Antonio Vivaldi was born in Venice on March 4th, 1678. Though ordained a priest in 1703, according to his own account, within a year of being ordained Vivaldi no longer wished to celebrate mass because of physical complaints ("tightness of the chest") which pointed to angina pectoris, asthmatic bronchitis, or a nervous disorder. It is also possible that Vivaldi was simulating illness - there is a story that he sometimes left the altar in order to quickly jot down a musical idea in the sacristy.... In any event he had become a priest against his own will, perhaps because in his day training for the priesthood was often the only possible way for a poor family to obtain free schooling.
Though he wrote many fine and memorable concertos, such as the Four Seasons and the Opus 3 for example, he also wrote many works which sound like five-finger exercises for students. And this is precisely what they were. Vivaldi was employed for most of his working life by the Ospedale della Pietà. Often termed an "orphanage", this Ospedale was in fact a home for the female offspring of noblemen and their numerous dalliances with their mistresses. The Ospedale was thus well endowed by the "anonymous" fathers; its furnishings bordered on the opulent, the young ladies were well looked-after, and the musical standards among the highest in Venice. Many of Vivaldi's concerti were indeed exercises which he would play with his many talented pupils.
Vivaldi's relationship with the Ospedale began right after his ordination in 1703, when he was named as violin teacher there. Until 1709, Vivaldi's appointment was renewed every year and again after 1711. Between 1709 and 1711 Vivaldi was not attached to the Ospedale. Perhaps in this period he was already working for the Teatro Sant' Angelo, an opera theater. He also remained active as a composer - in 1711 twelve concertos he had written were published in Amsterdam by the music publisher Estienne Roger under the title l'Estro armonico (Harmonic Inspiration).
In 1713, Vivaldi was given a month's leave from the Ospedale della Pietà in order to stage his first opera, Ottone in villa, in Vicenza. In the 1713-4 season he was once again attached to the Teatro Sant' Angelo, where he produced an opera by the composer Giovanni Alberto Rostori (1692-1753).
As far as his theatrical activities were concerned, the end of 1716 was a high point for Vivaldi.
His successor had appointed Mozart assistant concertmaster, but with very little pay. However, Mozart took this time to work on symphonies, string quartets, sonatas, serenades, and operas. He wrote five violin concertos in 1776. He then wrote piano concertos like the Piano Concerto Number in E flat major in 1777. Mozart had begun to dislike being confined as an assistant concert master, so he decided to travel with his mother to places like Mannheim, Paris, and Munich.
Journalist Jon Krakauer reassembles the fact of life of a young man who leaves his family and society to find true himself. Krakauer intends to reveal Christopher McCandless’s character and nature by interacting people who influenced him. The more people were attached to him, get to know more about him in depth; those who know him from outside often refered him as careless. In the book Into the Wild Krakauer presents McCandless as modest and caring person whereas other may see him as thoughtless.
Hasse's success led to a performance at the court of Brunswick, and it was there that he made his debut as a composer with the opera Antioco in 1723. The success of this first work awarded him favor with the duke who eventually sent Hasse to Italy for the completion of his studies, and in ...
Antonio Stradivari was born in Bergamo Italy 1644. In his youth he lived in Cremona Italy, where he became the apprentice of Nicolo Amati. He had married twice, once in 1667 with a woman named Francesca, whom he had six children with. His first son only lived for six days. The rest later became priests, and apprentices of their father. Francesca then died in 1698. Soon after Stradivari remarried in 1699 to a woman named Antonia. Antonia and Stradivari had four children. Two of which had died. Stradivari bought a home in Piazza Roma; this is where Stradivari carried out his work as a luthier, with his sons at his side as apprentices. In 1737 Stradivari had died and was buried in the church of San Domenico in Cremona where his family had originated.
In John Cheever’s, “The Swimmer”, on a hot summer Sunday ,while sitting by the pool with his wife and neighbors, as they all complained about their hangovers, a man of higher status named Needy Merrill decides to get home by swimming through the pools in his county. When Needy first starts off his journey he feels young and enthusiastic; he is then greeted in a joyous manner by his neighborhood friends. Apparently, Needy is a well-known and respected man. As his journey progresses he starts seeing red and orange leaves; he then realizes that it was fall. In the middle of his journey he starts to endure some turmoil, but he does not let that stop his journey. As his journey ends, Needy starts to come encounter with some people who constantly mention his misfortune and struggle with his family. Needy does not remember any of the turmoil that had been going on in his life, and starts to wonder if his memory is failing him. Towards the end, many of the people that came encounter with treated him rudely. Needy realizes that something must have went wrong in his life. When Needy arrives home, he sees that his house is empty and that his family is gone. In “The Swimmer “, John Cheever uses setting to symbolize the meaning of the story.
It was an early age when Monteverdi’s career began, he then published his first pieces, and this was based on as a collection of three-voice motets, at the age of fifteen. It was by 1591, when he went to Mantua as a musician for the Gonzaga court, by then he had already published books of “spiritual madrigals” in 1583, then another canzonettas in 1584, by 1587 and 1590 he published his first two books of “madrigals.” It was in Mantua he continued writing madrigals, and then in 1607 he produced his first work in the new genre of opera, the setting was of Orfeo. 1613, he was then appointed maestro di cappella at ST. Mark’s Cathedral which was held in Venice. Monteverdi had remained in Venice for the rest of his life, writing music in all different kinds of genres, including his final opera, “incoronaszione di Poppea in 1642.
According to Maslow’s hierarchy of needs, belonging is a human requirement only topped by mental homeostasis and safety. Human relationships have dictated the role of history, from cooperating to solve worldwide problems, to the establishment of globalization. However, human beings are intrinsically gregarious. The survival of humanity depends on reproduction. In Elie Wiesel’s memoir Night, he recounts the psychological journey the Jews in the Holocaust took. Often regarded as a stain in humankind’s legacy, the Holocaust was a genocide, enforced by Adolf Hitler and his Nazi regime, in which six million Jews were systematically murdered. Throughout the memoir, an emphasis is placed on the mental effects the
In 1703 Vivaldi became a priest and acquired the nickname "The Red Priest", since he had red hair. He had become a priest against his own will because it was the only possible way for his poor family to obtain free schooling. In 1704 he was pardoned from celebrating the Holy Mass because of his ill health, and later became a violin teacher at an orphanage for girls called Ospedale della Pietà in Venice. The orphans soon started to gain appreciation and esteem as Vivaldi wrote most of his concertos, cantate and sacred music for them. In 1705 the first collection of his works was published. He was a prolific composer and is most well known for composing over 500 concertos, 46 Operas, sinfonias, 73 sonatas, chamber music, and sacred music. His most famous work is said to be the Four Seasons.
disappearing for 2 years, McCandless was found dead at age twenty-four in the Alaskan wilderness, the world stunned on why an affluent young man with a bright future would give it all up to live in seclusion in the wilderness. In his book Into the Wild, Jon Krakauer theorizes the motivations of McCandless and why a seemingly sane person would take such dangerous risks. Krakauer’s major theories of why McCandless did what he did revolve around a singular idea: freedom. Krakauer uses McCandless’s change of identity and wilderness adventures to symbolize freedom and self expression. McCandless was previously burdened by the expectations his parents put on him to
What was Krakauer thinking when he was talking about Chris McCandless? In the Alaskan wilderness, Peter Christian has described numerous young men who acted and ventured there similar to McCandless. If there are people who had ventured and faced death in the Alaskan wilderness just like McCandless, would Krakauer’s “Into the Wild” be different in regards to quality and character if Krakauer had used any other individual as the main character of his book? Based on how Krakauer wrote his book, Chris McCandless had an interesting story of his travels as told by Krakauer. Despite being an enigmatic and intellectual, however, McCandless shows that he is merely another young adult who had made bad decisions.
John Warrack, author of 6 Great Composers, stated, “Any study of a composer, however brief, must have as its only purpose encouragement of the reader to greater enjoyment of the music” (Warrack, p.2). The composers and musicians of the Renaissance period need to be discussed and studied so that listeners, performers, and readers can appreciate and understand the beginnings of music theory and form. The reader can also understand the driving force of the composer, whether sacred or secular, popularity or religious growth. To begin understanding music composition one must begin at the birth, or rebirth of music and the composers who created the great change.
...ts of fever and general ill-health. And in his last ten years in Vienna, the constant need to write commissioned work - for he was the first of the composing freelances, with no regular patrons or court salaries - had worn him down to the point where one bout of fever was sure to finish him off. In July he'd had the anonymous commission to write a Requiem for the Dead; but that had been progressing slowly, because he'd been busy with two operas - La Clemenza di Tito and The Magic Flute - and two cantatas at the same time. Thirty-five years of artistic, social and personal pressure was taking its toll.
I can say with absolute certainty that I have always been intrigued by and totally enamored with cultures that were different from my own. I believe this is because I fancy myself to be an imaginative dreamer that has always wished for changes to take place in the world so that it may one day become the way it was supposed to be when the creator of the universe imagined it all those centuries ago.
Giovanni Pierluigi da Palestrina was a composer during the Italian Renaissance. He was firstly a composer of sacred music, having composed more than 300 motets, 105 masses, 72 hymns and many more works of a sacred variety. Giovanni was born in his namesake city, Palestrina, a city near Rome. He studied the European style of polyphony under Robin Mallapert and Firmin Lebel in Rome. He spent ten years as the organist for the cathedral of St. Agapito in Palestrina, where he published his first compositions which made such an impression on Giovanni Maria Ciocchi del Monte, later to be known as Pope Julius III that the Pope promoted him to music director of the Jullian Chapel. After his time at St. Agapito, he spent the rest of his life in Rome
McLuhan included a quote written backwards that requires the reader to look in a mirror in order to read it (53-54), as well as a passage written upside down (55-56). Unlike most books, particularly the ones that are mandatory to read in school, this one isn’t tedious. It’s engaging, almost as McLuhan affirms television to be. Although, what makes the book different from others at this time is its use of visuals; there is some sort of graphic on every page. Most times there is no explanation for a photograph, we have to ask ourselves, “Why did he include this particular photo? What is he trying to tell us?” For example, on page 129 we see a black and white photograph of the Carver theatre in Birmingham, Alabama, and above the marquee reads, “Suspense! Excitement! Susan Hayward’s ‘Back Street’ and ‘Damn the Defiant.’” At first, this might seem like a photograph of the matinee of the day, but on the next page we see the picture in its entirety. The Carver theater becomes the background, and in the foreground is a black woman being apprehended by white police officers (130). “Damn the defiant,” the officers must be thinking, exemplifying the mood of the photograph perfectly. What McLuhan demonstrates on these two pages is that while “seeing is believing,” we can’t always trust with our eyes when others control what we do and do not see. This happens today with various news stations. Some are more liberal