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Kkk in modern day
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With the many scandals and issues plaguing the Philippine nation today, the celebration of Gat Andres Bonifacio’s 150th could not have come at a better time. Documentaries and exhibitions about the Supremo are once again created to remember and commemorate other unsung heroes who also fought for the independence of this country, and to remind them of the unjust portrayal and treatment of Bonifacio as the “Father of the Philippine Revolution” and the founder of the Kataastaasan, Kagalanggalangang Katipunan ng mga Anak ng Bayan (KKK).
The memorialization of the iconic image of Andres Bonifacio as both a hero and revolutionary leader has been prevalent in the Philippine society since time immemorial. It has become a constant symbol to the Filipinos of their never-ending struggle against imperialism, oppression, censorship, and corruption. Throughout the years, the representation and recreation by artists of iconic images from the 1898 Revolution and of Gat Andres produced artworks that would echo the oppression and trial of the Filipino as a nation. During the Marcos regime, figures and symbols of Filipinos struggling to destroy tyranny, dictatorship, and censorship were prominent. Today, society is bombarded with contemporary artworks of ordinary citizens battling against the elite and politicians whose greed over wealth and power consume them causing pillage and plunder.
The “Alay sa Malayang Bayan” exhibition at the GT Toyota Asian Cultural Center and the “Bonifacio @ 150” at the Cultural Center of the Philippines both feature artworks of rebellion and revolution in different perspectives. Some created images of Andres Bonifacio as a modern day Juan who continues to protest against the torment and ill-doings of the government a...
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...bear in mind the responsibilities in crafting certain images that serve to initiate spark within the nation to fight for the change they want in their society. Moreover, these images remain to be constant reminders of the history and identity of a country, and it is vital that the stories behind these pictures are properly disclosed and portrayed among the people to avoid misunderstandings and misinterpretations.
Andres Bonifacio’s love for the country, without a doubt knows no bounds and its impact has crossed different periods and influenced different people. Furthermore, it has become an inspiration and motivation to the Filipinos today that the fight, albeit freedom from former oppressors, continues on. May the Supremo’s contributions and sacrifices be a constant reminder to the country of the victorious revolution they waged and the greatness of this nation.
Mariano Escobedo was a healthy man he was my Grandparents great great grandparent. He was a Mexican General from Mexico. He wanted to govern Mexico, he fought against dynasty and he won. Escobedo fought against the French Invasion in Mexico to govern Mexico. He became a great general who fought against Napoleon III (French.) In Mexico City airport and in Monterey his name is printed and also in some streets of difference parts of Mexico. Mexico had borrowed money from England, France and Spain. In 1861 representatives from this countries got together in London to find a way to get Mexico to pay this countries. Troops from this three countries went to Veracruz in 1862. They were welcomed from representative from Mexico. The general Juan Prim, from Spain accepted the way Mexico was going to pay little by little so as England. The representative from France is not accepted he wanted the money and ordered his troops to prepare to fight. The government of Benito Juarez organize the defense. He made in charge the general Ignazio Zaragoza to get to Puebla and fight with the French. They attacked each other in the " Fuertes de Loreto y Guadalupe. The troops of Zaragoza, helped from the Indians Zacapoaxtla. In 1862of Mat 5 they won against the French. The emperor from France, Luis Napoleon Bonaparte, wanted to extend his powers in America and in Asia. He dreamed to form a great empire. Mexico took advantage of that situation to peek an European emperor to govern Mexico and to stop the politic anarchy. Luis Napoleon made them recommend Fernando Maximiliano de Habsurgo, brother of the emperor Francisco Jose. Maximiliano accepted his embarkation to Mexico but with her wife, the princess Carlota Amalia de Belgica. Luis Napoleon send his army to wish napoleon luck. Austria and Belgica also send troops. The emperors arrived to Mexico at the end of 1864. In Veracruz, Puebla were great big welcomes. To confront the invaders, to the president Juarez formed a government itinerante, who traveled from the capital to the north border. From this places it continue the position of the millitar action from the armies from the North, West, command from
Images can manipulate many scenarios but it’s tactic used to show the realities of our world. Despite what we see, picture taken of the war and events occurring in the war doesn’t mean they aren’t real. We all live in a messy world and history is constantly repeating itself. Pictures are taken to spread awareness and empathy. It is a reason DeGhett argued that the Iraq brunt solider photograph taken by Kenneth Jarecke should have been posted in order for the public to get a sense that the war occurring at the moment is nothing like in the movies. Images are powerful and we must learn to always look closely and
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
The March of the Flag is a statement given by Albert Beveridge about the power of the US. He uses the power of the US to give the idea that US has its own ideas, and those ideas could be spread globally because US is so powerful. He is really arrogant, and he believes that due to America’s power they can spread ideas to other countries quickly and easily. He uses GOD as merely a symbol of power, a way to show how powerful the country is, and how influential it can become. We discussed the culture spread of the US in class, how it affected other culture, and created culture shocks. The article The Paralyzing Influence of Imperialism, William Jennings Bryan, discusses the US influence, and the influence that can be brought upon the Philippine Islands. He discusses the way, traders, taskmasters, officeholders, and military can control the small group of the Philippine Islands and influence them culturally and
This painting is able to show in detail how emotional it was for the Spanish after the war. It flawlessly used colors and lighting to show importance of character. Goya was able to accurately demonstrate the patriotic view of the uprising and subsequent war, in which the Spanish cast the rioters of May second as defenseless heroes and innocent, modern-day martyrs and the French as brutal
This photograph, taken in 1967 in the heart of the Vietnam War Protests, depicts different ideologies about how problems can be solved. In the picture, which narrowly missed winning the Pulitzer Prize, a teen is seen poking carnations into the barrels of guns held by members of the US National Guard. This moment, captured by photographer Bernie Boston symbolizes the flower power movement. Flower power is a phrase that referred to the hippie notion of “make love not war”, and the idea that love and nonviolence, such as the growing of flowers, was a better way to heal the world than continued focus on capitalism and wars. The photograph can be analyzed through the elements of image as defined by ‘The Little Brown Handbook’ on page 86. There are a total of nine elements that contribute to the communicative quality of an image. The message that this particular image tries to convey is the strong sense of way that conflict should be handled; by way of guns or by way of flowers. The ‘way of guns’ is violence and excessive force which heavily contradicts the ‘way of flowers’ which is a more peaceful and diplomatic way of handling conflict or disagreement. This photograph depicts these ideologies through its use of emphasis, narration,point of view, arrangement, color, characterization, context and tension.
The truth is I didn’t want the Philippines, and when they came to us, as a gift from the gods, I did not know what to do with them.… I sought counsel from all sides— Democrats as well as Republicans—but got little help. I thought first we would take only Manila; then Luzon; then other islands perhaps also. I walked the floor of the White House night after night until midnight; and I am not ashamed to tell you, gentlemen, that I went down on my knees and prayed Almighty God for light and guidance more than one night. And one night late it came to me this way… that we could not give them back to Spain… that we could not leave them to themselves— they were unfit for self-government… [and] that there was nothing left for us to do but to take them all, and to educate the Filipinos, and uplift and civilize and Christianize them, and by God’s grace do the very best we could by them.” (Thomas G. Paterson and Dennis
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
Francisco Goya’s The Third of May 1808 introduces the highly emotional style of Romanticism (French Revolution) and illustrates the themes of violent punishment, death, and the senseless brutality of war. Goya has made an image of actual historical events, but enhanced them for maximum dramatic effect. In the painting, the figures to the left of the composition demand the viewer’s attention more than the figures to the right. While the faceless French soldiers on the opposite side are rendered almost inhuman, the ill-fated Spanish “rebels” elicit both sympathy for their suffering and respect for their sacrifice.
The formal analysis of The 3rd of May, 1808, Francisco Goya, 1814, oil on canvas. In the following written composition I will examine The 3rd of May, 1808 in a context which will allow me to identify formal elements that Goya manipulated to influence the viewers with a specific outlining message. This work was completed in 1814 using oil on canvas medium. This piece of art stands at approximately 266 by 345cm. This was common for historical paintings to be substantially grander in size. Goya’s goal in this specific painting is to depict the sorrow and heartache connected with the Peninsular war. In this specific work The 3rd of May 1808 he highlights the honor of the massacred Spanish rebellions opposed to the savage French troops. This formal analysis will examine the important technique used by Goya to organize societies depiction of the visual information. Within this work I will concentrate on these elements of color, texture, shape, lines, space, and the value to bring about my own opinion of Goya’s work. Using this strategy applied to The 3rd of May, 1808 work I hope to demonstrate a comprehension how to translate what I see into written words.
The art of Fernando Botero is widely known, revered, paraphrased, imitated and copied, For many, his characteristic rounded, sensuous forms of the human figure, animals, still lifes and landscapes represent the most easily identifiable examples of the modern art of Latin America. For others, he is a cultural hero.To travel with Botero in his native Colombia is to come to realize that he is often seen less as an artist and more as a popular cult figure. In his native Medellín he is mobbed by people wanting to see him, touch him or have him sign his name to whatever substance they happen to be carrying. On the other hand, Botero's work has been discredited by those theorists of modern art whose tastes are dictated more by intellectual fashion than by the perception of the power of his images. Botero is undoubtedly one of the most successful artists in both commercial and popular terms, and an artist whose paintings deal with many of the issues that have been at the heart of the Latin American creative process in the twentieth century.
Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
A. A. The Philippines People, Poverty and Politics. New York: The New York Times. St. Martins's P, 1987. 1-225.