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‘Assisi’ By Norman MacCaig- Essay By Zaynab Zahra “Assisi by Norman MacCaig is a poem which deals with a religious issue within the Catholic Church. MacCaig’s speaker visits a church, which is being celebrated for its riches, while a beggar sits outside needing help, revealing the hypocrisy of the church. The lack of a regular meter or rhyme scheme allows the narrative of the poem to convey MacCaig’s important message to all. In the first stanza of the poem the speaker graphically describes the pain and suffering of the beggar and explores his physical condition. The MacCaig introduces the poem by stating: The dwarf with his hands on backwards The writer describes the beggar as “The dwarf with his hands on backwards”. The poet refers to the beggar as a dwarf and “his hands on backwards” suggests his grotesque position and also tells us he is in pain and distress. The use of a metaphor helps to portray his discomfort and suffering which further develops our image of the beggar’s situation. Following that, the narrator continues describing his appearance and says: …show more content…
Sat, slumped like a half-filled sack MacCaig uses the poetic technique, enjambment, with the word “sat” which helps the reader focus of the beggar’s condition, and also helps to keep the flow of the dwarf’s descriptions, which further emphasises his uncomfortable situation.
This line is also an example of sibilance and helps the reader picture a vivid image in their minds of his suffering and imagine how deformed he is that cannot support his body. Nearing the end of the stanza the poet conveys his feelings about the beggar and he
says: Over whom he had the advantage Of not being dead yet It is clear from this that the speaker feels that he is better than the beggar at this point in the poem and the bitter, caustic tone that is also conveyed further emphasises his feelings of superiority. This quote also suggests that the narrative thinks being alive is the only thing in his favour and implies that death might be a better option for him than living in extreme poverty. Furthermore, the word “yet” that the speaker uses at the end of his sentence gives us the idea that he foresees his death in the near future and also gives us a image of him being sinister. In this stanza the poet describes in detail the physical situation of the beggar, which is sitting outside the church of St Francis and thus introduces a religious controversy with the true meaning of the church and the beggar. In the second stanza the speaker tone changes from anger to pity and MacCaig reveals the hypocrisy of the church through his description of its riches and opulence in comparison to the beggar. The poet tells us about the mural paintings in the church and what priests tell the people about them: How clever it was of Giotto To make his frescos tell stories It is evident from this that the priests who are supposed to spread the message of true Christianity only represent money, which the frescos help to convey. This helps to increase our understanding of the religious issue, which is the hypocrisy of the church; the priests contradict their true beliefs of helping the poor and instead exploit their riches and superiority in society. MacCaig describes the exterior of the church: Outside the three tiers of the churches built In honour of St Francis This line also helps to reinforce the idea of the church misusing their riches for unnecessary things like making the church look more elaborate instead of investing in reducing poverty. The way MacCaig illustrates the church’s opulence helps the reader to develop their understanding of the religious issue. Furthermore, the narrative goes on to describe the irony of the church. The church is so extravagant yet is in honour of St Francis, who lived to help the poor. Again, in stanza two the speaker tells us about a priest’s teachings and about the actual hypocrisy behind what he says: Would reveal to the illiterate the goodness Of God and the suffering if his son This quote is an example of heavy irony; it shows how the priest, who is supposed to be a strict follower of the bible, seems unaffected by the beggar outside the church. The priest also uses the words “goodness” and “suffering” to describe the frescos, and this infers that he is more impressed with the depiction of the religion instead of following the teachings. The second stanza ends by the speaker saying: I understood The explanation and The cleverness It is made clear from this that the priest offends the speaker by showing his pride over his understanding of Giotto’s work, even though he doesn’t demonstrate its meaning. Again, the hypocrisy of the church is portrayed through the priest, who is supposed to show the biblical qualities and instead boasts about his intelligence. MacCaig conveys his feelings of disgust towards the tourists who are ignoring the beggar despite visiting St Francis’ church. The poets starts the third stanza by saying: A rush of tourists, clucking contentedly, Fluttered after him as he scattered the grain of the Word The writer uses a metaphor to compare the tourists as clucking contentedly, which emphasises the hypocrisy of the tourists by the use of alliteration. The line infers that they are just as bad as the priests by blindly following him, “fluttered after him”. The use of an extended metaphor “grain of the Word” adds to the hypocrisy as this compares tourists to farmyard animals and further extends the idea of the tourists being just as oblivious to the beggar as the priest, who is leading them by scattering the “grain of the Word”.
The poem begins with the speaker’s vivid descriptions of the tattoos, reflecting their state of mind and reveling their great inner struggles. Describing the tattoo that
McCaig gives the reader a graphic description of the dwarf in both stanzas 1 and 3 where he uses many littery techniques to describe the dwarf. In stanza 1 he uses alliteration, simile and metaphor to give the reader a graphic view of the dwarfs deformed body:
A poem which evokes a mood of pity in the reader is “Assisi” by Norman MacCaig. In this poem, MacCaig recounts an experience that shaped his own life while visiting the Basilica of St Francis of Assisi in Assisi, Italy. While the church is known for it’s outstanding beauty and priceless artwork, the poet discovers a beggar with severe physical disabilities begging outside the church. MacCaig then exposes the irony of the church constructed to celebrate a man devoted to poor, is now a symbol of hypocrisy. Instead of being a lasting monument to the original and noble philosophies of St Francis. Norman MacCaig evinces pity within us by effectively applying techniques such as vivid imagery, emotive word choice and contrast.
Chapter one, ‘Beginnings at Assisi,’ offers a vivid description of the social, political, economic, cultural, demographic description of Assisi and its inhabitants. Here, the author describes the life of Francis and the situations and circumstances prompting his journey to spread the ideal gospel life to the world. This chapter is relevant in determining the circumstances that instigated a need for reforms in the Catholic Church. This chapter is applicable in my life because it offers insight on the fundamental Christian I can rely on in my daily life.
The entire story was a symbol of Needy’s life. The setting in the story was symbolic to the way Needy was feeling. Needy’s life was diminishing right before his eyes, and he did not realize it. The different changes in the story represented how much Needy’s life had gradually changed over time. By reading the story the reader can tell that Needy was in a state of denial.
Even with his prayer, and his wine-induced courage, the speaker still despairs. He compares himself to “the poor jerk who wanders out on air and then looks down” and “below his feet, he sees eternity,” when he realizes that “suddenly his shoes no longer work on nothingness” (5.12-15). It is as though he is submitting to the reality that, if he steps beyond the safe borders of the proven approaches to writing, there is no magic potion that will guarantee his success. Nevertheless, he appears to be willing to take his chances, and, ironically, he does so with this prayer, which is stylistically unconventional. In a desperate attempt to remind his readers that he was once considered a good writer in the event that this poem does not meet their traditional standards, he makes one final request: “As I fall past, remember me” (5.16).
Harper begins the poem by detailing the start of the speaker’s relationship with a man, developing it through the use of metaphor and concrete diction. From the first few lines of the poem, the reader learns that the relationship was destined to be futile through Harper’s use of metaphor: “If when standing all alone/ I cried for bread a careless world/ pressed
The narrator begins developing the thesis by using a figurative language, imagery, found in the second stanza: “I love people who harness themselves, an ox to a heavy cart,
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
The tone of this poem is very dark, with is shown with words such as “grim” (Mcfee, 11), and “graves” (Mcfee, 12). These words are used to show the defeat the protagonist faces in his battle with himself. He can no longer stand living his repetitive lifestyle, in which he has lost his ability to love himself. Moreover, this enhances the theme of a midlife crisis through the use of depressing language. Mcfee writes, “belly’s cambium/ expanding to match each birthday” (6-7) to show how the protagonist is comparing his body to a tree. Cambium describes the addition of rings to woody plants. This shows how the protagonist is dehumanizing himself and can only view himself in terms of how he looks. As he grows older, he feels he grows more and more unattractive due to the excess of weight he is carrying. In addition, as the poem progresses, the language become more and more dark, similarly to his life. Mcfee writes, “stars collapsing on themselves” (13) which symbolizes the narrators loss of hope. It can also represent him physically collapsing from the weight he has to carry both physically and
The poem focuses on the son’s feelings and thoughts as he is looking up at what he perceives to be his father’s hospital window. The second stanza concretes the literal foundation for the poem—the son is despondent about the gravity of the situation revolving around his father’s cond...
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective
Standing tall during trials and tribulations and fighting his battles in private, he continues to fight without showing an ounce of second thought or withdrawal. “In the fell clutch of circumstance,” the speaker does not show his pain or hurt with action. He takes the beating without backing down or crying aloud. Keeping his head up, he tells us in the last line of stanza two that, “My head is bloody, but unbowed.” He refuses to be defeated. This line provides imagery of just how bad the speaker feels on the inside. Readers begin to picture how broken and hurt the speaker must feel, while at the same time seeing how brave and strong he is for not giving up. Encouraging readers to reflect upon their own problems and inspiring them not to throw in the towel when things get rough. You begin to connect with the speaker and relate your own “bludgeonings of chance” to his, while identifying with
In doing this, the usher of the church on “Fifth Avenue,” abandoned someone less fortunate in order to maintain a good appearance. This “house of God,” which should be opening its doors to give a he lping hand, turns away a man in need of help. Hughes shows betrayal in the same poem, when the less fortunate man asks St. Peter if he can stay. St. Peter replies, “You ca...
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.