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Meticulous description of Joyce's "Araby
James joyce araby essay
Meticulous description of Joyce's "Araby
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In the short story “Araby” by James Joyce, a young adolescent boy becomes infatuated with his friends sister. An extravagant bazaar comes to town and the adolescent begins to look at the bazaar through a telescope reflecting the idea of romance. Joyce manages to tell a story of filled with innocence and self discovery through intricate detail, imagery, tone, and setting depicting emotional occurrences within the youth from beginning to end. “Araby” is the story of young love not flourishing as the heart would wish it too rather it is naïve and impossible. It is an overpowering experience that awakens the speaker out of his haze. The story in all actuality is more than that though; it is the story of a bittersweet memory painted vividly through specific decorum chosen to illuminate the experience of first love, step by step.
By writing the story in first person point of view, James Joyce lets the reader in on the speakers’ innermost thoughts through a limited omniscient point of view. This is pivotal to the story and the readers understanding of the story because the tone and mood of the speaker comes off clearer and becomes more relatable. As the young boy experiences his first major crush, his complete oblivion to what is going to be realized later on comes off as endearing and innocent to readers. Though the speaker is very innocent and can not see beyond his dreams and into reality of the situation, being that his feelings are quite common and insignificant, what he feels is real.
The boy tends to magnify every little detail intricately and though he may have unrealistic wishes and desires he still gains great satisfaction out of them. Joyce writes of the seemingly unimportant details within the story that trul...
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...t the quest can not truly be fulfilled. This leads to disappointment for the speaker. All of his hopes are knocked down when he realizes that his adolescent youth holds no power. The bazaar and the girl are simply unreachable. He is simply a young boy with nothing to offer her. James Joyce depicts his emotional state here as being “vain” and “anguish stricken.”
By the end of the story he feels letdown unsure why he is being faced with this reality, until it hits him that he has been unrealistic about his feelings for his friend’s sister, the reality is she is just another young girl, much like the girl that waited on him at the bazaar booth. As he realizes that his crush is no holy symbol but rather common he wonders why would his crush want to be with him, or for that matter, have anything to do with him? The speaker is brought to his moment, his epiphany.
The story is seen through the innocent eyes of a 13 year old boy called Charlie Bucktin. The first person central point of view helps us to understand Charlie, to identify with him and his attitudes and values and for reader positioning. Silvey uses language conventions such as descriptive language, dialogue, diction, register and imagery to construct Charlie’s point of view. Since we only see and know what Charlie does thus this helps us create and certain bond with him as he grows, learns, and faces new problems throughout the novel. The fact that Charlie is a teenager and the readers are provided with teenager reactions the teenager audience is able to identify with the character and why he does things that way. Charlie starts of as a the model son, ever the obedient never to do anything wrong… to eventually losing his innocence and naivety and having a better understanding of what is right and what is wrong.
A person’s life is often a journey of study and learning from errors and mistakes made in the past. In both James Joyce’s Araby and John Updike’s A&P, the main characters, subjected to the events of their respective stories, are forced to reflect upon their actions which failed to accomplish their original goal in impressing another character. Evidently, there is a similar thematic element that emerges from incidents in both short stories, which show maturity as an arduous process of learning from failures and a loss of innocence. By analyzing the consequences of the interaction of each main character; the Narrator in Araby and Sammy in A&P; and their persons of infatuation, Mangan’s sister
...the future to see that his life is not ruined by acts of immaturity. And, in “Araby”, we encounter another young man facing a crisis of the spirit who attempts to find a very limiting connection between his religious and his physical and emotional passions. In all of these stories, we encounter boys in the cusp of burgeoning manhood. What we are left with, in each, is the understanding that even if they can’t see the light at the end of the tunnel, we can. These stories bind all of us together in their universal messages…youth is something we get over, eventually, and in our own ways, but we cannot help get over it.
As for his character, it reveals that he can find beauty in the smallest things in life, meaning in the smallest revelation, but that he is a down-to-earth man (at the time he relates the story) who canget his point across, but not romanticize things. He expresses things as he sees them, but he sees them in a unique and detailed way. He mak...
It has been such a joy reading “The Norton Introduction to Literature” by Kelly J. Mays. Of all the stories that I was assigned to read, one story in particular stood out to me because of how the author used words to create a vivid image in my mind. The story I’m talking about is “Araby” by James Joyce. James Joyce does a great job creating vivid images in the readers mind and creates a theme that most of us can relate. In this paper I will be discussing five scholarly peer reviewed journals that also discusses the use of image and theme that James Joyce created in his short story “Araby”. Before I start diving into discussing these five scholarly peer review journals, I would like to just write a little bit about “Araby” by James Joyce. James Joyce is an Irish writer, mostly known for modernist writing and his short story “Araby” is one of fifteen short stories from his first book that was published called “Dubliners”. Lastly, “Araby” is the third story in Dubliners. Now I will be transitioning to discussing the scholarly peer review journals.
In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality. This double focus-the boy who first experiences, and the man who has not forgotten-provides for the dramatic rendering of a story of first love told by a narrator who, with his wider, adult vision, can employ the sophisticated use of irony and symbolic imagery necessary to reveal the story's meaning.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In the novel's opening story, "The Sisters," Joyce elevates this concern with writing "reality" from sub-theme to theme: the story is an extended meditation on textuality just as much as it is the story of a boy and a priest. By beginning with a metatext Joyce brilliantly opens up the entire collection for a different kind of reading, one based on noticing rather than overlooking literature's limitations. With...
...hen you reach the end the boy has taken a turn and instantly matures in the last sentence. Something like that doesn’t just happen in a matter of seconds. Therefore the readers gets the sense that the narrator is the boy all grown up. He is recollecting his epiphany within the story allowing the readers to realize themselves that the aspiration to live and dream continues throughout the rest of ones life. The narrator remembers this story as a transformation from innocence to knowledge. Imagination and reality clearly become two different things to the narrator; an awareness that everyone goes though at some point in their life. It may not be as dramatic as this story but it gradually happens and the innocence is no longer present.
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
The boy is young and naive and he leads a dull and boring life. Joyce uses darkness to make the boy's reality. more believable through more vivid, precise descriptions. Bright light is used to create a fairy tale world of dreams and illusions. The snares are a snare.
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
Goldman, Arnold. The Joyce Paradox: Form and Freedom in his Fiction. Evanston, IL: Northwestern U P, 1966.
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.
Pope, Deborah. "The Misprision of Vision: A Portrait of the Artist as a Young Man". James Joyce. vol.1. ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 113-19.