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Importance of setting in literature
Setting in a novel importance
Setting and background in literature
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Settings have always been the ‘within the scenes’ hero in many stories both old and new. From the Wall of China of Mulan’s story, the Blue Seas of One Piece, to the Reichenbach Falls of Sherlock Holmes’s ‘demise’ settings have been an ever important feature to any story. In James Joyce ‘Araby’ is a story concerning an adolescent’s sudden infatuation for a girl he just met, and how his own delusions set him up for an abrupt fall to reality of his pitiful state. Araby’s setting helped define its importance by describing how formative it was in the narrator’s early years and how it helped set the stage for the coming tensions within the plot. A character’s personality and temperament are not just affected by its squabbles with other characters, …show more content…
For example take this excerpt from Araby on how badly the narrator and his family had it back in the day with his description of his home: “The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers.” (Joyce) The description of the setting helped cement the poor and hapless state of affairs the young boy was going through in the readers mind, and helped set the stage for the grand entry scene of his crush a little later in the story. Later in the story setting again is used to create a tension that involves the young boy’s wish to give a gift to his crush: “Nearly all the stalls were closed and the greater part of the hall was in darkness. I recognized a silence like that which pervades a church after a service.” (Joyce) In this description we find the setting once again in a dark place, to the point that the audible silence is used to set the tone for the coming failure in the young boy’s quest for a
Setting in all types of literature is a basic element that at a foundational level provides the reader with an atmosphere and physical place to position the characters. The setting in any dramatic work is an especially vital element since gives the players somewhere to bring to life the playwrights work. Furthermore, “The settings [the playwrights] describe are symbols that give the plays their meaning” (Barnet, Cain 210). Even a bare stage will contribute to the symbolism and theme presented on the stage. Every play ever written has been assigned a setting and each and every one has made an impact on the writing style, topics, and theme encompassed in the play.
The Handmaid’s Tale is a feminism novel written by Canadian, Margret Atwood in 1986. The novel is set in the future of the United States, that no longer exists; and the futuristic Republic of Gilead is in control. The protagonist/narrator is Offred, a handmaid whose job is to lie on her back once a month to try to conceive from the commander. Offred and the other handmaids are allowed to leave their commander’s house once a day to go to the food market, where the signs are pictures instead of words because women are not allowed to read. This wake of independency makes Offred and the other handmaids think of escaping, and when Offred thinks about it the first person that comes to mind is her lesbian best friend from college, Moria. Moira is vivacious, rebellious and deliberately outrageous. The role in Republic of Gilead leads Moira to her feministic actions, and in contrast, it leads her to the handmaids from hope to hopelessness In accordance with the novel The Handmaid’s Tale, Atwood symbolizes Moria as unconfirmed, seditious, courageous, and defeated.
In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality. This double focus-the boy who first experiences, and the man who has not forgotten-provides for the dramatic rendering of a story of first love told by a narrator who, with his wider, adult vision, can employ the sophisticated use of irony and symbolic imagery necessary to reveal the story's meaning.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
Joyce uses a description of setting to show the narrator’s disappointment. Throughout Araby, the narrator expresses his hate for the life he lives in Dublin. From reading the description you get the sense that the community is limited or private. “North Richmond Street, being blind, was a quiet street. An uninhabited house of two storeys stood at the blind end, detached from it neighbours in a square ground” (Joyce 358). Constantly being surrounded by the receptiveness of his whole neighborhood, the narrator wants the excitement or newness that he thinks he will get from the Araby bazaar and maybe even from his friends sister. He feels discourages and pushed away from his community, but he is let down or disappointed overall by himself. All his excitement comes from Mangan’s sister about the bazaar. Upon arriving late the narrator is then disappointed by what he sees. “Nearly all the stalls were closed and the greater part of the hall was in darkness. I recognized a silence like that which pervades a church after service” (Joyce 361). The boy’s happiness that he received just from th...
In the introductions of James Joyce's Araby and Katherine Mansfield's The Garden Party the main themes of the stories are immediately introduced, as in any effective short story. Through the detailed descriptions of the settings, the central themes of each story are presented. The relationships between the main characters and their respective families are introduced and provide background information which helps to further understand the themes of each story. The main themes of the stories are further developed when the characters are introduced. In the introductions of Araby and The Garden Party the main themes are introduced through the descriptive settings, the family backgrounds, and the development of the main characters.
...om Joyce’s childhood. The young boy may have felt anguish, but the adult that looks back at himself sees someone who desires romance and happiness. Joyce explains “Araby” as the life of a young boy who has dreams and high expectations of the world, but instead the young boy gets a bitter taste of reality.
The short story “Araby” written by James Joyce tells the story of an unnamed boy who lives on North Richmond Street. The short story starts off by giving the reader a brief overview about the boy's life and other relevant background information. It is soon expressed that the boy has a very intense infatuation with his friends Mangan’s sister. The story goes on to explain his interaction with this girl which leads him to attend an event later that week. By James Joyce’s use of literary devices, the short story is able to progress and give the reader an accurate insight into this young boy's life and experiences.
In his brief but complex story "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies within self-deception. On one level "Araby" is a story of initiation, of a boy's quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for a man who looks back to a particular moment of intense meaning and insight tells the story in retrospect. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality. This double focus-the boy who first experiences, and the man who has not forgotten provides for the rendering of a story of first love told by a narrator who, with his wider, adult vision, can employ the sophisticated use of irony and symbolic imagery necessary to reveal the story's meaning. The story opens with a description of North Richmond Street, a "blind," "cold ... .. silent" (275)street where the houses "gazed at one an-other with brown imperturbable faces.".(275) The former tenant, a priest, died in the back room of the house, and his legacy-several old yellowed books, which the boy enjoys leafing through because they are old, and a bicycle pump rusting in the back yard-become symbols of the intellectual and religious vitality of the past. Every morning before school the boy lies on the floor in the front parlor peeking out through a crack in the blind of the door, watching and waiting for the girl next door to emerge from her house and walk to school. He is shy and still boyish.
Arab is not a race, but is a group of individuals that are united by their culture and history (ADC, 2014). There are many different variations commonly based on a particular individual’s country of origin such as Arab Americans. Other variations are based on their social class, the level of their education, if they live urbanely or rurally, or the time they have spent in the United States (Lipson & Dubble, 2007). Most Arabs also practice Islamic religion and are Muslim. When working with an Arab or Muslim client, nurses should ask what the client wishes to be referred to so as not to offend them in any way (Lipson & Dubble, 2007).
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.
On its simplest level, "Araby" is a story about a boy's first love. On a deeper level, however, it is a story about the world in which he lives a world inimical to ideals and dreams. This deeper level is introduced and developed in several scenes: the opening description of the boy's street, his house, his relationship to his aunt and uncle, the information about the priest and his belongings, the boy's two trips-his walks through Dublin shopping and his subsequent ride to Araby.