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History of architecture essay
Modern architecture history
History and theory essay on architecture
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Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.
"Architecture" can mean:
A general term to describe buildings and other physical structures.[3]
The art and science of designing buildings and (some) nonbuilding structures.[3]
The style of design and method of construction of buildings and other physical structures.[3]
A unifying or coherent
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An equivalent in modern English would be:
Durability – a building should stand up robustly and remain in good
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Beauty – it should be aesthetically pleasing.
According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean.
The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari:[10] by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English.
The Houses of Parliament in London, seen across the river, are a large Victorian Gothic building with two big towers and many pinnacles
The Houses of Parliament, Westminster, master-planned by Charles Barry, with interiors and details by A.W.N.
.... After the houses of parliament burnt down the chosen style was Gothic not Classical. Pugin undertook all of the interior work. Another example was Scarisbirck Hall in Southport built in 1837 the great hall was with a timber framed roof with no classical plaster ceilings and it was all based on knowledge of the mediaeval architecture and all materials used were true.
Winckelmann like Vasari dealt greatly with the artistic problems concerning representation and imitation of nature including the need for the human beauty in a figure. However he also was interested in art criticism based in historical timelines and causes for the change and evolution of modern art. This greatly seen in this article not only in his thesis that great contemporary art is based in antiquity but also in his explanation for why the Greek art was so well done and why it has risen back into the hands of modern art. First, Greek work came back to contemporary society greatly by the monarch led by Titus who brought authentic work from Greek masters for his artists to learn from and imitate. He also discusses the correlation between the bodies, like that of the Theseus model, with the Greek lifestyle they lived based heavily on training for the Olympic games and the resemblance of youth’s bodies to godlike figures. Great masters of contemporary work use these same bodily model and ideal of beauty in their work. Winckelmann states that their present good taste is due to the fact that they, “partook of good taste at its source.” Overall the Greeks set up rules of art that could be imitated to capture nature and its ideal form of beauty, an idea that many sought to accomplish.
In 1834, when a fire nearly completely demolished the old Palace of Westminster, Britain had a chance to redefine what British architecture was (Richardson p. 111-112). Although throughout Europe Classicism and the Greek and Roman Revival had had a stronghold on secular buildings, by the early 1800 Neo-Gothic was starting to be seen as a nationalistic style of architecture, something that should, together with language, be national (Barry, p.114). While in France the Gothic Revival was mainly used for secular buildings, in Britain it was mainly used for ecclesiastical buildings (Barry, p. 110). It was into this world that August Welby Nothmore Pugin (1812-52) was born.
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic, which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition.
... Vitruvius described 5 types of roman atrium house: Tuscan, Corinthian, tetrastyle, displuviate, and testudinate (Sear, F. 1982 p.32). As such, even the layout of towns, public buildings and houses also used pre-existing ideas from other cultures to create their own specific styles.
Architecture is such a wide thing when we talk about buildings and projects. Architecture is defined as the art or practice of designing and constructing buildings. One of the Renaissance man who not only define...
The aim of classical design has always been, according to Vitruvius’ De Architectura libri decem (De Architectura) known today as The Ten Books on Architecture, to proportion a harmonic structure. According to Marcus Vitruvius Pollio the theory of proportion is particularly important when it comes to designing a building, a passage in which his study relates human and architectural proportions he states:
Philosophies of Art and Beauty Edited by Hofstadter and Kuhns, (Chicago: University of Chicago press, 1976) chapters one and two for an overview of the aesthetics of Plato and Aristotle.
architecture to just the designing of buildings. He feels that architecture involves more than just
With the interaction between the development of computational approaches in architecture and the contemporary forms of spatial design intelligence, some new architectural design theories emerged to make differences between architects and control designing processes. These theories are almost employed in all designing realms, from architecture to urban design to provide fields of ideas and solutions that privilege by complexity. Most of these theories are oriented to relay on understanding and using computational methods to generate exotic and complex geometries. In this respect, three of these theories will discussed and tested against three buildings. The theories are: parametric design, genetic architecture and emergence, which characterize some of the contemporary architectural design approaches.
A manifesto by definition is “a declaration of policy and aims” so taken from this description, an architectural manifesto would be the ideas of the architect. The new project for history is to come up with our own Manifesto, before one can do this, research needs to be done and examples must be looked at. So this essay will look at the process of creating a manifesto and the essay will also discuss other architectural manifestos which were used as inspiration for me to create my own manifesto.
Palace of Westminster (2013) Architecture of the Palace. [Online] Available from: http://www.parliament.uk/about/living-heritage/building/palace/architecture/ [Accessed: 24th February 2014]
Vidler, Anthony. The writing of the walls: Architectural theory in the late enlightenment. Princeton: Princeton Architectural Press, 1987.
Every person with a job, no matter what occupation, makes an impact on society in some way, shape, or form. Some people leave their legacy by defending people in court, some saving lives in a hospital, and others planning and building works of construction. These planners have a large-scale effect on everybody in society and have an eye for detail, as well as enjoy using mathematics to ensure proper construction. That is why I have chosen architecture to be my career. An architect is a person who designs buildings and supervises their construction. A broader view of an architect is a person who is responsible for inventing or realizing a particular idea or project. Architecture varies from the pillars of the Greek Parthenon, to peoples’ homes. I often find myself marveling over the design of large-scale building projects such as the skyscrapers of New York City. Most of these buildings belong to a myriad of well-known companies such as Chase and Toshiba. That is why I have particularly chosen to become a commercial architect.
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.