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Role of women
Roles of women in greek mythology
Roles of women in greek mythology
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In ancient myths it always seems that for the most part, mothers adore their male child and do not have the same importance for the female child. However, this is not the case for Agave, mother of Pentheus. In “Bacchae,” Agave is so caught up on a curse brought upon her by her nephew Dionysus that she completely loses sight of what is truly important, her son. In the end Agave ends up chopping the head off her own son, a twist to the everyday myth. In “Demeter and Persephone,” although Persephone is a female, it seems as though Demeter cares and protects her daughter more than Agave ever did for her "male" child. Agave doesn't even talk about her daughter Epirus; another hint of the importance of females in ancient myths. Unlike Agave, we have Frigg, from “Bacchae,” who goes to the end of the world like Demeter to make sure that they have done everything in their power to keep Balder and Persephone safe and out of harms way. Frigg, Balder's mother and Demeter, Persephone's mother, are both powerful mothers who stop at nothing to ensure the safety and protection of their children. They are to Balder and Persephone as a bear is to her cubs when someone messes with them. When it comes to being dedicated, loveable, and selfless, Demeter and Frigg are better mothers than Agave.
Had it not been for how Agave mistreated her sister, Semele, none of what happened to Pentheus would have happened. Because of Agave and her father, Semele was killed and Dionysus was left without a mother. Upon Dionysus return, Agave failed to acknowledge the divinity of her nephew because she did not believe that he was the son of Zeus. This infuriated Dionysus and he decided to take vengeance on his family to make them pay for what had happened to his mothe...
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...old Loki about it. Agave seemed to care, but in the end all that she cared about was her only. The fact that she lost her house and was vanished, seemed to be more important than the loss of her son; which, she got over rather quickly. Demeter goes against all odds to get her daughter back and is afraid to do nothing or face anyone that stands in her way. When it comes to being dedicated, loveable, and selfless, Demeter and Frigg are better mothers than Agave.
Works Cited
Euripides, and Paul Woodruff. Bacchae. Indianapolis, IN: Hackett Pub., 1999. Print
Rosenberg, Donna. "Demeter and Persephone." World Mythology: An Anthology of the Great Myths and Epics. Lincolnwood, IL: NTC Pub. Group, 1994. 14-20. Print.
Rosenberg, Donna. "The Death of Balder" World Mythology: An Anthology of the Great Myths and Epics. Lincolnwood, IL: NTC Pub. Group, 1994. 218-223. Print.
This distinction between men and women is emphasized in Euripides’ The Bacchae. It is the women, and not the men, who are allured to follow Dionysus and practice his rituals: dancing, drinking, etc. It is seen as problematic to Pentheus and something must be done: “Women are laving home / to follow Bacchus, they say, to honor him in sacred rites. / Our women run wild upon the wooded hills, dancing to honor this new God, Bacchus, whoever he is” (215-218). There is a sense of lost, a need to retrieve the women, and return them to their place. “Our women run wild” creates the comparison of what their women would do amongst men and their society, as well as a sense of possession of the women (217). Agave recognizes the freedom from her daily confinements of her home when amongst the Bacchantes: “I quit my shuttle at the loom / for a higher calling, the hunting of wild beasts / with my bare hands” (1214-1218). There is a contrast of sitting behind the machine, the loom, and creating, or in this case destroying, by her own hands. Is it this contrast what drives the women of Thebes towards Dionysus? For what better creates a feeling of accomplishment then achieving a finished product by one’s power alone? The women are consequently pushed towards Dionysus because of the freedom he offers.
Euripides was born in Athens, Greece, around 485 B.C, with parents Cleito and Mnesarchus. He married a woman named Melito and had three sons. Euripides was raised in an ambience of culture, he was witnessed to the rebuilding of the Athenian walls after the Persian Wars, but above all belonged to the period of the Peloponnesian War. Over his career, he has written about 90 plays, but only 19 have survived through manuscripts. Euripides has been named as the most intellectual poet of his time. He has been called the philosopher of the theater. In addition to his literary expertise, he is said to have been a great athlete and painter. Like all the major playwrights of his time, Euripides participated in the annual Athenian dramatic festivals held in honor of the god Dionysus. He first entered the festival in 455, and he
...ty since "things could happen in the real life of Athens which were virtually unthinkable in tragedy, and vice versa." Perhaps the safest assessment of Dionysus is that while not a direct opponent of the traditional ways, his presence, and especially his effect on other characters, serves to highlight many social norms. According to Bernad Knox, "From start to finish, Euripides was 'attempting to show citizens bred in the traditional views...that such conceptions of the gods should offend them.'" Perhaps we as readers will never fully understand the Dionysus that appears in this play, but a closing look at a remark of the Chorus may bring us a step closer to this understanding:
Harris, Stephen L., and Gloria Platzner. Classical Mythology: Images and Insights. 2nd ed. Mountain View: Mayfield, 1995
In The Odyssey and Hymn to Demeter, both Penelope and Demeter love and miss their family members. When Demeter hears her daughter Persephone’s cry, “a sharp grief took hold of Demeter in
The depiction of the Greek and roman myths are given unique insights from different authors. The Hymn to Demeter and Ovid's Metamorphosis provide and insight to Demeter's love for her daughter, Persephone, and explores its affect on the surrounding environments. The theme of separation and isolation is present in both of these myths, however, in Ovid's Metamorphosis, he symbolizes the environment in important events, has characters playing different roles, and empowers female deities.
Sophocles’ Antigone and Euripides’ The Bacchae are indubitably plays of antitheses and conflicts, and this condition is personified in the manifestation of their characters, each completely opposed to the other. Both tragedians reveal tensions between two permanent and irreconcilable moral codes; divine law represented by Antigone and Dionysus and human law represented by Creon and Pentheus. The central purpose is evidently the association of law which has its consent in political authority and the law which has its consent in the private conscience, the association of obligations imposed on human beings as citizens and members of state, and the obligations imposed on them in the home as members of families. Both these laws presenting themselves in their most crucial form are in direct collision. Sophocles and Euripides include a great deal of controversial material, once the reader realizes the inquiries behind their work. Inquiries that pertain to the very fabric of life, that still make up the garments of society today.
"The Eleusinian Mysteries and the Cult of Demeter." By Tim Harry. N.p., 24 Oct. 2013. Web. 05 Dec. 2013.
Rosenburg, Donna. World Mythology: An Anthology of the Great Myths and Epics. Third Edition. Chicago: NTC/Contemporary Publishing Group, Inc., 1999. Text.
In The Bacchae, Euripedes portrays the character of Pentheus as an ignorant, stubborn, and arrogant ruler. These character flaws accompanied with his foolish decisions set the stage for his tragic downfall. Pentheus' blatant disregard to all warnings and incidents, which prove that Dionysus is truly a god, lead him to his own death. In the end, his mistakes are unforgiving and his punishment is just.
Myths and Legends of the World. Ed. John M. Wickersham. New York: Macmillan Reference USA, 2000. Web.
Throughout Greek and Roman mythology there are many themes, motifs, and symbols that are consistent amongst the different myths. Some of the more common ones include the abuse of mortals from the gods, the relationship between men and women, and the way in which lust operates in society. All of these are apparent in the writing style of Euripides in his text the Bacchae. This myth explores the battle between Dionysus, who has just returned dressed as a stranger, and Pentheus, who is the current ruler of the state, over the city of Thebes. As one reads this myth they will clearly identify some of the important subjects, however one detail that may not be noticed is the portrayal of Pentheus holding gender identity issues. There are many examples
Rosenberg, Donna. "The Labors and Death of Heracles." World Mythology. 3rd ed. Chicago: NTC/Contemporary Publishing Group, Inc., 1999. 100-05. Print.
Many different interpretations can be derived from themes in Euripides's The Bacchae, most of which assume that, in order to punish the women of Thebes for their impudence, the god Dionysus drove them mad. However, there is evidence to believe that another factor played into this confrontation. Because of the trend of male dominance in Greek society, women suffered in oppression and bore a social stigma which led to their own vulnerability in becoming Dionysus's target. In essence, the Thebian women practically fostered Dionysian insanity through their longing to rebel against social norms. Their debilitating conditions as women prompted them to search for a way to transfigure themselves with male qualities in order to abandon their social subordination.
Morford Mark, Lenardon Robert, and Sham Michael. Classical Mythology, International Edition. New York: Oxford University Press, USA, 2011. Print. 830 pages.