Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
As I lay dying imagery
Symbolism, fragmentation, and the literary techniques in As I Lay Dying by William Faulkner
As i lay dying by william faulkner essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: As I lay dying imagery
As I Lay Dying by William Faulkner depicts the story of one tragic family and their dismal journey across Missouri. While the Bundren’s originally set out in wake of their mother’s death, their journey is soon fueled by jealousy, selfishness and utter hatred as they are forced to depend on each other. In assessing the true severity of their dysfunction, it’s critical to critique each family member individually for their personal motives and feelings throughout the journey. Anse Bundren can obviously be seen as the most selfish and self-centered member of the family. Furthered by some ridiculous belief that “ … [I]f he ever sweats, he will die” (Faulkner 17), Anse devotes his life to avoiding and dealing out work. While he may seem somewhat focused on fulfilling his promise to Addie her burial, the only real reason Anse wants to go is to Jefferson is to“ … [G]et them teeth. That will be a comfort. It will”(111). Dewey Dell follows as a close second for most selfish family member. She is so wrapped up in her pregnancy and getting an abortion that she completely neglects all wants or needs of her brothers, father and recently deceased mother. While occasionally she does play a motherly role towards Vardaman, Dewey Dell rarely goes a passage without mentioning herself and her problems, especially towards the end of the book. Vardaman is much tougher to decipher as his true feelings are somewhat masked by his immaturity and inability to really convey any thing. After Vardaman’s simple yet profound revelation that “ My mother is a fish” (84), Vardaman frees Addie by drilling an air hole in the coffin. Eventually, the coffin is dropped in the river and “… [Darl] let her get away” (151). This signals the end of Vardaman’s con... ... middle of paper ... ...s gone; I sit naked on the cart above the unhurrying mules" (121). Dewey Dell knows that Darl “understands” her situation as he so often puts it, and Dewey Dell is worried that he might reveal this to Anse any one else. Darl is now a threat, and Dewey Dell later plays a big role in subduing Darl before his transportation into the insane asylum. Despite their terrible loss, the Bundren’s do an impeccable job of staying almost as inconsiderate and self-centered as possible. As Tull described it earlier, “ They would risk the fire and the earth and the water and all just to eat a sack of bananas” (140). The Bundren’s absurd motives and outright oblivious actions make this epic journey a tale of how far a family can stray from any form of functionality. t. Works Cited Faulkner, William. As I Lay Dying. New York: Vintage, 1990. Print.
In As I Lay Dying (1930), Faulkner creates the deceitful, insensitive character, Anse Bundren, who will do anything to get what he wants, even if it means stealing and injuring his own children, symbolizing the avarice and apathy that can result from a world of non education, poverty, and overall suffering.
The Jump-Off Creek introduces the reader to the unforgiving Blue Mountains and the harsh pioneer lifestyle with the tale of Lydia Sanderson, a widow who moves west from Pennsylvania to take up residence in a rundown homestead. She and other characters battle nature, finances, and even each other on occasion in a fight for survival in the harsh Oregon wilderness. Although the story is vividly expressed through the use of precise detail and 1800s slang, it failed to give me a reason to care because the characters are depicted as emotionally inhibited.
William Faulkner, a Nobel Prize winning author, wrote the novel "As I Lay Dying" in six weeks without changing a word. Considering the story's intricate plot, not changing a single word seems like it would take a literary genius to complete. Many people agree that Faulkner could very well be a genius due to the organization of this story. Faulkner uses fifteen different characters to narrate and allow the reader to analyze each of their point of views. Through the confessions of each character, the reader is able to form his or her opinion about different characters and issues. Since some narrators are unreliable for different reasons, it could be confusing to form opinions. One character that is easily understood is Dewey Dell Bundren. She is the only daughter in the Bundren family and ends up being the only woman in the family. "As I Lay Dying", the story of a family's journey to bury their mother and wife, is also the story of Dewey Dell's journey toward maturity. Along their journey to bury their mother, the characters, like Dewey Dell, seem to evolve through their encounters with other people. Faulkner depicts Dewey Dell as a very monotonous person in the beginning of the book. In the beginning, Dewey Dell is seen fanning her mother, picking cotton, or milking cows. However, towards the end of the book, her repetitiveness is lost. Towards the end of the novel, Faulkner specifically shows Dewey Dell in numerous situations becoming a mature individual.
Yoknapatawpha County is a fictional county made up by William Faulkner in which As I Lay Dying takes place in; this is now the third novel to take place here. As I Lay Dying was one of the last novels written in the 1920’s by William Faulkner and within fifty-nine chapters, this novel features a unique narration of fifteen different first person narrators. Each chapter is written from that particular character’s perspective telling their version of what is happening in the novel, making this not only an interesting take on narration but a compelling read as well. Faulkner uses the characters use of language to help us identify and see glimpses into the lives of the Bundren family; through this we can understand the revenge and secrets from within the characters that is blind to the most if not all-remaining characters within the novel.
In John Krakauer’s novel Into The Wild, the reader follows the life of a young man who, upon learning of his father’s infidelity and bigamy, seems to go off the deep end, isolating himself by traveling into the wild country of Alaska, unprepared for survival, where he died of starvation at 67 pounds.
Jon Krakauer, fascinated by a young man in April 1992 who hitchhiked to Alaska and lived alone in the wild for four months before his decomposed body was discovered, writes the story of Christopher McCandless, in his national bestseller: Into the Wild. McCandless was always a unique and intelligent boy who saw the world differently. Into the Wild explores all aspects of McCandless’s life in order to better understand the reason why a smart, social boy, from an upper class family would put himself in extraordinary peril by living off the land in the Alaskan Bush. McCandless represents the true tragic hero that Aristotle defined. Krakauer depicts McCandless as a tragic hero by detailing his unique and perhaps flawed views on society, his final demise in the Alaskan Bush, and his recognition of the truth, to reveal that pure happiness requires sharing it with others.
... harsh and tragic. Similarly, Hodgins symbolizes a life full of hardships in Portuguese Creek with the death of Elizabeth, for she had been the only good thing that had come out of the war. The positives of the families and communities working together were ultimately overshadowed by the negativity of these same families and communities falling apart; only further showing readers that new beginnings are not a chance for a better life, but center stage for one that is worse.
Similarly, he knew Dewey Dell was pregnant because he had seen her with Lafe, and he also knew that Jewel was illegitimate. Nevertheless, he was regarded as strange. Cora Tull says, he was "the one that folks says is queer, lazy, pottering about the place no better than Anse." Out of jealousy, he constantly taunted Jewel, Addie's favorite child. Except for Jewel, he alone among the Bundrens had no hidden motive for wanting to go to Jefferson.
... there is a direct correlation between Jewel's treatment of his horse and his ambitions. He is opposed to the family sitting by the bed and watching Addie die and cash sawing away at Anse' coffin. But at the same time he tells Darl to shut up when Darl raises an objection to the three dollar trip Addie tells them to make.
People tend to isolate women and young girls in this time especially if they had rebelled. Dewey Dell has got herself caught in a situation she does not now how to get out of. Dewey feels she has no one else to turn to because of her loneliness so she begins to turn to men. Dewey thought that the men she was surrounding herself with truly loved her and could make her feel happy and not alone. Love is a vicious force in Dewey life (Kincaid). Dewey finds herself getting farther away from humanity. Dewey does not understand the depth of love. Addie not showing her the love Dewey needs growing up makes her feel abandoned. Anse continues to use his children and Dewey does not have a true father figure she needs in her life. Dewey feels abandonment her whole life. She never has anyone to tell her right from wrong or to give her guidance. She does not expect men to treat her with respect because she never sees the respect that she deserved from
As a result, their lives changed, for better or for worse. They were inexperienced, and therefore made many mistakes, which made their life in Chicago very worrisome. However, their ideology and strong belief in determination and hard work kept them alive. In a land swarming with predators, this family of delicate prey found their place and made the best of it, despite the fact that America, a somewhat disarranged and hazardous jungle, was not the wholesome promise-land they had predicted it to be.
Faulkner, William. As I Lay Dying. 1930. Edited by Noel Polk. New York: Vintage, 1985. Print.
After a decade of not seeing his mother and brother, Howard returns to his hometown in Mississippi. It is evident how thrilled he is. As the train approaches town, he begins “to feel curious little movements of the heart, like a lover as he nears his sweetheart” (par. 3). He expects this visit to be a marvelous and welcoming homecoming. His career and travel have kept his schedule extremely full, causing him to previously postpone this trip to visit his family. Although he does not immediately recognize his behavior in the past ten years as neglectful, there are many factors that make him aware of it. For instance, Mrs. McLane, Howard’s mother, has aged tremendously since he last saw her. She has “grown unable to write” (par. 72). Her declining health condition is an indicator of Howard’s inattentiveness to his family; he has not been present to see her become ill. His neglect strikes him harder when he sees “a gray –haired woman” that showed “sorrow, resignation, and a sort of dumb despair in her attitude” (par. 91). Clearly, she is growing old, and Howard feels guilty for not attending her needs for such a long time period: “his throat [aches] with remorse and pity” (par. 439). He has been too occupied with his “excited and pleasurable life” that he has “neglected her” (par. 92). Another indication of Howard’s neglect is the fact that his family no longer owns the farm and house where he grew up. They now reside in a poorly conditioned home:
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.
Everyone wants a perfect family, but nothing is ever perfect. The family in “Why I Live at the P.O.” is most definitely less than perfect. When Stella-Rondo returns to her old home after leaving her husband and bringing her small child who she claims is adopted, much conflict in the family increases. Stella-Rondo turns every family member living in the household against Sister, her older sister, and every family member betrays Sister by believing the lies Stella-Rondo tells about Sister to them. Through much turmoil and distress, Sister becomes so overwhelmed with the unending conflict that she feels she must leave her home and live at the post office. In “Why I Live at the P.O.,” Eudora Welty strongly implies that the function of the family can rapidly decline when family members refuse to do certain things they should and do certain things they should not through her use of point of view, symbolism, and setting.