Noah Chaton Professor Turrubiartes English 1 B 16 April 2024 Humanlike Winds The Santa Ana winds are something that is a topic of constant discussion within the surrounding area about the weather, which makes the inhabitants believe it is alive. This is how Joan Didion went into depth with her piece titled “The Santa Anas”. She talks about how it affects things within the Los Angeles area, and how it may shape the lives of others. She would use examples of devices such as symbolism, personification, and foreshadowing to emphasize how these winds, which are not real people, can feel so alive to the people who live with their conditions. The author uses these separate devices to also dive deeper into the implications of such events. The Santa Ana winds aren't just winds; they're symbols of life's uncertainty and fragility. They represent the fear and insecurity that hang over the city like shadows. These winds mirror Los Angeles' decline in stability, showing how things can change in an instant. They're also warnings of potential disasters like earthquakes and wildfires, embodying the constant threat the area deals with. By using the winds as symbols, the author captures the …show more content…
She brings up past disasters such as earthquakes or fires. References to tense literary works subtly signaling the winds' destructive potential are also brought up. By comparing the weather to concepts of apocalypse, Didion creates a sense of incoming disaster, prompting readers to brace for the chaos that may ensue for them. This device builds suspense and keeps readers on edge as they wait for such events to unfold. Through her foreshadowing, the author urges readers to recognize the unchangeable destruction the winds will bring and their massive impact on Los Angeles and its people. She effectively prepares readers for the panic and chaos that will soon engulf the city that they live
When it comes to analyzing the “banana massacre” scene in chapter 15, I found three narrative techniques the author used to describe this scene. Therefore, one can notice that this part of the book is the climax. As a result, one infers what the author is trying to say about Latin American history and politics.
Joan Didion’s description of various experiences with the Santa Ana winds conveys her message through various rhetorical strategies. Early in the essay the feeling of worry and anxiety is introduced by the use of words such as “uneasy” , “unnatural stillness” , and “tension”. Because the emotion is described early on the audience can grasp this feeling those who live and Santa Ana are experiencing. This feeling causes people to act abnormal, even when they have no awareness it is coming. Additionally the suspenseful emotion continues through the use of imagery, to convey the unusual effect the winds have on the atmosphere. Didion describes the sky, having a “yellow cast” and screaming peacocks in “the olive trees… by the eerie absence of surf”.
Joan Didion uses words such as ‘eerie’, ‘depression’, and ‘unnatural’ bringing an unsettling and serious tone. Didion reflects this uneasiness on the people and how as Santa Ana nears, it affects them. “I have neither heard, nor read that a Santa Ana is due, but I know it, and almost everyone I have seen today knows it too. We know it because we feel it. The baby frets. The maid sulks (Didion).” As Santa Ana looms closer the people living in the area get a strange sensation, almost self preparing themselves for the worst. Linda Thomas however describes the atmosphere in a different light. Thomas uses words such as ‘undisturbed’, ‘undamaged’, and ‘natural’ bringing a more casual and normalized tone. “I awoke to air so dry that the graze of my nightgown against the down comforter created tiny orange sparks… And as I make the drive to work, I find myself beneath a smoky sky the color of fire (Thomas).” The self knowing that Santa Ana is there, just like with Didion, but there is no strange feeling present. It is almost as if the presence of Santa Ana is not bothering and
In the short story “Ashes for the Wind”, written by Hernando Tellez, he applies the use of symbolism and theme to elevate his writing to a greater degree. Through various symbols providing profound overtones concealed throughout the story, Tellez’s continuous references to these symbols help to establish and reinforce the theme; the theme depicted in the story is corruption and reveals that the government will not tolerate those who have conflicting political views. One of the most prominent symbols that underlines the theme is the oil dripping from the black drum in Don Rómulo Linares’ store, which illustrates the continuation of life. When Juan Martinez is denied from purchasing oil, he is denied of his life; the oil is in clear sight across
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
In the nonfiction novel The Devil in the White City, Erik Larson uses imagery, tone, and figurative language to portray the dreamlike qualities of Chicago and the beauty that lies within this city. Larson’s use of imagery causes the reader to picture the beautiful landscape of the fairgrounds before the fair becomes, which might make the reader wish they were apart of this scenery. Larson emphasizes people will see things they “have never seen before”. Like a “broad body of water extending into the horizon” (55) , making the reader feel as if
Didion paints uneasy and somber images when describing the Santa Ana winds. “There is something uneasy in the Los Angeles air… some unnatural stillness, some tension,” starts the essay off with the image of Los Angeles people in a sense of stillness or tense. She further adds, “Blowing up sandstorms out along Route 66… we will see smoke back in the canyons, and hear sirens in the night,” propagating the uneasy and stark image of Los Angeles. “The baby frets. The maid sulks,” she adds, giving a depressing view into the effects of the Santa Ana winds on people. Didion, in an attempt to show the craziness associated with the Santa Ana winds, points out the Indians who throw themselves into the sea when bad winds came. At any rate, Didion attempts to show the negative effects of the Santa Ana winds through images of stillness, uneasiness, and sobriety.
The main idea or concept of Didion’s “The Los Angeles Notebook” is to portray how human behavior and thought is a result of mechanics. Didion describes the Santa Ana winds as the omnipotent force that pulls humans to their mechanical nature. Los Angeles residents feel the arrival of the “bad wind” and succumb to the paranoia. Didion pairs a story of indians committing suicide to escape the wind with descriptions of the ominous changes that occur in the atmosphere during a Santa Ana to establish a mood of foreboding. After painting a Santa Ana as a paranormal force, Didion concludes to explain the science behind its “supernatural influence” on LA residents. She states that in the case of a Santa Ana, science can prove folk wisdom. The Santa Ana appears as a hot dry wind and whenever one occurs, doctors report patients with frequent “headaches, nausea and allergies, about nervousness and depression” (Didion 3). The excessive amount of
Once there was, as never before, a hurricane of great might and strength. As never before, there once was a hurricane of many names: storm, cyclone, tempest, typhoon, and flood. Yet it has lived on in history as the Great Galveston Hurricane of 1900. Humanity has glorified and immortalized the hurricane. The Great Galveston Hurricane has been the subject of numerous articles, novels, plays, and poems, as well as four major nonfiction studies (Longshore). It is truly one of hurricane lore’s greatest of storms.
"The Most Terrible Was Yet To Come": San Francisco Earthquake and Fire of 1906." Map of Time A Trip Into the Past. N.p., n.d. Web. 10 May 2014.
Ten million California residents who lived closely from the major fault lines could have been endangered in many extreme ways. (House, 56). A tragic thing was that after the earthquake a multitudes of fire followed right after. The situation led to the water mains being destroyed and the firefighter being left with no water to settle the growing fire which continued blazing. The bay water was planned on putting all of the dure out but it was to far in distance to be able to transport it (Earthquake of 1906, 2). The firefighters who were putting out the fire were either surrounded or being burned by the fire that was blazing in all directions (San Francisco Earthquake, 2). A resident who was present during the event mention that he/she saw men and women standing in a corner of a building praying, one person who became delirious by the horrific ways that were surrounding him while crying and screaming at the top of his lungs “the Lord sent it, the Lord”. Someone also mentioned that they experience themselves seeing Stones fall from the sky and crushing people to death. Reporters say there were 100 cannons going off (San Francisco Earthquake, 3). People who lived fifty miles away from the fire was able to “read the newspaper at
“When I saw my house three weeks after the storm, I was glad it stood, but I knew it was time for change. Now, five years later, I have learned that for me to enjoy the beauty of this place, there is a cost to bear. I love this place and am here to stay, but I have to invest more than I had imagined. The hurricane has greatly affected our lives, but not only in a bad way.” Gene understands that the story does not end with just the damage, but also what it contributes to the future.
Starr, Kevin. “The Great Earthquake and Firestorms of 1906: How San Francisco Nearly Destroyed Itself.” University of California Press. 83:3 (2006): 45-61. Web. 16 April. 2014. http://www.jstor.org/stable/25161821
In the story to kill a mockingbird, Mayella Ewell, a white female lives in maycomb with her abusive father behind the garbage dump. One would think Mayella is the loneliest person in Maycomb county, but one could also say that Boo Radley is just as lonely, if not more. The character Boo Radley has been shut in his house for a few decades with no one but himself and a few rumors about him. Scout and Jem are the children of Atticus who has been appointed to defend a negro man named Tom Robinson, who has been accused of raping a white girl named Mayella. When Mayella was in the courtroom she took authority and persuaded the people to take her side due to her class race and gender.
This story features a community confined to a strange place, forced to adapt in a manner they never could have imagined. This story spotlights an everyday struggle, a fear of change, in an extreme environment, all while using literary devices such as foreshadowing, repetition, and personification to further convey the message. In “Dark They Were and Golden Eyed” Ray Bradbury conveys through a trapped family forced to change how easy it is to become consumed by fear in an unknown place, and how adapting to new environments is unavoidable. Through his emphasis on the wind, Bradbury foreshadows how easily a person’s identity can