Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sustainable architecture
ESSAY ON sustainable architecture
Sustainable architecture 200 words
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sustainable architecture
Hysterically, the field of architecture has been lead by two opposing height. On one side a leading-edge of wild ideas, often so disconnected from reality that they fail to become something other than eccentric curiosities. On the other side there are skillful corporate experts that build expected and boring boxes of high standard. Architecture seems rooted between two equally unfertile fronts: either credulously utopian or petrifyingly pragmatic. Rather than choosing one over the other, BIG decide to operate in the fertile overlay between the two opposites. A pragmatic utopian architecture that takes on the environmentally perfect places as a practical aim.
In Bjarke Ingels’ way of architecture, theory meets pragmatism meets happiness. He takes on the formulation of socially, economically and environmentally excellent places as a practical goal. Most of his designs approach is related by a manual, grown-up toleration
…show more content…
So, by putting it on top of the gigantic building in the city, creating a man-made landscape with picturesque views and the most special part comes to a topography that could be used as a ski-slope on roof top during winter. This idea came due to the ski-loves Danes are suffered by their country’s flat plains. “Denmark is cold, has snow, but there is no mountains for the ski-lovers.”
They won the competition in 2002 due to these extraordinary ideas, but it’s perhaps not shocking that it did not come to fruition. A decade later, BIG has been instructed by the 10 precinct of municipal Copenhagen to crop up with a perception for the city in the year 2050. A bi-national plan is created, which would tie in Denmark to Sweden through a 2.5 mile bridge and form a 170 kilometer metropolitan loop, linked not only by regular public transportation service but also related a common waste and water management
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
At the turn of the 20th century, a new style of modern architecture was formed through the development of new building types, materials, and construction techniques from the 2nd Industrial Revolution. With modern inventions and advancements in technology came a shift in the working environment of the industrial fields, for example unsatisfactory working conditions due to long hours in a dark and unclean atmosphere. Designers J.A. Brinkman and L.C. Van der Vlugt embarked on the new ideology of developing a better working experience through the architectural design of a utilitarian space. The Van Nelle Factory in Rotterdam became an icon of modern architecture by fashioning a design relationship between functionalism and progressivism to generate a solution to the poor working environments by implementing light, air, and space with the use of new structural methods and materials all while designing for the purpose of the building.
Mies' well known theory of “less is more” is apparent by the spaciousness and functional quality of the Seagram building; everything serves a purpose, either for aesthetic appeal or functionality. “Less is more” is a concept used throughout the architectural world today. “Mies van der Rohe stands as a great moral force of the International Style. The essence of architecture, to Mies, lies in the expression of structure. And his precise, sophisticated, and consistent style of architecture sets an exam...
The Chinese-American architect Ieoh Ming Pei (I.M) is known as one of the greatest architects of the Twentieth Century. His long, brilliant career was highlighted by several internationally famous structures. While many of Pei’s buildings were generally accepted by the public, some of them precipitated fair amounts of controversy. The most notable of these controversial structures is his Glass Pyramid at the entrance of the Louvre in Paris. For these reasons, I.M. Pei seems to be an architect who exhibits interest in the avant-garde through both the creative design and aestheticism of his architecture.
In conclusion, the debate between aesthetics and functionalism has been around for a long time. It becomes clear however, through research, that the first thing architects consider is function, and then aesthetics. It is because of this approach that aesthetics becomes somewhat of a by-product of the whole design process. By looking at examples of various buildings, it is apparent that aesthetics is important to structure and in many instances has been successfully coupled with function. But in no circumstance should aesthetics take precedence over the function and practicality of a building. It seems more likely that a happy medium between function and aesthetics can be reached, on a project by project basis, and then applied to the design process of creating the building.
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
In conclusion, the designers and builders of the tower have an undesirable job: creating a building that is functional, modern, sustainable and unique. At the same time it is honoring the memory of the people that died in and around the buildings that stood there before. While the green sustainable features have been criticized for being too expensive, they will do more than save just water, electricity and emissions. They and the grace of the building will inspire a generation of green and safe skyscrapers for the twenty-first century. This building has become one of the safest, environmentally friendly and expensive ever built, but as critics slate the building for various reasons, one cannot take away the determination through political, social and economic status that designers and workers have created such a beautiful building with great meaning.
Yan, J. & Plainiotis, S. (2006): Design for Sustainability. Beijing, China: Architecture and Building Press.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
Tradition in architecture is typically given the role of public buildings and residences because in the modern world it seems like what is coined “Traditional Architecture” has somehow taken a back seat to the contemporary. The ease and cost of building traditional architecture in the United States makes it the prime choice for structures where form is less important than function and so it has become boring without any thought to the spaces themselves. In Fathy’s work however, a need for tradition was demanded because of the climate and availability of building materials required that he work using the methodologies created by his predecessors. This is a valuable lesson for contemporary architects today. “Modernity does not always mean liveliness and change is not always for the better”
Mies believed that the functions have a shorter lifetime rather than the buildings constructed by man. Therefore, it makes the sense of exact flexibility and multi-functionality for the design (Mies van der Rohe in Broadbent, 1978). He also declared that we should not let the functions dictate the plan. Instead, it should provide us with the suitable situations to make each function applied (Mies van der Rohe in Heyer, 1993). Regarding Mies’ statements, which is contrary to Venturi’s interpretation, an architectural design should be done for multi-functionality, compatibility, and adaptability regardless of the usage subject or scale to satisfy different changes of human needs over the time. Based on this idea, the viewpoint of flexible design and the existence of multi-purpose spaces in a neutral and fix form in Mies’ architectural works could be obviously proved (Padovan, 2002). Hence, it could be claimed that his outstanding motto “less is more” is presented in order to achieve such
When linking the concept of cultural relativism to architecture, one would realize that both these components depend on each other. One cannot exist without the other (Kohler, 2003). Kohler remarks that in order for architecture to be progressive, The transfer and acceptance of technologies and techniques has to be based on a sound knowledge of regional culture (Kohler, 2003). In other words, the existing architecture or urban environment has to distinguish the features of regional diversity. Cultural exchange must consider the environment. No clash exists between regional and environmental appropriate construction techniques (Kohler, 2003). This is so because traditional architecture has adopted economic and environmental solutions. Conflict can only exist if one considers the ‘international style’ that has popularized the modern era with its high resource consumption. Kohler (2003) also stresses that there should be no regional cultural boundaries in order for architecture to be progressive (Kohler, 2003:86)
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.