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Commentaries on wuthering heights
Compare Wuthering Heights to Thrushcross Grange in the novel
Themes of emily brontë's wuthering Height
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Emily Bronte was born in 1818 in Thornton, Yorkshire. Her father, the Reverend Patrick Bronte had married Maria Branwell in 1812 and had already published a number of books himself. In 1820 he moved to the small town of Howarth where he served as a rector and chairman of the parish committee. After her mother died Emily spent most of her time reading with her two sisters, Anne and Charlotte and their brother Branwell.
Howarth is placed at the edge of a large area of moorland, which is said to be the setting for Emily's only novel, `Wuthering Heights'. This classic piece of literature was published in 1847 and has many features of a gothic novel, the most obvious of these being the madness, the supernatural and even the buildings and scenery in which the story is set.
The novel has a series of narratives and in the opening paragraph we are introduced to Mr Lockwood, one of the two main narrators throughout the book. Mr Lockwood is an unreliable narrator when compared to Ellen Dean, a long-time servant at `The Heights' who is introduced later on in the book.
Lockwood is renting Thrushcross Grange from the more rugged character, Heathcliff. Lockwood is a gentleman that has chosen to move to the country, as he prefers his solitude to the `stir of society'. It is revealed that he has made this choice due to a situation involving a woman he fell in love with, not too long ago.
He starts the chapter off on a positive note when he describes how pleased he is with his new dwellings and his indifferent landlord, "a perfect misanthropist's heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow!"
During his visit Lockwood continues to describe Heathcliff and his action...
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...ear to begin with. It also introduces one of the main narrators who becomes the vehicle and the reason for the story to be told as the chapters continue.
In the soliloquy by Lockwood about how he isn't going to put Heathcliff's harsh character down to being caused by the same reason as his own, the reader is unknowingly given a preview to the story. The reason why Heathcliff is the way he is, is because of the same reason as Lockwood, however this slight mockery isn't discovered by the reader until later on in the novel.
Overall the first chapter contributes a variety of information about the novel including some of the characters, a narrator, it sets the scene for the story and also has a touch of irony as Emily Bronte discreetly hints at the upcoming events in her well structured novel of dream and reality, the supernatural and the natural and emotional chaos.
With so many distortions, many readers may not appreciate Brontë's book. She takes common elements and greatly exaggerates them. She turns love into obsessive passion, contempt into lifelong vindictive hatred, and peaceful death into the equivalent of burning in hell. In doing so, she not only loaded the book with emotions, but vividly illustrated the outcome if one were to possess these emotions.
The initial downward spiral of Heathcliff’s life was predominantly caused by harsh influences in the environment in which he was raised. Heathcliff, an adopted child, grew up in Wuthering Heights, a desolate and dystopian estate when compared to the beauty of the neighboring Thrushcross Grange. In childhood, Heathcliff displayed evidence of a sympathetic personality through his emotional attachment to Catherine and kind attitude towards Nelly. At the time of Mr. Earnshaw’s death, Nelly describes a scene where, “Miss Cathy had been sick, and that made her still; she
Inwardness is also the key to the structure of the novel. The book begins in the year 1801, on the very rim of the tale, long after the principal incidents of the story have taken place. Mr. Lockwood, our guide, is very far removed from the central experiences of the narrative. Under Lockwood’s sadly unperceptive direction, the reader slowly begins to understand what is happening at Wuthering Heights and Thrushcross Grange. Gradually we move toward the center of the novel. In a few chapters, Nelly Dean, takes over from Lockwood, and the reader is a little closer to the truth. Still Nelly is herself unperceptive and the reader must struggle hard till reaching the center of the novel; the passionate last meeting of Heathcliff and Cathy in Chapter 15.
Over a long period of time, an individual’s social status has always had a great impact on relationships between others. Relationships such as friendship, romance and even family relationships are greatly influenced by one’s social status. When people value social status to the utmost importance, it often acts as a barrier to further solidify relations with others. “Wuthering Heights” is a classic novel written by Emily Bronte which illustrates how social status gets in the way of relationships. This story (set in eighteen hundreds) displays the true nature of the people at that time because they excessive had pride. Since they had excessive pride, they often judged people based on their social class; hence changing their relationship between each other. In this novel social class was measured by observing an individual’s wealth, appearance and manners. Heathcliff happens to be the male lead character of this story that lacks social class due to his rebellious relationship with Hindley. Afterwards, Hindley degrades Heathcliff’s status this affects his connections with Catherine and Nelly. Since Heathcliff’s status diminishes, Catherine becomes reluctant to continue her affair with Heathcliff. Nelly also becomes wary of Heathcliff because his personality changes after restoring his own status. Thus, it is clearly seen that social class has an impact on the story by altering Heathcliff’s relationship between Hindley, Catherine and Nelly.
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
To begin with, when young Heathcliff was brought back from Liverpool to live with Mr. Earnshaw at Wuthering Heights, the family members despise and show hostility toward the inferior child presumably because Heathcliff is lower class. Certainly, the landscape Heathcliff enters into is “exposed in stormy weather…power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun” (4). The detailed description of the dismal landscape demonstrates that the society is twisting and destroying humanity through a violent ravage. After Mr. Earnshaw’s death Hindley “[drives] Heathcliff from
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
Emily Bronte, on the surface, appeared to be a very withdrawn woman and is said to be reclusive throughout her entire life. She was even incredibly embarrassed when her sister, Charlotte Bronte, found her book of poetry, even though Charlotte was incredibly impressed by it. Beneath the surface lies a woman full of passion and capable of powerful emotions, though she had never felt such emotions, to write a novel that is still discussed today and is regarded as a literary classic. Novels are often regarded as a window to the souls of the authors, and Wuthering Heights is no exception. Wuthering Heights is often seen as a type of construct of Emily’s life and personality, because of the similarity of characters to people in Emily’s life, and how the events that occur at Wuthering Heights are secluded in their own right, much like Emily’s own life.
Primarily, Heathcliff's hunger for revenge blindsides the character’s, Hindley, Catherine, Hareton, and young Catherine. Revenge is what Heathcliff wishes to
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
In chapter three, Lockwood opens a window to Catherine Earnshaws childhood through perusing through her books “Catherine’s library was select…scarcely one chapter had escaped a pen-and-ink commentary…scrawled in an unformed childish hand” we can see that her collection of books was limited but nevertheless well used. Two voices also come to the fore one being Lockwood’s and the other the autobiographical elements of Emily Brontë’s voice, ‘pen-and-ink commentary’ and ‘unformed childish’ the pre-modifiers reveal that the Brontë sisters also wrote in the margins of the novels they owned as paper was a scarce material.
Lockwood, a newly arrived tenant of one of the outer homesteads belonging to Mr. Heathcliff’s estate. In this entry Mr. Lockwood relates how he visited Mr. Heathcliff to introduce himself, and proceeds to describe the demeanor of his new landlord. Mr. Heathcliff and Mr. Lockton are the only two characters of consequence who are developed in this short chapter, though a third, Joseph, is introduced as Mr. Heathcliff’s “elderly, nay . . . very old” servant, and utters only a short statement to express his ornery nature and displeasure at having to look after an unexpected and unwanted guest (E. Brontë
In the 1847 novel of Wuthering Heights, Emily Bronte brilliantly employs frame narrative in order to tell a story within a story. The character of Ellen Dean, known formally as Nelly, tells of the past and present from her first person perspective, to the visiting Mr. Lockwood. She depicts the events as she recalls them that transpired during her years at the respective houses, Wuthering Heights and Thrushcross Grange. She talks of the past as she remembers it, and also from what she sees, hears or finds out through the other characters’ words and actions. Although Nelly is basing the characters solely on her own interpretation of them, she is a pretty reliable source, having grown up with the first generation of characters and cared for the second.
Gerard Genette focuses on the narration of the novel by analysing focalisation, the narrative mode, the use of intrusive authors and the way time is handled in a text. Each of these contributes to a readers understanding and appreciation of a text. Focalisation is one of the key features in Narratology effectively facilitates readers to comprehend the text. Bronte adopts the literary technique dual narration in Wuthering Heights; this is when two characters narrate. The two characters that narrate, via internal focalisation in the novel, are Lockwood and Nelly. Internal focalisation is when a narrator has ‘witnessed...learned about, or even participated in the events they tell.’ (Barry, 2009, pp. 225-226) This is imperative to understanding literature; an example of this in the novel is when Nelly says ‘a ...
Emily Bronte's master piece, Wuthering Heights, is a timeless story of love, deception, betrayal and revenge. It recognizes that life in the world is not a utopia. Revenge is the main theme in the book because it highlights important events, personality flaws, and the path to self-destruction. Bronte presents this loud and clear.