Nick Miller
Period 4
3/8/14
The Grapes of Wrath Essay Assignment
The Joad Family’s Evolution: from Animals to Societal Servants
Animalistic nature is a quality many posses in the early stages of life. Some quickly evolve from this quality, while others retain it for a lifetime. In John Steinbeck's novel The Grapes of Wrath the Joad family and the changing environment they live in are portrayed as animal-like situations. Steinbeck characterizes the Joads and their fellow migrants as modest, instinct-driven individuals that are on an infinite search for paradise. The so-called “Okies” and the forces that compel them to make their voyage, nature and society, are frequently represented by animals. When they first leave their home, the Joads are a group of simplistic, animal-like people who do not understand or even realize their dilemma. However, as the novel progresses, they begin to grow and adapt to their new surroundings. They progress from an individual, self-oriented family of animals to a part of a much more superior family – society.
Throughout the novel, Steinbeck portrays the Joads and other exiled "Okies" as animalistic. They often talk about their dilemma in simplistic terms that hint that they are not initially aware of the specific conditions that force them to abandon their home. For example, Muley Graves tells Tom Joad and Jim Casy that the rest of the Joads, with their house destroyed, are "piled in John's house like gophers in a winter burrow” (63). This illustrates a family of animals that are bundled together, hoping to fend off a predator with their superior numbers. They see the societal problems around them in terms of a predator as well. For example, Casy asks a worker at a gas station, "You ever seen one a t...
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... she has to do for the man. Ma tells her, "You got to" (619) and Rose of Sharon smiles mysteriously, showing her acceptance of her new duty as a social servant for the collective good of humanity.
The Grapes of Wrath uses animal-like behavior to illustrate the changes in the world and in society during the Great Depression. The Joad family, and many others that share the same situation, are described as minor, unimportant beings who are forced on a quest for a dream they may never obtain. Along their journey, however, the family gradually evolves beyond their animalistic nature that they represented so strongly in the beginning of the novel. Through their experiences along their seemingly relentless voyage to the Promised Land, the Joads realize that there is something much larger and more important to attend to than themselves: the collective good of all mankind.
People just don’t seem to give up, they continue fighting till the very end rather than lay down and succumb to the challenge faced. In “The Grapes of Wrath”, John Steinbeck uses symbolism and religious allusions as unifying devices to illustrate the indomitable nature of the human spirit.
Most of Steinbeck’s work conveys a deeper meaning or message to the readers, and The Grapes of Wrath presents no exception, as redemption’s prevalence influences the growth of each character. Although the book ends with a tragic flood after the family has faced the loss of Rose of Sharon’s newborn baby, the novel still ends in happiness, since characters such as Jim Casy, Uncle John, Tom Joad, and Rose of Sharon attain redemption and in doing so, become saviors for migrant families. Steinbeck manifests the idea the migration did not necessarily implicate the Joads would find prosperity in the promised land of California, but would instead fulfill the quest for absolution, which results in their heroic
In The Grapes of Wrath, Steinbeck illustrates the Joad’s endurance by his use of extended metaphors in intercalary chapters. Steinbeck uses intercalary chapters to provide background for the various themes in the novel. He effectively foreshadows upcoming events by telling of the general state of the local population in the intercalary chapters. He then narrows it down to how it effects the main characters of the novel, which are the Joads. Setting the tone of the novel in the reader’s mind is another function of Steinbeck's intercalary chapters.
Throughout the novel, The Grapes of Wrath there are intercalary chapters. The purpose of these chapters are to give the readers insight and background on the setting, time, place and even history of the novel. They help blend the themes, symbols, motifs of the novel, such as the saving power of family and fellowship, man’s inhumanity to man, and even the multiplying effects of selfishness. These chapters show the social and economic crisis flooding the nation at the time, and the plight of the American farmer becoming difficult. The contrast between these chapters helps readers look at not just the storyline of the Joad family, but farmers during the time and also the condition of America during the Dust Bowl. Steinbeck uses these chapters to show that the story is not only limited to the Joad family,
In literature as in life, people often find that they must make difficult choices in order to survive. The reasons behind their decisions and the results of their subsequent actions affect our opinion of them. In the Grapes of Wrath, written by John Steinbeck, the author portrayed situations where two main characters became involved. The nature of their choices, the reasons behind their decisions, and the results that followed affected them greatly. However, the choices that they made were surmounted successfully. Ma Joad and Tom Joad are two strong characters who overcame laborious predicaments. Their powerful characteristics helped to encourage those that were struggling.
The Joad’s were facing many conflicts and in the process of losing their house. They heard there was going to be work in California and wanted to take the risk and move out there to find a job to provide. The Dust Bowl and The Great Depression were pretty huge topics in history and the novel about The Grapes of Wrath had some pretty raw details about their journey and similar to both histories. The Joad family pushed each other to have a better life in California and did everything they could to have a job to provide and eat, and mainly survive to live another day. In the novel, the beginning, the Joad family faced and struggled with nature, dust nature, just like the people that experienced this during the Dust Bowl. The people in the Southern plains dealt with a huge dust storm and the Joad family were also faced with this storm but struggled from these dust storms because of no work. No work means you can’t eat and
Steinbeck's The Grapes of Wrath is a realistic novel that mimics life and offers social commentary too. It offers many windows on real life in midwest America in the 1930s. But it also offers a powerful social commentary, directly in the intercalary chapters and indirectly in the places and people it portrays. Typical of very many, the Joads are driven off the land by far away banks and set out on a journey to California to find a better life. However the journey breaks up the family, their dreams are not realized and their fortunes disappear. What promised to be the land of milk and honey turns to sour grapes. The hopes and dreams of a generation turned to wrath. Steinbeck opens up this catastrophe for public scrutiny.
In the novel The Grapes of Wrath, by John Steinbeck, a fictitious migrant family, the Joads, travel west in search of a new life away from the tragedies of the Dust Bowl in Oklahoma. Along the way, Steinbeck adds a variety of minor characters with whom the Joads interact. Steinbeck created these minor characters to contrast with the Joad’s strong will power and to reflect man’s fear of new challenges, and to identify man’s resistance to change. Three minor characters who fulfill this role are Muley Graves, Connie Rivers, and the tractor driver.
Grapes of Wrath. In the beginning of the novel The Grapes of Wrath, the Joads are faced with the challenge of traveling Route 66 all the way to California. This is their solution to being tractored off their land and having no way to support the large family. This challenge is similar to the depression of 1929, when many people lost their jobs, homes, and their whole lives.
In The Grapes of Wrath, Stienbeck illustrates such powerful images using his own values. When the Joad family starts deciding to move to California for a better life, the story begins. Tom comes home from prison and the family is reunited. The hopes of all are refreshed and the move seems to be a good idea. And here we have one of Steinbecks greatest value, the family or the group, and the ties that lie within it. This value is seen through many different examples in this novel.
The tale of The Grapes of Wrath has many levels of profound themes and meanings to allow us as the reader to discover the true nature of human existence. The author's main theme and doctrine of this story is that of survival through unity. While seeming hopeful at times, this book is more severe, blunt, and cold in its portrayl of the human spirit. Steinbeck's unique style of writing forms timeless and classic themes that can be experienced on different fronts by unique peoples and cultures of all generations.
The Grapes of Wrath attempts to show the difference between the groups of people and the characters along the lines of race, class, and religion, which are discussed in this paper. The Okies' racial status as Anglo Americans appeared to distinguish them from other immigrant workers. Steinbeck utilizes their whiteness further bolstering his good fortune. The "Harvest Gypsies" articles underline the migrants' Anglo-Saxon legacy: their names "show that they are of English, German and Scandinavian plunge." To these families living in provincial regions, with names like "Munns, Holbrooks, Hansens, Schmidts," majority rules system "was not just conceivable be that as it may inescapable" (Hicks, 1939). Steinbeck announces that "this new race" is in California for all time, dissimilar to past migrant gatherings who were extradited when they were no more handy; consequently, he predicts, the state will need to adjust its framework to suit them. Since they are Americans, "the old routines for constraint, of starvation wages, of imprisoning, beating and intimidation are not going to work." The Grapes of Wrath offers a challenge to working class readers to unite with the working population subjects of the story, contending that the desolates of capital amassing are felt all around the society, even all the more intensely on the penniless migrant workers.
In The Grapes of Wrath, John Steinbeck uses both obvious references and subtle contrasts to emphasize the main theme of the novel: the sanctity of man's relationship to the natural world and to each other.
The Grapes of Wrath is a novel by John Steinbeck that exposes the desperate conditions under which the migratory farm families of America during the 1930's live under. The novel tells of one families migration west to California through the great economic depression of the 1930's. The Joad family had to abandon their home and their livelihoods. They had to uproot and set adrift because tractors were rapidly industrializing their farms. The bank took possession of their land because the owners could not pay off their loan. The novel shows how the Joad family deals with moving to California. How they survive the cruelty of the land owners that take advantage of them, their poverty and willingness to work.
In John Steinbeck's novel The Grapes of Wrath, the Joad family and the changing world in which they live is portrayed from a naturalistic point of view. Steinbeck characterizes the Joads and their fellow migrants as simple, instinct-bound creatures who are on an endless search for paradise (Owens 129). The migrants and the powers which force them to make their journey--nature and society--are frequently represented by animals. The Joads, when they initially leave home, are a group of simplistic, animal-like people who barely understand or even realize their plight, but as the story progresses, they begin to grow and adapt to their new circumstances. They evolve from a small, insignificant group of creatures with no societal consciousness into a single member of a much larger family--society.