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Greek and Roman mythologies
Roman mythology research question s
Greek and Roman mythologies
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The role of myths, legends and religion has been extremely crucial in ancient Roman society through their daily life, rituals, morals and the society it has become across time. Festivals function an important role in ancient Roman society providing a time in their religion to honour and celebrate their gods. Myths provide a role in the explanation of the formation years of the city, a significant role in order to continually display ancient Roman heritage and legacies that have been passed through generations of these citizens. Throughout ancient Roman lifestyle, gods that they honour and respect within their religious rituals was a crucial element of their religion. Myths and religious activities functioned within ancient Roman society to …show more content…
More than just an interesting story, this myth carries a part of the foundational years of Rome, but also as a legacy to the future citizens of Rome as it sets a standard of leadership and strength within their society to fulfil and allows them to be appreciative of their heritage. After Romulus killed Remus in a violent clash, Romulus claimed that this treatment will be given to any enemies of Rome. Plutarch recorded this tale a century into the newly established Roman Empire, with the intention of showing the dominance of the location of Rome (Appendix 3) as well as justifying their strong-rule for 800 years across Europe. The foundational myths within the ancient Roman culture, such as the myth of Romulus and Remus can be observed as an important role to act as a relationship between gods and humans as Romulus had descended from the Gods which provided its citizens with protection from the Gods. This myth evokes a message of power and superiority throughout the empire’s ruling across the continent, by beginning with its founding years and developmental stages of their …show more content…
Interpreted of providing Romulus and Remus with superhuman qualities from drinking milk from such a fearless beast. The attribute of fearlessness and the skill of leadership was transferred into them as they became young men, both recognized as natural leaders. This is explanatory to their brutality and dominance of Rome, as well as this, the myth played majorly in ancient Roman society by being symbolic to the Roman people. The statue has perceived the wolf to be a large bearing creature although Romulus and Remus are depicted not intimidated of her. The twin’s natural leadership that they earnt from the wolf is demonstrated strongly from the empire that was created and the control over an expanded region. The Capitoline Wolf is observed as the mother of Rome, nurturing the citizens similar to her nature towards Romulus and Remus. By 265 B.C.E, this wolf is seen as a significant symbol, appearing on Roman coins with the same symbolic image of the twins suckled by the she-wolf (figure 2). This statue and coins serves a symbolic meaning to ancient Roman Citizens depicting their mother of Rome in a nurturing appearance and their founder (Romulus) as a fearless and a strong
The next major example of Roman virtue is the story of Romulus and Remus. The twins are sons of the God Mars the patron god of Rome, which in itself is a major support. Then the two boys have grown up Livy describes them as men who have “gained strength in body and mind. (Livy 4)” The twins are already becoming a virtuous humans. Livy also shows the great deeds of the young men, as they hunt the wild animals, make attacks on robbers, and spread the spoils amongst the shepherds. Here the boys are almost destined to be great. They have a code of virtues, in which they fight off evil and give to the poor.
Augustus’s statue portrayed him as an individualistic faction leader and tended to be more idealistic. For example, although he did start ruling as a youth, at the age of 18, his face was, continually, throughout his life, shown with youthfulness and vibrancy. He also had an archetypal body type of a hero and is shown with the omission of his boots, a reference to the ideal heroic statue. Lastly, there is a dolphin riding Cupid at his ankle which reminded the viewer that he was of divine descent. However, there was a limit to which he could exalt himself. He could not promote his individual character and will above the Roman public which would call for distrust and resentment.
“Vestal Virgins of Rome: The Price Of Civic Duty and Privilege.” Ancient History encyclopedia, 18 January 2012. Web. 15 November 2013.
Livy begins early in establishing the basic characteristics of Romulus, arguably the most notable Roman in history. Romulus and his brother Remus were “energetic young men, who [were]… strengthened… in body and spirit.” (Livy 9). Livy then describes the clash of these attributes between the two brothers, as Romulus and Remus battle for supremacy. “From a war of words, anger turned them to bloodshed. In the heat of the melee, Remus met his death.” (Livy 11). Livy wastes no time in establishing the brutal tradition of war that helped to extend the Roman Empire. Romulus came to power because of force, and furthered his rule by the same means: “By brute force and without strategy the Roman king prevailed, using the might of his veteran army alone.” (Livy 20). This overwhelm...
Rome, even at its beginnings, proved to be a force to be reckoned with. It’s rapid growth and accumulation of power and repeated victories over powerful neighbors set Rome in a position of great authority and influence. As the leader of early Rome, Romulus’ effective command of his men and governance of his people provided the foundation for the building of a great city. Livy emphasizes Romulus’ possible divine origins and strong ties to deities as a validation and reinforcement of his ability to rule. A nation’s sole defense cannot be just bricks and mortar, it requires an army and a will and Romulus was able to successfully take action against the aggressors when action was needed.
While the contributions of Romulus are often associated to violence and bloodshed, King Romulus is still reverently recalled by many of the citizens in Rome for forming the foundation of their city. Likewise, the achievements of Numa Pompilius are fondly recollected because they instil many of Rome’s domestic traditions and spiritual monuments in its early history. Without the contributions from King Romulus and King Numa Pompilius, who each giving the people of Rome something vital to refine and redevelop after their deaths, made it possible for Rome to become one of the most powerful and influential city in all of Italy.
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
How is the word myth used popularly? In today’s society, myths are more commonly referred to as a story that is known amongst a group that may or may not have any truth or validity to it. These type of stories have been told from one generation to another generation with a common theme every time it is said or repeated. I remember growing up my older sister would scare us younger kids with the urban myth of Candyman. This was during a time before I even knew about the movie, and for her, it was a way to scare us kids out of our wits. She would tell us about this story of a slave who returns from the dead as a ghost who was in search of revenge and could only be summoned by saying his name five times while facing a mirror.
Romulus and Remus were great finders of Rome. Rome is the oldest city of Europe, and is located in Italy. They are a legend for the foundation of Rome, but their acts of bravery, strength, and overall aspects demonstrate similarities to the founding of America, our great nation we love and live for. There courageous break through boundaries make our society and nation what it is today. Romulus and Remus really are a act of our history, not just part of a Roman history or Greek mythology.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
Throughout the history of Rome, from the monarchy to the late empire, religion had played a great role in it's society and was involved in almost every aspect of the life of the Roman citizen. It was common for each house to have it's own patron god/gods and ,on special occasions, the head of the house would make a sacrifice to the personal gods of the family. Also, great festivals were usually held in honor of certain gods and would include spectacles like chariot races and Gladiatorial fights.
The myth of Romulus and Remus, as well as the myth of Aeneas contribute to the emergence of Rome and its people. Romulus and Remus are credited with founding of the city of Rome itself, while Aeneas was credited with the founding of the Roman race (Ott, 105). The history of Rome cannot be told without both of these myths being a part of the story. Each has both similarities and vast differences to the other. When Gods are involved punishment and reward seem to go hand-in-hand.
The Classical mythology contains tales and epics of the ancient Greek and roman literatures and myths. On the other hand, Homer’s two epic poems, the Iliad relates to the events of the Trojan War while the Odyssey details Odysseus expedition after the war. Homer’s epic poems, the Odyssey and the Iliad present a major part of ancient history as modern fictional heroic stories. In ancient Greek, heroes were humans who were depicted to possess superhuman abilities. A key example in the classical mythology is Akhilles who is later known in Homer’s Iliad as Achilles. Achilles is he greatest hero of the Iliad whereas Odysseus is the greatest hero of the Odyssey. The greatest heroes from classic mythology and the modern fictional hero’s stories are mortal, and subject to death. The Odyssey and the Iliad marks the beginning of modern fictional literature.
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This
Both the Greek and the Roman civilization were polytheistic. Greeks were a very religious people. In Greece each city-state had a patron god or goddess that protected their city. Greeks believed that their Gods appeared in human form but had superhuman strength and ageless beauty. Many of the Gods are depicted on various painted scenes on vases, and stone, terracotta and bronze sculptures by themselves or in mythological scenes interacting with humans and lesser Gods (Realign and Death). Rome’s Gods and Goddesses were from a blend of a variety of cultures including Greece. They too believed the gods were actively involved in their everyday life, so much so that they held sacred meals for their Gods during religious festivals in which the invitations were sent in the God’s name and a place was set for them at the table. The oldest male in the family preformed religious rituals for the whole household to the family God, while the state employed priests and Priestesses to worship at the temple. Though they could not predict the future the priests were the one who could read signs to see if the Gods were happy or angry with the people. In the first century a new religion was born in the Rome that spread all throughout the empire and corners of the world, Christianity (Life in