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Theater in Elizabethan times
Relevance of Shakespeare
Theater in Elizabethan times
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I am spending the day with someone i never thought i would. William Shakespeare ! He started talking about his childhood and how he started writing plays. He was born in a small village named Stratford-upon-Avon. His dad was a glove maker which means they were not rich. He did not go to a private school and dropped out of school. Which shocked me a bit because his playes are so literate. You would think that since he didn't get the “proper” education he would not be as smart as he is. At eighteen he married a beautiful woman named Anne Hathaway. They had three children together. Anne asked me to stay for dinner and i did. We continued to talk and laugh over dinner
Anne Boleyn Anne Boleyn was a very important, if not the most important character in Anne of a Thousand Days. The way that she behaves, and the decisions that she makes, affect the way that the end. For example, Anne could have refused to marry Henry, and could have run away. These actions and decisions would have dramatically changed the outcome of the story, and for that matter history. Anne has many different personality traits which seem to change over time.
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
Theatre students are often told what not to prepare for an audition because some pieces have been done so many times they lose their meaning. Of Shakespeare’s entire canon, the two most often forbidden texts are Puck and Helena monologues from A Midsummer Night’s Dream. Therefore, the two roles are often the most sought-after and coveted in the play when in production. However, in the 1999 film version, Kevin Kline as Bottom gets top billing. According to the rules of Elizabethan hierarchy, Bottom, being of the merchant class, is literally at the “bottom” of the social spectrum. The Athenians and fairies rank higher on the great chain of being. Kline’s billing is not merely a result of stunt-casting: Athenian Helena is played by television star Calista Flockhart and the fairy queen, Titania, is played by Michelle Pfeiffer, both “stars” at the time. The movie is considered “The Kevin Kline Version” because, compared to the text alone, the plot changes, cinematic adjustments, and Kline’s performance flesh out Bottom’s character, creating a protagonist for an otherwise ensemble cast.
Few endeavors would appear as arduous and maddening to a responsible scholar as a biography of Shakespeare's wife, Ann Hathaway. We have almost no solid facts about Mrs. Shakespeare's life, and we know almost nothing about the Shakespeares' marriage. We know that the playwright could have brought his wife to live with him in London and did not, though we don't know how often he made the three-day trip back to Stratford. We know that in his will, he left his wife only his "second-best bed."
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
When we first meet Hermia in the play called A Midsummer Night's Dream, written by William Shakespeare, she is a girl in love against her father's wishes. From the very start of the play we can see how much enamored she is with Lysander. We can also see that Hermia is a woman with her own desires, and does not liked to be forced to do things that she does not want. She does not want to marry the man that her father betrothed to her, even though it could mean her demise. Her choices of living in a nunnery and live the life of chastity was not an option for Hermia. She loved Lysander and all she wanted was to be with him.
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
The entire cast of A Midsummer Night Dream was full of many, many fun and interesting characters. They kept the play alive and intriguing as they each had very separate personalities. Each person was alive and left a very vivid impression in our brains after reading through the play. It is very hard just to choose one particular favorite character as they all are amazing. In A Midsummer Night’s Dream, my personal favorite character would have to be Hermia because she is loving, virtuous, and patient.
In Greek, Desdemona means ‘the unfortunate’, perhaps reflecting an ideology that she is not meant to be liked, merely pitied for her misfortune as a tragic victim (commonly defined as someone who dies due to the faults of others). Throughout Othello, Desdemona is presented as pure and innocent – in regards to this, Auden’s comment is unusual as Desdemona is seldom criticised; indeed many critics are complementary, giving her titles such as ‘gentle Desdemona’.
Shakespeare has created stories that are so powerful, emotional, comedic, tragic and romantic that they are still continuously remembered and studied in the modern era. Though the essence of his talents does not lie in the simple themes behind his plays, but more so in
Shakespeare, William. As You Like It. Trans. Gayle Holste. Hauppauge, NY: Barron's Educational Series, 2009. Print.
In Williams Shakespeare's "A Midsummer Night's Dream," many of the play's female characters have strong similarities and differences among one another. Although many of the main female characters in the play come from dissimilar backgrounds, their similarities are brought together by common problems associated with society and love. Of the four main female characters, Hippolyta, Titania, Helena, and Hermia, both Hippolyta and Titania are royalty while Helena and Hermia are commoners. However, a common theme associated with Hippolyta, Titania, Helena, and Hermia, regardless of their social caste, is their similarities and differences in dealing with love in a patriarchal society. Nevertheless, the patriarchal society in which Hippolyta, Titania, Helena, and Hermia live in struggles to hinder the feelings and attitudes which provide them with a distinct conception for love in a male dominated society.
In his time, Shakespeare was the most popular playwright of London. As time passed, his smartness covers all others of his age; Jonson, Marlowe, Kyd, Greene, Dekker, Heywood—none had the craft or the kindness of character. He was the master of poetry writing and he did it well. He created the most vivid characters of the Elizabethan stage. His usage of language, both high and low, shows a remarkable fun and insight. His themes fit all generation even to this day.