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Carl Jung's theory of human nature
Carl Jung's theory of human nature
Carl Jung's theory of human nature
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Carl Gustav Jung (1875-1961) was a Swiss psychiatrist and former disciple of Freud who tried to bridge the gap between psychology and spirituality. Swiss psychiatrist Carl Jung believed that archetypes are models of people, behaviors or personalities. Jung suggested that the psyche was composed of three components: the ego, the personal unconscious and the collective unconscious. According to Jung, the ego represents the conscious mind while the personal unconscious contains memories, including those that have been suppressed.
Carl Jung is a great bridge for Westerners to a way of life which can, after all, help us access those truths. A necessary step in this direction, however, is a confrontation with our self. Jung calls the dark side
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He called these tendencies the Archetypes. The identification of archetypes is a relatively modern phenomenon. They are both images and emotions and both have to be present to radiate. Archetypes are connected to the individual by the bridge of emotions. The shadow is an archetype that consists of the sex and life instincts. The shadow exists as part of the unconscious mind and is composed of repressed ideas, weaknesses, desires, instincts and shortcomings. One of Jung’s most compelling ideas is the shadow. Jung describes the shadow as those inferior aspects of the psyche that we’re not too proud of. As such, attentive detection and conscious integration of the shadow would seem to offer a genuine solution to taming the darker aspects of humanity, as well as harnessing its highest potentials, especially if willingly practiced by a growing percentage of the world population. The shadow might be a desire frowned on by our conscience or peers. It could be a bizarre or unhealthy interest that the powers of civilization have apparently quelled. This archetype is often described as the darker side of the psyche, representing wildness, chaos and the unknown. These latent dispositions are present in all of us, Jung believed, although people sometimes deny this element of their own psyche and instead project it onto others. The archetypes most clearly characterized from the empirical point of view are those which have the most frequent and the most disturbing influence on the ego. These are the shadow, the anima and the animus. The most accessible of these, and the easiest to experience, is the shadow, for its nature can in large measure be inferred from the contents of the personal unconscious. With a little self-criticism, one can see through the shadow – so far as its nature is personal. But when it appears as an
In the novel Grendel by John Gardner, the protagonist is a beastly creature, of whom the title of this novel takes after. Grendel closely follows a monomyth formed by Joseph Campbell. This monomyth is based on the belief that “the mind of each person has inherited archetypes that are either repressed or manifested through the experiences of the individual.” Something incredibly significant in the interpretation of this theory is “The Shadow.” Based on this monomyth, this is the part of the mind that contains our darkest desires and urges.
An archetype is a universal symbol. It is also a term from the criticism that accepts Jung’s idea of recurring patterns of situation, character, or symbol existing universally and instinctively in the collective unconscious of man. Archetypes come in three categories: images (symbols), characters, and situations. Feelings are provoked about a certain subject by archetypes. The use of the images of water, sunsets, and circles set the scene of the movie. Characters, including the temptress, the devil figure, and the trickster, contribute to the movie’s conflicts that the hero must overcome in order to reach his dream. However, to reach his dream, the hero must also go through many situations such as, the fall, dealing with the unhealable wound, and the task. By using archetypes in the movie, the viewer can obtain more than just the plot and better understand the true theme of the movie: to never give up on dreams.
Jung describes archetype as “patterns of behavior”. After many incidents between Peter had with Matt, Peter created a virtual computer game which he eventually turned to reality. “Peter got out of bed and sat down at his desk, pulling his eighth-grade yearbook from the drawer where he’d banished it months ago. He’d create a computer game that was Revenge of the Nerds, but updated for the twenty first century. A fantasy where the balance of power was turned on its head, where the underdog finally got a chance to beat the bullies. He took a marker and started circling portraits. Drew Girard. Matt Royston. John Eberhard. Josie Cormier” (Picoult 222). When relating to Jung’s theory, “Jung believed that the human psyche was composed of three components: the ego, the personal unconscious, and the collective unconscious. According to Jung, the ego represents the conscious mind while the personal unconscious contains memories including those that have been suppressed” (Cherry par. 2). Peter used the video game to bury his memories to his unconscious mind. “The appearance of an impressive shadow figure antagonistically confronting a personal consciousness[...] because the shadow is so disagreeable to his ego-consciousness that it has to repressed into the
Psychoanalysis is a theory that explores personality traits on the conscious and unconscious level. According to TheFreeDictionary.com, “Psychoanalysis is the most intensive form of an approach to treatment called psychodynamic therapy. Psychodynamic refers to a view of human personality that results from interactions between conscious and unconscious factors. The purpose of all forms of psychodynamic treatment is to bring unconscious mental material and processes into full consciousness so that the patient can gain more control over his or her life” (Psychoanalytic Treatment). Sigmund Freud is the founder of the Psychoanalysis Theory. He had many followers. One of those followers was Jung. As time went on, Jung’s perspective on personality
There are several different types of archetypes: situational, plot, character, symbolic, and setting. These archetypes are implemented because they hold meaning to society and “provide the deep structure for human motivation and meaning. When we encounter them in art, literature, sacred texts, advertising—or in individuals or groups—they evoke deep feeling within us.” If the audience or reader cannot relate to a certain archetypal symbol or pattern then they would be lacking some deeper meaning behind the sym...
Jung, Carl. “Approaching the Unconscious.” Man and his Symbols. Ed. Carl Jung. New York: Doubleday & Company Inc., 1964. 1-104.
According to Jung, an archetype represents “certain instinctive data of the dark, primitive psyche…real but invisible roots of consciousness (9,i:271). He notes that the “ultimate core of meaning may be circumscribed, but not described,” as elements represented by the archetypal image remain unconscious; yet he also proposes that the individual psyche responds to the presence of the archetype by imprinting it with its own psychic material, thus creating a series of images informed by both universal understanding and personal experience. Jung compares the origina...
“In silence, man and shadow met face to face and stopped. Aloud and clearly, breaking that old silence, Ged spoke the shadow’s name and in the same moment the shadow spoke without lips or tongue, saying the same word: ‘Ged.’ And the two voices were one voice. Ged reached out his hands, dropping his staff, and took hold of the shadow, of the black self that reached out to him. Light and darkness met, and joined, and were one...’Estarriol’, he said, ‘look, it is done. It is over...the wound is healed...I am whole, I am free.’” (LeGuin 179-180) On the condition that one succeeds in assimilating and integrating the conscious mind the lost and regained contents. Since they are not neutral, their assimilation will modify the personality, just as they themselves will have to make certain changes. “If we could see our shadow, we should be immune to any moral and mental infection and insinuation.” (Jung 79)
In order to understand Jung's theory of archetypes, the reader must first have an understanding of the reasoning behind them. Carl G. Jung explains the conscious mind by dividing it into three different psyches: the ego, the personal unconscious, and the collective unconscious. The ego is simply Jung's interpretation of the conscious mind. The personal unconscious is anything that is not presently conscious, but can be. The collective unconscious is a reservoir of human experiences that is passed from generation to generation. It includes the archetypes of self, which are archetypes for different kinds of people or characters in literature (Jung 67). They can be described as things such as déjà vu, or love at first sight. It is the feeling that what is being felt or experienced has been felt or experienced before.
Carl Jung was a disciple of Sigmund Freud, despite the two having conflicting ideas. One of Jung’s most well known and accepted theories was the existence of different types of archetypes in the brain. These include the ego, which is where our conscious awareness and sense of identity reside, and the shadow, which is the part of the unconscious mind consisting of repressed weaknesses, shortcomings, and instincts. In the novel A Separate Peace, by John Knowles, the protagonist Gene exemplifies the shadow, while his friend, Finny, personifies the ego. The author narrates through the shadow, though he clearly supports the ego. However, he also makes it apparent that it is wrong to be dominated by either archetype.
Jung’s subjective nature as well his speculative beliefs in his experiences attempts to discover the relation between objective truth (real), psychology, and spirituality (supernatural). He placed tremendous value on the meaning of personal and collective dreams. Jung considered them prophetic and visionary for the collective nature. Conclusively, Jung’s understood the self as the principle and archetype of orientation and meaning. Jung’s development of self is a concept quite similar to Fromm, Eliade, Frankl and other humanistic driven ideas discussed prior to reach completion, wholeness, absoluteness, in essence to be harmonious with nature (fate).
Carl Jung is the father of archetypal criticism and creator of the term collective unconscious. Jung (1875 – 1961) was born in Switzerland and learned from Sigmund Freud, a psychoanalytic critic, before breaking off and creating his own literary theory. Because of his shift to the Archetypal theory, also called mythic criticism, Jung was repelled by the psychoanalytic community, until he came up with the idea of a collective unconscious. “Jung’s ideas caused him to be banished from the psychanalytic community for the next five years. During this time, he formulated his own model of the human psyche, which would become his most important contribution to psychology and literary criticism (Bressler).” The collective unconscious is the common knowledge of themes and archetypes that every human has gained from ancestral memory. This is the bases for Archetypal criticism, the reason for humans being able to recognize archetypes and recurring patterns in literature. Archetypal literary works relate to the beliefs, knowledge, and desires of readers through recognizable themes and archetypes (Bressler 149). Archetypes are universally recognized patterns, characteristics, or objects that invoke similar emotional responses from every person. Archetypes give literary works deeper meaning because
Shadows can be a threat because they are opposite representations of an individual’s ideals of himself/herself. Because of this trait, a physical shadow will be the representation of an individual’s concealed evil traits with an actual form. Many people fear what the physical representation of their shadow may be. When concealed within oneself the shado...
The Jungian approach was brought about by Carl Jung. He believed in the concept of individuation. This is the process of discovering what makes a person different form everyone else. The Jungian approach looks at one’s self through three aspects. These three aspects are the shadow, the persona, and the anima. This is said to be seen through the idea of an archetype. Jung’s concept of archetype is viewed through a symbol, character, situation, or image that evokes a deep universal response (Guerin). Archetypal literary criticism construes a text by focusing on recurring myths, prototypes and symbolisms in the narrative.
Carl Jung is best known for his exploration of the unconscious mind, developed through his education in Freudian theory, mythology, religion, and philosophy.