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An essay for anne bradstreet biography
How has fire influenced society
Essay about anne bradstreet
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In American Literature there isn’t a “large scale” of female writers for writing has always been portrayed as a masculine exertion. It is ironic how the first published author on American soil was a female. Throughout Anne Bradstreet’s poems, we can experience a female presence. Living in a male-dominate society, she chooses to embrace it but questions the role of women in her community. Her feminism held her in check by her Puritan values. However, a conflict arose between her writing of the Puritan society and her views as a female. Anne Bradstreet lived in an era where a patriarchal family structure took place and women were to give no opinion but do as they were told and doing domestic duties. In the poems “Prologue,” “Verses upon the Burning …show more content…
Women played minor roles in the Puritan patriarchal family structure and restricted in their opportunities. This poem regards to how New England Puritans viewed women in their society. Bradstreet mentioned that women's recognition wasn't equal to men's and female writers were seen inferior to men. At the beginning of the poem Bradstreet writes, “To sing of Wars, of Captains, and of Kings, Of Cities founded, Common-wealths was begun, For my mean Pen are too superior things; Or how they all, or each their dates have run, Let Poets and Historians set these forth. My obscure lines shall not so dim their worth” (Bradstreet 1-6). She describes people and events as unworthy of her writing for historians or poets should record historical events, which would give justice unlike her. At the end of the poem Bradstreet writes, “Let Greeks be Greeks, and Women what they are. Men have precedency and still excel; it can be just as vain unjustly to wage war; Men can do best, and women know it well” (Bradstreet 37-40). Bradstreet’s tone shows a hint of sarcastic and humor but seems to be sincere. In an obsequious manner, Bradstreet admits defeat that men will always excel over women. However, she believes people should acknowledge women’s actions.
In “Verses upon the Burning of our House” Bradstreet explains how the act of God taking her house away will affect her family role and domestic
Bradstreet tested the boundaries of the Puritan beliefs and chose to write about life as a wife and mother. The love for her husband was more important than what others thought of her. She was proud of their relationship and stated, “I prize thy love more than whole mines of gold, or all the riches that the East doth hold. My love is such that rivers cannot quench, Nor ought but love from thee give recompense” a verse from her poem titled To My Dear and Loving Husband (226). Her poems stood as a movement for all radical feminists that admired Bradstreet and her confidence to express her opinions publicly. Religion was a common topic throughout Bradstreet’s poem, but there was a time as
In Anne Bradstreet and Mary Rowlandson's generation, women were limited in what they could/could not do. In the 1600s, women were taught to be good wives and mothers along with performing duties in the house. During this time period, most women did not work instead that was the man's duty. They also were raised to portray Puritan values. Bradstreet and Rowlandson both stood out as Puritan women because their works became published in a time in which women were not supposed to write. Both Anne Bradstreet and Mary Rowlandson's status as women played a part in their writing because they both struggled with Puritan/human dichotomy in their works.
In her article “‘But is it any good?’: Evaluating Nineteenth-Century American Women’s Fiction,” Susan Harris provides methods and criteria for examining Women’s Fiction in what she calls “process analysis” (45). To apply Harris’ guidelines to Catherine Maria Sedgwick’s A New England Tale, I must first “acknowledge the ideological basis of [my] endeavor” (45) as a feminist/equalitist critique of the text. Furthermore, I identify the three-fold approach that Harris describes as historical, in distinguishing early nineteenth-century from mid- to late-century attitudes, rhetorical, in labeling Sedgwick’s communication to readers didactic, and ideological, by understanding my objections stem from twenty-first-century attitudes. Harris also explains, “If we look at them as both reactive and creative…we can understand [texts’] aesthetic, moral, and political values” (45); I consider A New England Tale to have a sentimental aesthetic, a Christian morality, and a support of female subordination.
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
She writes a letter to husband, almost instructing him on what to do after her death. Unlike other demure housewives of her time, she acknowledges the risk birthing her child brings by saying, “And when thy loss shall be repaid with gains / Look to my little babes, my dear remains” (107). Bradstreet also approaches a taboo subject by acknowledging that her husband might remarry. Bradstreet does not tread lightly on this subject either by writing, “And if thou love thyself, or loved’st me, / These o protect from step Dames injury” (107). In this poem, Bradstreet faces the possibility of not only the loss of her life but the loss of her husband’s love. Bradstreet challenges Puritan beliefs by showing that she will still be concerned with her earthly life after her
It dictated most of her way of living. She writes about her many struggles between her “flesh” and “the Spirit”. She is honest about sometimes feeling inadequate and wanting to digress away from God’sS way. She includes a constant tension between her selfish thoughts and what she know is the best path. It is not so much a battle between personal beliefs and what one is expected to do. Rather it is a battle between what one is doing and what one already knows is the best route in thinking and living. Bradstreet’s family moved from England to the New England in order to follow this movement of Puritans creating a new life in accordance to the church (White, p.103). So she was well aware of Christian principles and very familiar with the Bible. In Some Verses upon the Burning of Our House she talks mostly about the many vanities of this world and that one should focus on things that are eternal. She
The first lesson Bradstreet learns from the fire occurs when she decides to thank God in the midst of her house burning:
Anne Bradstreet is seen as a true poetic writer for the seventeenth century. She exhibits a strong Puritan voice and is one of the first notable poets to write English verse in the American colonies. Bradstreet’s work symbolizes both her Puritan and feminine ideals and appeals to a wide audience of readers. American Puritan culture was basically unstable, with various inchoate formations of social, political, and religious powers competing publicly. Her thoughts are usually on the reality surrounding her or images from the Bible. Bradstreet’s writing is that of her personal and Puritan life. Anne Bradstreet’s individualism lies in her choice of material rather than in her style.
Bradstreet’s poetry is fully religious. Being a pious woman, as everyone was at that time period, she wrote poems claiming high morals and religious motifs. Her writings were very popular among puritans who started colonizing America. His Puritan belief was the reason of her special attitude to her life, soul and sufferings. “She thought that God was so hard on her because her soul was too in love with the world. She also wrote some poems where she asked God to watch over her children and husband” (Gonzalez, 2000).
In Bradstreet’s poem ‘In Memory of My Dear Grandchild Elizabeth Bradstreet, Who Deceased August, 1665, Being a Year and a Half Old’ religion plays a key part on managing the grief of death. Being ‘with the Lord forever’ was a promise in ‘My Dear and Loving Husband’ whereas in ‘Memory of My Dear Grandchild it is used to bring comfort. The promise that Elizabeth Bradstreet is ‘then ta’en away unto eternity’ where the Puritan belief suggests she will endure for ‘forever’ and thus they shall meet again. The Puritan belief that ‘we are parted for a little while, but we shall see them again’ helps Bradstreet deal with the grief of the death of her grandchild. Puritanism has clearly permeated every aspect of Bradstreet’s life as her first act in desperate times is to look to her faith but also seeks her religion in every relationship she has whether it be romantic, with her husband, or familial. Bradstreet seeks to celebrate her faith in God through her poetry, using it as a form of worship making it a clear tool for voicing her Puritan
Feminism today remains prominent because even while women’s rights are very strong, women are still fighting for equality every day. In the time of Anne Bradstreet, women had few rights and they were seen as inferior to men. Anne lived among the puritans whom ruled her everyday life. Although it was against the puritan code for women to receive an education, Bradstreet’s father, Thomas Dudley, loved his daughter dearly and made sure that she was well educated which shows in her works. Anne Bradstreet’s literature became well known only because her family published her works under a male name. This was done because writing poetry was a serious offense to the puritans since poetry was considered creative and the only creating that was done was by God. In the works of Anne Bradstreet, she conveys a feminist attitude, and could very well be one of the first American Feminists.
Anne Bradstreet starts off her letter with a short poem that presents insight as to what to expect in “To My Dear Children” when she says “here you may find/ what was in your living mother’s mind” (Bradstreet 161). This is the first sign she gives that her letter contains not just a mere retelling of adolescent events, but an introspection of her own life. She writes this at a very turbulent point in history for a devout Puritan. She lived during the migration of Puritans to America to escape the persecution of the Catholic Church and also through the fragmentation of the Puritans into different sects when people began to question the Puritan faith.
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
Anne Bradstreet wrote poetry in a time when only Puritan men were publishing writing, mostly about their faith and religion. Thus, she was the first woman in the colonies to be published and received a lot of criticism for it. At this time, there were roles that women were expected to fill, specifically wife and mother roles, and going against these roles could have grand consequences. While her poems may seem simple and domestic, they contain a more complex meaning when looked at closely. Through many of her poems, Bradstreet expressed her frustration towards her society’s gender norms and went against the Patriarchal ideas of the Puritan society.
By reading Bradstreet’s work, a fair sense of what Mrs. Bradstreet was like can be grasped. She clearly stated her opinion of those who objected to her writing: “I am obnoxious to each carping tongue, / Who says my hand a needle better fits.” (Bradstreet,“ The Prologue”155). Bradstreet refused to give up her passion for writing even if it meant going against the opinions of anyone in her colony, including religious leaders. Although Bradstreet referred to herself as being obnoxious, her written works portray an entirely different Bradstreet. She seeks no reward or fame for her writing: “Give thyme or parsley wreath, I ask no bays” (155). Bradstreet seeks no reward for her writing because she doesn’t think her work is very good: “My foolish, broken, blemished Muse so sings” (154). She refers to her writing as her: “ill-formed offspring” (“The Author To Her Book”165). Even after her work is published she is ...