More handpicked essays just for you.
Character comparison essay antigone and creon
Analyzing the character of creon in antigone
Antigone essays with creons
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character comparison essay antigone and creon
Antigone
Antigone, by Sophocles, is a story about the struggle between Antigone, who represents the laws of the gods and Creon, who represents the laws of the state. The play takes place circa 442 B.C. in the city-state of Thebes. The story revolves around the burial of Polyneices. Polyneices led an army against his brother, Etocles, the King of Thebes. They killed each other in battle and the new king, Creon, made a decree that only Etocles was to be buried because Polyneices was his rival. Antigone, sister of Polyneices and Etocles, feels that she needs to bury Polyneices in accordance to Zeus’ law, but this went against Creon’s decree. Also, Antigone has to bury Polyneices without the help of her sister Ismene. Since Antigone decided to follow Zeus’ law, which states that all bodies must be buried, she defied Creon’s decree and buried Polyneices anyway. Caught by the guards, while burying her brother, Antigone was sent to a rocky chamber as punishment by Creon. Creon’s son, Haemon, was engaged to marry Antigone, but he along with the rest of the city thought Antigone’s death was unjust. Even after Teirsias, the blind prophet, warned Creon to release Antigone and bury Polyneices, Creon remained reluctant. Finally, Teirsias told Creon that the gods were going to punish him and Creon became worried. By the time he got to the rocky chamber, it was too late: Antigone already hung herself. Creon found his son sobbing next to her and when he told Ha...
Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
First of all, Fitzgerald points out the flawed morals and lack of individual ethics and responsibility in the time period. The character who best exemplifies the decay of morality and rise of personal irresponsibility is Tom Buchanan. He is not faithful to his wife, Daisy, and carries on an extramarital affair with another woman. In general, many characters in the novel, such as Myrtle’s sister Catherine, see no issue with Tom’s infidelity. The respect for the bonds of marriage is not present. While that is heinous enough, Tom even shows that he is not even slightly guilty about his actions. This exposes his sub-par ethics. Tom has no true sense of right and wrong. His lack of ethical ability is so dramatic that Nick eventually remarks that he views Tom as a child. He deliberately shows his mistress off to Nick, and shows no remorse about his actions. He ...
Possibly the most prominent theme in Sophocles' "Antigone" is the concept of divine law vs. human law. In the story the two brothers, Eteocles and Polyneices have slain each other in battle. The new King Creon, who assumed the throne after Eteocles' death, decrees that because Polyneices committed treason against the king, he shall not be buried, but instead "He shall be left unburied for all to watch
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
In Sophocles’ Antigone, Antigone saw her action of burying her brother as a just one. It may not have been just in the eyes of Creon and the people of Thebes, but she was not concerned with the laws that mortals had made. Antigone saw the divine laws of the gods to be much more important than those of mortals. She felt that if she died while upholding the laws of the gods, that her afterlife would be better than if she had not. Our lives on this earth are so short, that to see a good afterlife over the horizon will make people go against the laws of humans.
A deep look into juveniles in adult prisons. Touch bases on several smaller issues that contribute to juveniles being in and effects of adult prisons. The United States Bureau of Prisons handles two hundred and thirty-nine juveniles and their average age is seventeen. Execution of juveniles, The United States is one of only six countries to execute juveniles. There are sixty-eight juveniles sitting on death row for crimes committed as juveniles. Forty-three of those inmates are minorities. People, who are too young to vote, drink alcohol, or drive are held to the same standard of responsibility as adults. In prisons, they argue that the juveniles become targets of older, more hardened criminals. Brian Stevenson, Director of the Alabama Capital Resource Center said, “We have totally given up in the idea of reform of rehabilitation for the very young. We are basically saying we will throw those kids away. Leading To Prison Juvenile Justice Bulletin Report shows that two-thirds of juveniles apprehended for violent offenses were released or put on probation. Only slightly more than one-third of youths charged with homicide was transferred to adult criminal court. Little more than one out of every one hundred New York youths arrested for muggings, beatings, rape and murder ended up in a correctional institution. Another report showed a delinquent boy has to be arrested on average thirteen times before the court will act more restrictive than probation. Laws began changing as early as 1978 in New York to try juveniles over 12 who commit violent crimes as adults did. However, even since the laws changed only twenty percent of serious offenders served any time. The decision of whether to waive a juven...
The Great Gatsby written by F. Scott Fitzgerald in 1920 shows an insightful exploration of social class and the inability to change ones social class no matter how hard they attempt to. Fitzgerald was a great author in his ability to take himself out of reality in the 1920’s and write in The Great Gatsby the dangers of social climbing by comparing characters with regards to their social class. The desperation to achieve but ultimately failing the American Dream was explored through the characters of Jay Gatsby and Myrtle Wilson. I am going to investigate the inability to change one’s social class in 1920s America.
"Criminal court doesn't care they are kids," said Melissa Sickmund, Chief of Systems Research at the National Center for Juvenile Justice in Pittsburgh, Pennsylvania. "Once they are there, it's just another case." There have been many debates on whether teens should be tried as adults. There are many exceptions to trying teens as adults. Various factors must be considered such as, how serious is the wrongdoing and if teens aren’t given adult responsibilities, then how can they be tried as an adult?
crimes are committed. In 2008, seventy-three thousand of these violent crimes were committed by juveniles. When you hear about murderers, rapists, and other criminals, automatically, your mind set wants these criminals sentenced to prison for a very long time. There is no second guessing when it comes to these extreme criminals, they should be punished for the severe crimes committed. Now, lets say the criminal was a fifteen year old, suddenly people begin to question if giving them the same sentencing as an “adult” would be appropriate. Many will say it is wrong to try a juvenile as an adult for various reasons, but by committing these violent crimes they stopped being children and should be tried as adults. Regardless of the age, criminals are criminals and they should all be tried the same, age does not define adulthood. Juvenile crimes are no different from adult crimes, teens know the difference between wrong and right, ignorance and foolishness are two different things, if the criminal has the ability to plan out the crime then they will be prepared to do the time.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
Fitzgerald illuminates the ostentation of society through his portrayal of a high class person such as Gatsby. For example, as a party guest commentates on her previous visit to one of Gatsby’s many parties, she states, “When I was here last I tore my gown on a chair, and he asked me my name and address- inside of a week I got a package from Croirier’s with a new gown in it. (43)” To Gatsby, money is not an issue as he tends to the troubles of strangers. Rather than a problem, wealth is something to be displayed in order to achieve a certain image, which is precisely what Gatsby is attempting to accomplish. By proving his wealth and his superiority, Fitzgerald succeeds in painting a superficial image of Gatsby. Furthermore, as Gatsby finally reveals his face to the guests, he begins to collaborate with Nick. Nick, in response, thinks that “His Elaborate formality of speech just missed being absurd. Some time before he introduced himself id got a strong impression that he was picking his words with care(48)” Fitzgerald demonstrates...