literature.
The play was considered comic by the ancient Athenians because of its rhyming lyricism, its song and dance, its bawdy puns, but most of all because the notion and methods of female empowerment conceived in the play were perfectly ridiculous. Yet, as is the case in a number of Aristophanes’ plays, he has presented an intricate vision of genuine human crisis. In true, comic form Aristophanes superficially resolves the play’s conflicts celebrating the absurdity of dramatic communication. It is these loose threads that are most rife with tragedy for modern reader. By exploring an ancient perspective on female domesticity, male political and military power, rape, and efforts to maintain the integrity of the female body, we can liberate our modern dialogue.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.