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Role of women in greek mythology books
Role of women in greek mythology books
Gender roles and relations in ancient greece
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Medea and Antigone are two stories of women who are fighting back for what they want, and what they believe is right. Both stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both very strong, independent and sometimes very manipulating characters. Even though they are very much similar, they have different moral settings that actually control what they do. Medea is often extremely demanding when it comes to getting what she wants. Antigone will do whatever she needs to do in order for her to get what she wants. Antigone disobeys the law of the king to uphold the law of her own spiritual beliefs. In the middle of the night she decides to leave her house and she sneaks her way into a …show more content…
Antigone broke mans law and the act of burying Polyneices portrays Antigone’s passionate nature. This is where she takes matters into her own hands and decides to challenge mans law and instead she chooses to follow God.s law. The love that both characters have driven them to sacrifice their lives. Antigone had sacrificed her own life just so she can restore her brother’s honor. Creon states, “we’ll haven’t women’s law here.” He is trying to emphasize on the fact that women actually have no place when it comes to stating the laws. Antigone grows mad about this statement because she is a woman and this relates to another important theme of gender roles. Women are looked down upon in an Athenian society while men are considered to be more superior to women. The play depicts the power of love and the effect on the main character, Antigone, and it acts as a primary factor to commit these acts, which lead her to her own death. In both plays, love can act as a motivating factor to commit these types of acts, which actually lead to a number of tragic deaths of the characters. The contrast here is that the type of love that these primary characters had for all their loved ones. Antigone’s decisions were controlled by the strong family bond she shared with her brother, Polyneices while Medea’s love was from the …show more content…
Medea and Antigone have both been portrayed as heroes and they both display heroic qualities, which, in ancient Greece was associated only with men. Women in ancient Greece no matter what class you were in, you were suppose to follow the traditional gender roles and the conditions by actually staying inside the homes and act in an obedient passive manner. Both plays went against this view-favoring patriarch meaning that women were excluded when it came to holding power. Heroism, involves a lot of courage and selflessness. Jason married Medea and had two children with her until he decided to abandon her for Creon’s daughter. Euripides describes Medea’s motives to seeing revenge towards Jason, who betrayed her in return for her sacrifice and selflessness, which can be shown when she betrays her family for Jason as she was really in love with him. Antigone is trying to bury her brother who had gone against the state. Creon is preventing her from doing so because their views about the divine laws and the supremacy of the state. Creon’s watchman catches her in the act and she is brought before the king. She tries to justify her actions and she had to obey the eternal laws of right from wrong of any human orders. Creon was not having it his son who was engaged to Antigone threatens to die with her. Her rebellion is just one of the many aspects that make her
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
Medea and Lysistrata Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason, whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society. Despite the contrast in the characters of Euripedes' Medea and Aristophanes' Lysistrata, the two playwrights depicted how gender inequality can start a fire.
In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring about the death of her own brother. Certainly this is a woman who would sacrifice anything for her husband. Weigel records the fierceness of Medea's passion in his critique: "As a woman of passion, Medea is wholly committed to Jason as the object of her emotional life, whether in love or hate. When she loved Jason she did not hesitate to kill her brothe...
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
In Antigone, unmoderated love is prevalent throughout the play, and it is best demonstrated in three main characters: Antigone, Creon, and Ismene. Antigone has a very strong love for her brother and the gods, Creon has an extreme love for power, and Ismene has a deep love for her sister, Antigone. Each of these characters suffers greatly because of this love, and as a result, they all suffer dire consequences.
Antigone shows throughout the play that she is always thinking that she must do what is best for other’s and not just herself. She is willing to do what is needed to follow the law of the gods, even if it is breaking the state law.... ... middle of paper ... ...
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
This includes when she killed her brother to help them get away from her father’s grasp, and when she ends up murdering her children to ruin Jason’s life. She tries to overcome her obstacles like all heroes do, but fails to problem-solve in a humane way. Unlike Jason, who is a traditional hero, Medea is the anti-hero in the story. Her logical is rational and understandable, but it is her response to her emotions that make her seem incredibly irrational. This is portrayed in various parts of the play, including when Medea hesitates to go through with killing her children.
Because Medea was such a different woman people in her society were afraid of her, including men. As a result of this, before Jason, she never experienced being in love. When she finally experienced this type of love she went to no end for Jason. To protect Jason and her love for him she killed the beast guarding the Golden Fleece, she killed her brother, and she left her home, family and everything she knew for him. Most women would not have gone that far for love, especially women during her time; but Medea was not your average woman. All of the things she did for Jason will come into play, and partly account for her actions at the end of the play.
In The Medea, Medea gives up her home, murdered her brother and tossed the pieces of his corpse and betrays her family to escape with her lover Jason. Against her father's wishes she helps Jason recover the Golden Fleece. Afterwards, Medea and Jason fall in love, get married and Medea gives birth and raises two sons. Unfortunately, Jason abandons Medea and marries King Creon's beautiful daughter. Medea alternates her role from a lover and partner in crime to an obsessive prideful monster. Me...