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Each anti-hero has their own characteristics and their own traits, but all of these anti-heroes have all a common trait. Anti-heroes “They are neither 100% good nor 100% evil , are fated to cause grief to individuals or to the community or to self , are driven and obsessed with past deeds or by fate, they do not need to die at close of story; there is uncertain resolution , can act as a vigilante, even against the self , act according to their own set of rules, their own values, may have tragedy in their life , may or may not have a tragic flaw , lack true identity, even to themselves; in some cases they are disillusioned with life, lack strong ideals and goals , this does not define them as a villain , their actions are merely reactions to events , usually they are not motivated to act for, nor act against anyone , and they are not fighting fate but present …show more content…
Some of them use violence to get their ways and ask questions last while some of them have to be bribed to get the job done for their own greedy ways. Every anti-hero will mostly likely have a tragedy in their back story. For example: Dead Pool with his tragic origin, the wolverine with a scientific experiment gone wrong and mutated him, Bruce Banner getting infected by gamma rays, and Bruce Wayne with the death of his parents. Some anti-heroes set out their own journeys and do certain task to do in order to find their own goals in life and to discover who they are and to learn certain lessons about their own personal lives or just to learn the meaning of their lives. A great anti-hero that goes well with all of these traits is Batman. Batman is a DC hero with a dark and tragic past but turns that tragedy by making himself a hero to Gotham city. Batman’s main goal is to give all the criminals justice with his violent ways but he is doing it for the good of the city and to himself. However, Batman on the other hand is a well-known
An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead them to be a hero. Facing difficult decisions and doubt are also classic traits of an anti-hero. They often lack confidence in themselves, refuse to accept their fate as a hero or don't even realise their status or ability. At a certain point, anti-heroes usually transcend into either a tragic or romantic hero. Anti-heroes can be identified in many different texts, however, all of them consist of those traits.
What makes a hero or a villain? A hero is defined as a person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life. By this definition, there existed countless heroes in America during the 1800’s in relation to slavery. There were many abolitionists, particularly from the North, that exhibited courageous attitudes. It was these heroes that taught the southerners, who believed their lives could only prevail if slavery survived and expanded westward, what they knew was morally right (3, 92).
... is not simply defined by his/her strength or looks; it is also their inner strength and beauty that is truly important. A hero can have many qualities but when they show true understanding for something even without proper education, they are accepting of those around them, and breaking rules when the time is at its most important. While there are true heroes, there are also anti-heroes which have the opposite qualities that of the true hero. Furthermore, there are many kinds of heroes but a true hero is defined by inner qualities that of outer qualities.
An anti-hero is the protagonist of a story who lacks some attributes almost always present in a hero, such as selflessness and mercy. Where the hero will save the antagonist at the end of the story if such an opportunity presents itself, the anti-hero will most likely leave his or her foe to rot and choose to forgo saving the life of an enemy. The anti-hero might go as far as to hasten the humiliation or death of said enemy to further her or his own agenda. In Euripides’ play, Medea, Medea shows aspects of an anti-hero in how she deals with her problems, such as manipulating others to save her own skin, cursing those who have wronged her and destroying them, and scarcely ever displaying heroic characteristics such as mercy and sympathy; even as she takes Jason’s only hope for solace away.
As a society we value and admire heroes who represent the idealized version of ourselves whom we stride every day to become. This is why they are sometimes scrutinized, unless they are an anti-hero, of course. The anti-hero is also admired by some even if he utilizes unlawful methods to achieve his goal, because he represents the good in a corrupt world. But this is not always the case as it is seen in some Noir stories. In Noir stories, the anti-hero is supposed to be a modern knight. Transgressing society's corrupt rules in order to reaffirm for its male audience the need to act justly do rightly; however, the anti-hero through this false nobility and sexism reinforces the social problems that plague contemporary society.
The men in The Alchemist, The Odyssey, and The Count of Monte Cristo all went through extremely difficult, life changing journeys. They were all give many chances throughout their journies to choose the hero or anti-hero path. To become anti-heros they would have needed to give in to the temptations along their journeys. Anti-heros serve as a representation of greedy people that just want to be able to control anything they feel inclined to, without limit. On the flip side, heros are able to resist temptation and they show the positive side to themselves by being selfless and revolving their life and journey around personal sacrifice no matter how severe. The men in each of the three stories each had their downfalls like any person would and
When asking people about what characteristics they think of when they think of a hero the most common answers would be doing good deeds and not allowing evil to flourish. This is what we have been made to believe. One of the first images that come to mind when the word hero is mentioned is a superhero. An image of Batman or Superman is likely, one who is good natured and conquers evil as it appears. Just doing good deeds or not committing evil sins is not enough. First you would have to distinguish the difference between an evil and a good action. The line between good and evil is so thin that specific attributes and certain actions are constantly being exchanged back and forth. We cannot decide as a society what is good and what is evil. A modern day example would be when the United States made the decision to bomb Japan during World War II. For Americans celebration ensued as it was thought to be a decisive moment of victory. Those who were involved in t...
Heroes are rarely seen in today's world. Too many people are worried about money or power to be concerned with others around them. But then that leads to the definition of a hero. It is possibly a person who does moral good in the world, or perhaps someone who stands up for those who do not have the power to do so themselves. Heroes come in all shapes and sizes, but people must remember that they are still human. They do make mistakes and they can be selfish. Such is the case in both Hamlet and Tempest. Both main characters have been slighted in some way and both eventually get their revenge. They are similar and different in the ways that they go about this business. Thus, Hamlet and Prospero shall be discussed in detail to each other and how they performed as the "hero" of the play.
There are various levels of heroes, some of which will sacrifice and give everything to protect someone and those that will only spare some change to help them buy food. While villains can directly or indirectly harm others in various ways, whether it is from being too greedy or enjoying watching others suffer, villains hurt people. Similar to Villains are bystanders, while bystanders do not directly contribute to the problem they do nothing to help solve the problem which is almost as bad as being the problem causer. Characteristics of a villain could include being vulgar, a bully, or rashful towards others, while a hero’s traits tend to include virtues like courage, friendliness, and are caring towards others (Aristotle). In We Are All Bystanders Peggy is a bystander because she isn’t willing to stand up for Stewart when he gets bullied on the bus, but wishes she would do something to help him(Marsh, Keltner). Another example of where bystanders had a chance to prevent a crime was when Genovese was murdered and all thirty-eight of her neighbors did nothing to prevent her death(Marsh, Keltner). Many bystanders possess the trait of cowardness or they lack the will to act and try to help others that are be in need of
Anti-heroes similar to John Rambo are prevalent in all sorts of mythology, and ancient Greek mythology is no exception. One great example is Achilles: of course, he has his ever-famous heel, which is his main flaw
When people think of heroes and villains they think of the characters who play these roles in cartoon movies like Batman and Spiderman, but in reality, anyone can be a hero and anyone can be a villain. Heroes are considered to be inspirational and bold because of what they do to help others. While villains are typically defined as a wicked or evil person who makes others feel helpless.
The anti-hero is an interesting archetype, and with its growing popularity in film and television it’s important to understand the differences between archetypical heroes. By design anti-heroes are more relatable and realistic than epic heroes, and don’t create unrealistic standards like traditional super heroes. Anti-heroes show us the human side of a hero, exposing their flaws, imperfections, and
Looking in this day and age, movie heroes are taking the law into their own hands, creating the anti-hero in the long run. Defined by wikipedia, the anti-hero is a villain or an outsider, but is nevertheless portrayed somewhat sympathetically. In particular, an anti-hero may have enough heroic qualities and intentions to align them with the heroes in the readers' mind ("Anti-hero"). A film that depicts the classic vigilante is Man on Fire by Tony Scott. The film takes on the idea of revenge with a blend of disturbingly sentimental seriousness and harsh reality.
By literary definition, an antihero is the "hero" of the play or novel, but has negative attributes that separate him or her from the classic hero such as Superman. Such negative aspects may include a violent nature, use of coarse language, or self-serving interests which may inadvertently depict the protagonist as a hero since the result of serving those interests may be the betterment of society or an environment. In William Shakespeare's Hamlet, the protagonist, Hamlet, is depicted as an antihero.
The anti-hero is useless at being a hero when they should be one or have the opportunity to be one. Typically an ordinary, timid, selfish, anti-social, inept, cautious, passive, pessimistic person, they still manage to gain the sympathy of the reader. Usually unglamorous, many wallow in self-pity which only worsens their state of mind. Anti-heros rarely succeed at any goal set before them. Summed up in two words - failed heros. T. S. Elliot's “The Love Song of J. Alfred Prufrock” is a fantastic example of the modern anti-hero. A glimpse into the stream of consciousness of Prufrock reveals his secret struggles to handle a world he has no control over. Prufrock displays numerous characteristics of an anti-hero but three stand out the most: cowardice, passiveness, and pessimism.