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Analysis of antigone
Analysis on antigone
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Conflict, tragedy, and heroism are the heart of world literature. Conflicts ranging from a woman overstepping her boundaries, to fighting a waging war share the common ending asset of a hero. Similar to beauty, qualities that make up a hero may greatly vary depending on social status, background and etcetera. However, three qualities in particular reign a significant importance among Antigone, Achilles, and Hector. Bravery to do the unimaginable, intelligence to understand the consequences, and selflessness to carry out the bravery and intelligence for a reason that may not benefit themselves. Suppression, inadequacy and plain mistreatment describe what it is like to be a woman living in a strict patriarchal society. No matter how strict this …show more content…
The trait intelligence alone runs a high risk for turning good intentions sour, because intelligence is power- and too much power often turns into malicious ordeals. Without the goodness of selflessness, bravery is also at risk to spoil for self righteous intentions. Although Achilles in The Iliad maintains a merciless and tough exterior personality, his rage is a result to suppressed anger and hurt. Achilles proves his compassion through blood and war, but a sense of compassion nonetheless. In fact, the reason he challenges Hector to battle is to avenge him for murdering his best friend Patroclus. Once he learns of Patroclus’s death, he painfully utters, “I sat by the ships, a useless burden, though there are better in assembly- so may this strife of men and gods be done with.” (XXII.104-107) In his family and personal life, Hector displays a great amount of love, loyalty, and compassion. However in the end, he decided to ultimately lay down his life to remain honorable. What about his wife and children? I suppose his honor was more important than his family in this realm… Antigone’s cause falls nothing short of selfless, as she ruined her reputation to uphold respect for her deceased
Antigone, The Brave Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development. Kohlberg’s Theory of Moral Development is three levels consisting of two stages in each. Kohlberg’s Theory explains how a human’s mind morally develops.
The Iliad, the Odyssey, Beowulf, and Hamlet are classical stories that are still relatable and debatable to read and discuss. Though some of the stories are intertwined or continue off one another, the character and stories are distinctive. The stories contain different hero development and progression among them. All the stories contain an idea or concept of a hero that may not necessarily have to do with gaining power or control like modern superheroes. Power and control are referred to having to be the ruler and having the ability to do what you'd like. The modern heroes selflessness of a human on duty or even volunteering, and that person’s willingness to put their own lives on the line for the lives of absolute strangers, is specifically the quality that redefines the modern hero and separates them from heroes in the past.
“Being sister and brother means being there for each other” (thefreshquotes.com). Siblings are one’s most important relative because they’re basically an irreplaceable friend that will love and care for one another forever. People’s relationship with their siblings is emotionally powerful and critically important for their everyday life. Antigone believes that her siblings are her most significant relatives because they can’t be replaced, unlike a husband or children, because her parents are deceased; she will do anything for them, even go against the rules and put her own life in danger. In the play Antigone by Sophocles, the character Antigone can be seen as immoral because of her defying Creon’s laws, however, she receives sympathy for the injustices that were done to her brother, Polyneices, of him not being provided with a proper burial.
For people of ancient times the laws of gods often prevailed over the laws of man. In both Sophocles’ Antigone and Exodus in the Bible, a character brazenly challenges the laws of a government in favor of laws from a hypothetical higher power. Antigone claims to have an instinctive understanding of what the gods have decreed, while in Exodus, God speaks directly to Moses via different miracles. Since the reader of the Bible knows exactly how Moses is receiving his instructions, Moses’ motives and actions are more plausible and relatable. Antigone, on the other hand, does not seem to have any justification except claiming that she knows what the Gods expect her to do.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
Of the many conflicting philosophies, morality, when referring to one's sense of ethics, is the greatest and most intriguing disparity between the Ancient Greek ideologies of heroism and the contemporary views of today. By the standards of the Greeks, Achilles was a Hero. He was the embodiment of the individual, a man of unwavering principle, not only unwilling but incapable of allowing his values to become compromised. His credo and the actions determined though it, while certainly irreconcilable with present ethical standards, are strongly rooted in his own idea of justice. Jason, the archetype of the tragic hero, used Medea for personal gain, and then discarded her, but in so doing, avenged his family and freed a kingdom from a tyrant. Heracles, despite having killed his children and wives, rose above the confines of mortality through heroic deeds, and excruciating pain, both physical and emotional, to transform into an immortal god. The Ancient Greeks did not differentiate between the Hero and the Anti-Hero, judging them not by their methods but by their justness.
The question "was Achilles' anger justified" brings up issues that seem to have little or no relevance to the war. In time of war I would expect the leaders to prioritize the groups interest for the sake of unity and cooperation rather than being entrenched in achieving their own personal goals. But my expectations are those of a modern day literature student, I'm inclined to think that the Greeks who first read this epic valued different things than myself. Another relevant question might be "were Achilles' actions justified". Anger can be easily justified, but the actions that anger might lead you to take are not as easily justified. Again I am not an ancient Greek and my opinions are irrelevant unless I open my mind to different viewpoints. Therefore I am striving to look into this issue through ancient Greek eyes where the principle of sacrificing ones own interests was apparently not valued, but maintaining ones honor, on the other hand, was greatly valued. In the following paragraphs I will attempt to answer these two aforementioned questions.
Patricia Hill Collins outlines the existence of three different dimensions of gender oppression: institutional, symbolic, and individual. The institutional dimension consists of systemic relationship of domination structured through social institutions, such as government, the workplace or education institutions. In other words, this dimension explains “who has the power”. This is completely related to a patriarchal society. Patriarchy is the manifestation and institutionalism of male dominance. This means that men hold power in all institutions, while women are denied the access to this power. The symbolic dimension of oppression is based on widespread socially sanctioned ideologies used to justify relations of domination. It reflects inequality
There are times in my own life in which I realize that a goal that I have been pursuing rigorously is really not worth my time and effort, or that the way I have been pursuing that particular goal is not the most effective way. After I come to these realizations I find it helpful, if not necessary, to step back and analyze the situation. This is what happened to Achilles throughout the first sixteen books of the epic.
What makes a hero? In our society, a hero is thought of as a tall man who wears a cape and has super powers, but to the Greeks, it was very different. In every Greek tragedy, there is the tragic hero, defined by Aristotle as a character who is an extraordinary person, with both good and bad qualities. Although the character reaches a level of insight, a tragic flaw, such as hamartia, leads to their failure in the end. A perfect example of this can be found in Sophocles’ trilogy, The Theban Plays which follows the struggling city of Thebes and the efforts of its rulers to escape their misfortune. Antigone, the third play is an excellent example of this. As the title is Antigone, one would assume that she is the tragic hero, or heroine, but this is not the case. In the tragedy Antigone, Creon fills the role of tragic hero.
A hero in literature, as defined by the Encyclopedia Britannica, is the main character of a literary work that is celebrated through ancient legends of a society. Most heroes, especially of ancient lore, have extreme and unlimited strength, skill in battle, and courage, while partaking in war or dangerous adventures regularly. They are always studied in literature, which makes them timeless, because they can help us learn different messages about our actions even in today’s world. In comparison it is concluded that even though Achilles and Sir Gawain were created at different time periods they still have similarities and both show us today how society was in the past. These heroes represent more than just a work of literature, but the value systems of entire societies, which is invaluable knowledge for
In today's society, a man's mind is his most important tool. In the past, however, a man's courage and strength is all that he had to keep him alive. In Homer's Iliad, courage is valued over honesty and even faithfulness to one's wife. If a hero is the most courageous man in the bunch, then Hector is more heroic than Achilles and King of the Myrmidons. Hector is the true hero of Homer's Iliad.
A hero has many admirable traits that are attributed to them. Today, one would describe a hero as someone with courage, bravery and a clear conscience to invoke good deeds. In mythology, heroes are also present and hold the same qualities as our modern heroes. Heroes just like Odysseus who after spending ten years trying to return home from the Trojan War, wants nothing more than to get back to his wife, son and reclaim his position as king of Ithaca.. But hardships that appear during his voyage demonstrate his courage and intelligence. Using these traits he is able to reach his ultimate goal and become the hero he is meant to be. But to become the hero, Odysseus needs to fulfill the six steps that were set by Joseph Campbell, who illustrated these steps in his text Hero with a Thousand Faces. These steps include: 1. Leaving home; 2. Deciding upon a quest; 3. Encountering dragons; 4. All-out fights; 5. a wound (left upon the hero from his/her encounter with a dragon.; 6. Wisdom which the hero learns that informs his or her life thereafter, or a wisdom won that can be shared with the hero’s people. Odysseus almost illustrates the true definition of a hero and, goes on a hero’s journey to attempt just that. Odysseus must face many challenges and dangers to reach his objective. Through the way he eradicates them, it is evident that he has successfully completed parts of the hero’s journey but fails to complete the last step.
The Iliad, the Greek epic documented by Homer that describes the battles and events of the ten year siege on Troy by the Greek army. Both Trojans and Greeks had their fair share of heroes and warriors, but none could match the skill and strength of the swift runner, Achilles. Achilles had the attributes of a perfect warrior with his god-like speed and combat abilities. However, even though he was Greek’s greatest warrior, he still possessed several flaws that made him fit the role of the Tragic Hero impeccably. Defined by Aristotle, a Tragic Hero is someone who possesses a high status of nobility and greatness, but must have imperfections so that mere mortals cannot relate to the hero. Lastly, the Tragic Hero’s downfall must be partially their own fault through personal choice rather than by an evil act, while also appearing to be not entirely deserved of their unfortunate fate. Achilles is a true Tragic Hero because he withholds all of these traits. Achilles proves to be a good man that puts his loved ones first, reveals his tragic flaws of pride and anger, shows dynamic qualities as a character when his flaws are challenged, and has a moment of clarity at the end of his rage. Achilles truly exemplifies the qualities of a Tragic Hero.
David Malouf explores each of the characters in his novel “Ransom,” and the unique impact that grief and loss effects them individually. The suffocating grief enables other emotions to arise, where anger and hatred, cloud judgment or where opportunity and change initiates action. Achilles and Neoptolemus are both engulfed in grief for their loved ones converting this pain into anger, seeking revenge in order for them to feel something, anything. The smothering of emotions consumes the characters in overwhelming grief and loss. However, Malouf accentuates the difference in reactions due to grief changing with the individuals. Depicted through Somax ability to convert consuming feelings to joy by seeking comfort in others.