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Analysis of the “Araby”
Araby analysis essay
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Every character in a story is on a journey. This journey is one that does not always end with the character far away from where they were, but this journey can be within themselves. In whatever small or large way a character has experienced this journey, they have been changed. This inner change can come in the form of self-discovery. The character learning something about themselves they did not know before. This self-discovery a character finds can be found in the short stories "Araby" by James Joyce, "Bartleby the Scrivener" by Herman Melville, and "The Metamorphosis" by Franz Kafka. The character experience a journey within the plot of their stories and by the end discover more about themselves.
The first example is the unnamed boy, the narrator, from "Araby" by James Joyce. The story revolves around the narrator's quest to Araby, a magical and mysterious market. The boy likens his going to the market as a quest, he is in search of adventure from his boring life, as if he is the hero to a story. After a few distractions the boy is finally able to make it to Araby, but he finds that the market is nothing like he thought it would be. What the boy discovers by the end of his journey to Araby is that he is not the hero and the is no adventure.
In the beginning of the story the narrator gives the description of his street with "an uninhabited house of two storeys, stood at the blind end, detached from its neighbors..." the boy goes on to describe the other houses too as "with brown imperturbable faces" (Joyce 15). The boy describes his home as boring, where nothing interesting happens. The boy feels "detached" from his life and desires adventure.
He get a glimmer of this when he talks with Mangan's sister. The boy already i...
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...e self-discovery a character experiences serves as the recognition for overcoming conflict, or failure to overcome. In each story the characters learn something about themselves that are not positive things. Self-discovery is about the character learning something about themselves they previously did not know. For each character their self-discovery is connected to what they lack or failures. Which the acknowledgement of the self does not always bring a positive outcome. But the character become a little bit wiser and in the end have gained knowledge.
Works Cited
Joyce, James. Dubliners. New York: Dover Publications, 1991. Print.
Kaika, Franz. The Metamorphosis and Other Stories. 31 East 2nd Street, Mineola, N.Y. 11501: Dover Publications, 1996. Print.
Melville, Herman, and Herman Melville. Bartleby ; And, Benito Cereno. New York: Dover Publications, 1990. Print.
For centuries, authors have been writing stories about man's journey of self-discovery. Spanning almost three-thousand years, the Epic of Gilgamesh, Homer's Odyssey, and Dante's Inferno are three stories where a journey of self-discovery is central to the plot. The main characters, Gilgamesh, Telemachus, and Dante, respectively, find themselves making a journey that ultimately changes them for the better. The journeys may not be exactly the same, but they do share a common chain of events. Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. As their journeys progress, each man is forced to overcome certain obstacles and hardships. At the end of the journey, each man has been changed, both mentally and spiritually. These timeless tales relate a message that readers throughout the ages can understand and relate to.
There are many parallels and differences between Franz Kafka’s “The Metamorphosis” and "A Hunger Artist". Kafka portrays these differences and similarities very effectively through his utilization of elements such as transformation, dehumanization, and dedication to work. Through his works, Kafka communicates with the reader in such a way that almost provokes and challenges one’s imagination and creativity.
Melville, Herman. “Bartleby the Scrivener.” The Norton Anthology of American Literautre. Ed. Nina Baym and Julia Reidhead. New York: W.W. Norton & Company, 2007. 2363-89. Print
The Metamorphosis is a among Franz Kafka’s famous stories. The story is about a haunted man who changed into an insect. The author has written the story based on various theories such as Marxism, existentialist and religious views. It is also a reflection of a hostile world with major themes being abandonment, self-alienation, and troubles relationship. It reveals people’s struggles while in the modern society where one is neglected in the time of need (Franz 8). The cultural and social setting of the story helps in supporting the major themes of the story. In as much as the story is a dramatic fiction, it is necessary to explore the interior monologue style in order to inform the audience what the protagonist is thinking.
A “Critical Essay on ‘The Metamorphosis’.” Short Stories for Students. Ed. Jennifer Smith. Vol.
Melville, Herman. “Bartleby, the Scrivener.” The Norton Anthology of American Literature. 8th ed. Nina Baym and Robert S. Levine. Vol. B. New York: Norton, 2012. 1483-1509. Print.
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.
The setting of the neighborhood is described not only as boring, but also as dark, as almost foreboding. In winter, the neighborhood consisted of "dark muddy lanes behind the houses", "dark dripping gardens" and "dark odourous stables", where even the street lamps were feeble (Joyce 396).
Kafka, Franz. The Metamorphosis and Other Stories. 1st ed. Translated by Stanley Appelbaum. New York: Dover Publications, 1996.
The Metamorphosis is one of the most famous Franz Kafka novellas that has survived from the beginning of the 20th century to today. Kafka emphasizes the transformations that the main characters endure through a series of unfortunate events. Throughout the novella, physical, emotional and psychological changes test the family’s will to stick together. As the role of each family member begins to shift and adjust, the dual meaning of the title becomes apparent. Kafka’s title, The Metamorphosis, embodies the transformations that the main characters go through throughout the novella.
Kafka, Franz. "The Metamorphosis". The Metamorphosis. Trans. Donna Freed and Ed. George Stade. New York: Barnes and Nobles, 2003.
Metamorphosis is a story that is easily related to this ever so cruel world and the life each of us live today. Each of us experience alienation just as Gregor did in the story. We experience from friends and even worse family. When changes arrive that we can't cope with,
He begins to lose his innocence after meeting the unnamed girl, which we know as Mangan's sister changing his life forever. In contrast to his gloomy surroundings, she appears to symbolize the bright light that shines over him, evidently described through the quote "her figured define by the light from the half opened door". He emits an immense amount of attention towards her existence, which ...
In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).
Novels are create to have more than one purpose, for example it can be for entertainment, for education purpose, but it is also a form of self transcendence. According to Moshin Hamid, authors use of cultural believes, trouble characters, real life issues, and with the help of imagination, the readers can easily enter into other human experience, and feel the new experience they never be aware of before. Transcending self is another way of saying to go beyond or improve self, first one must acknowledge the challenge in life, second one must learn to accept the challenge occur in life, last one must solve the problem before it leads to bigger problem. By highlighting the challenge that the protagonist have to go through in life, and acknowledging the importance of accepting it, Donoghue and Lam both create an image of one must learn to adapt a new challenge before one can enhance oneself in Room and The Headmaters’s Wager.