Ansel Adams was one of the most important photographers of century XX. Recognized for its beautiful landscape photographs in black and white; Adams had a unique style to take photos and techniques of revealed. He took many photographs of strong contrast of light and shadow, bare mountains, giant trees and huge clouds, many of these photos represent highlights in the history of this art form. Adams like many geniuses artistic was marked with Mother Nature at an early age, to see and enjoy its beauty, its delicacy, its simplicity; from that specific moment he knew that photography will be his live and profession. Adams was an expert in the control of the photographic exhibition. His knowledge was so profound that led him to develop his theory of the zone system, exposure method that allows to achieve the desired exposure accurately. Ansel Adams was a genius able to developer photographs with his own techniques to project the image as natural as possible; his images are nowadays authentic symbols of America.
The most important emotion Ansel Adams was trying to convey was beautiful is ...
It was not until a trip to Japan with her mother after her sophomore year of studying painting at the San Francisco Art Institute that Annie Leibovitz discovered her interest in taking photographs. In 1970 Leibovitz went to the founding editor of Rolling Stone, Jann Wenner, who was impressed by Leibovitz’s work. Leibovitz’s first assignment from Wenner was to shoot John Lennon. Leibovitz’s black-and-white portrait of Lennon was the cover of the January 21, 1971 issue. Ironically, Leibovitz would be the last person to capture her first celebrity subject. Two years later she made history by being named Rolling Stone’s first female chief photographer. Leibovitz’s intimate photographs of celebrities had a big part in defining the Rolling Stone look. In 1983 Leibovitz joined Vanity Fair and was made the magazine’s first contributing photographer. At Vanity Fair she became known for her intensely lit, staged, and alluring portraits of celebrities. With a broader range of subjects available at Vanity Fair, Leibovitz’s photographs for Vanity Fair ranged from presidents to literary icons to t...
For Emerson, the reticent beauty of nature was the motivator. To him, photography should be recognized because its still-life beauty was able to persuade the public’s appreciation of the life and nourishment
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
The warm wind blew my hair back, while I listened to the chatter and thumps from the steps on the wooden walkway. Car horns occasionally sounded as they passed by up the road. Colorful sail boats provided a picturesque background. Paris had his camera wrapped around his neck and was focused on the glowing sunset. We sat on a black swinging chair, facing the rippling water that held the sunset’s warm reflection. Paris scrolled through the pictures on his black professional camera.
Frederic Edwin Church was clearly an epic and defining figure among the Hudson River School painters, particularly in his collaborative efforts in developing a sense of national identity for America, but also in fostering tourism through landscape painting, political influence, and entrepreneurialism. By answering the national call for artists and writers to define American landscape, Church took the first steps towards becoming, not only one of America’s greatest painters, but also a successful entrepreneur when it came to selling his own work to make a living. Church was dedicated to preserving “scientific accuracy” in his interpretations of nature and beauty, which were stimulated by the scientific writings of geographer and explorer Alexander von Humboldt.1
John Fielder is a nationally famous photographer. For the last 40 years his photos are taken of Colorado while he is hiking and skiing. When he first visited Colorado at the age of 14 he said he felt like something or someone guided him their and he belonged in Colorado for the rest of his life. He is well known for creating his best selling books ever; Colorado 1870-2000. His latest work is the work of great outdoors Colorado for its 20th anniversary. When he was 23 he decided to start doing photography. He was amazed by other famous photographers work and tried to take photos just like them, but it didn’t really turn out how he wanted. Nevertheless he did not give up. On his days off he would go on hikes and he would take photos. He practiced for 8 years and decided to quit his job and just focus on photography. He loves nature so therefore he loves to take photos or nature. He has published 33 books in the past 30 years. He uses photography with a large format 4 x 5 film camera, he also carries 7 lenses and 30 sheet film holders and about 400 sheets of color film. In the winter he usually country skies around the mountains of Colorado. He skies 5 to 9 miles a day to get to hut to hut. In the summer he goes on river trips and usually river rafts. Sometimes he rafts on class 5 rapids. He has two daughters who love to go on trips with him although they do not take photos themselves.
Adams the self-portrait photographer from Williams’ description in the opening paragraph. Ms. Adams proclaims all people as a bit self-obsessed. Ms. Adams proceeded to shed light why people prefer to take their own photos. That answer being; people have total control over the photos being taken when they take the photos themselves. Williams proceeds to support the statements by Ms. Adams by explaining the impact modern technology has within the self-portrait trend. More people now have access to small digital cameras that come equipped with all cellphones and most computers. This is the point in the article where Williams specifically puts emphasis on the self-portrait photography trend within the younger generation and how technology accommodates the
...sion of more city-like features like highways and billboards that are not needed. Although he constantly fought for the preservation of nature, he treated people who disagreed with him with “respect and courtesy” (Turnage). He was a man that fought for what he believed in and made a huge difference in the photography field by playing a role in establishing the first photography department in a museum, more specifically the Museum of Modern Art in New York (Turnage). Ansel Adams has changed the vision of landscape photography and will always be known and admired for the work he did.
Adams' love for Yosemite was portrayed through his elegant words and pure black and white images of the valley. The natural beauty of Yosemite was shared with the world through his images of unspoiled rushing streams, raging waterfalls, crystal clear lakes, lone trees and high sierra mountain peaks. In the combination of his photographs and writings, Adams demonstrated "that those who appreciate the earth's wild places have a duty and responsibility to use them wisely and well...
There is one sensational man who managed to create some of the most intelligent photographs known to the world using only shades of white and black. Ansel Easton Adams was an all American landscape photographer and conservationist. When he made his pictures, he didn’t let others opinions in; he simply took the shots he wanted, and captured them the way that he would like to see them if they were not his own. Throughout Adams’ life, he didn’t only construct work that taught others, but also inspired many along the way.
Edward Burtynsky is landscape photographer who focuses on finding unique locations that are barren with environmental degradation. He is concerned with the current state of our world and wants to change it by using photography as a medium. Burtynsky 's photolistic style often shows incredible scale and detail within his photos by using multiple vantage points. Burtynsky approaches his subject in a very urgent manner, each and every photo is taken to create a deep impression from its viewer. His work is housed in more than 50 museums including the Guggenheim Museum, the National Gallery of Canada, and the Bibliothèque Nationale, Paris.
Although technically he was born on the East coast, he grew up in Colorado, and moved to Southern California in 1956 to attend the University of Redlands, where he received a Ph.D. in English in 1965 (Chuang 2009). When Adams returned to Colorado to begin an anticipated career as an English Teacher, he was in shock by the changes he saw in the landscape. Due to the increase of migration into the ‘wild west’, the once familiar wilderness was becoming inundated with industrial development and sub-urban cities. Shortly after returning to Colorado, he bought a 35-mm camera, taught himself the fundamentals of photography, and began making pictures with a passion for the geography of his ‘home’ state (Lippard 2011).
Born in 1902, Ansel Adams was an American photographer who resided in the city of San Francisco. Adams faced dealing with dyslexia and was prone to frequent illness as a child. Despite living in a home that faced financial struggles, and living with a mother who battled mental illness, Ansel Adams managed to impact photography in a great way as well as the history of the United States.
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
Ansel Adams was born in San Francisco, California and his very early interests were more in music and other things than in photography. He hoped to one day become a professional of some sort in this venue. Adams, known for his great pictures of the western side of the United States, first took pictures in Yosemite National Park in 1916. This experience was so touching to Adams, he took it as a life long view of inspiration. Every summer he returned to Yosemite National Park to take more pictures. He also developed an interest in the conservative movement going on in the United States at the time. By 1920, he had become part of the Sierra Club, a group that wanted to preserve the western beauties. In 1927, Parmelian Prints of the High Sierras was published. This was Adams' first portfolio.