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Recommended: Wordsworth's poetry
The Strength of a Family The main character of William Wordsworth's poem, 'We are Seven'; is an eight-year girl that knows more about devotion to her family the most adults ever know. It seems that author is who comes across this child on his journeys. He takes a liking to her right away and even thought, 'Her beauty made me glad.'; I quickly find out that she is one of seven brothers and sisters and she is the only one that is alive and still at home. I say alive, because she has a brother and sister that 'in the church-yard lie';. The four others, presumably four brothers, have all grown up and moved away from home. The entire poem is about the interactions of the man and this girl. For whatever reason, he asks her how many brothers and sisters she has. She tells him she has seven. He, of course, sees no other children running around so challenges her answer. When he finds two are dead, he insists 'then ye are only five,'; she stands firm in her belief that 'Nay, we are seven.'; Each verse goes back and forth with him trying to convince her that she is one of five and of her explaining to him why her brother and sister are still very much part of her life. One would expect this young child to be sad and heart-broken, yet she always comes across as strong willed, happy and quite grown up for her age. Before her brother and sister died, she recalls playing and running. Now she hems kerchiefs, knits stockings and eats her supper down by h...
But what really intrigues me about this poem is the role of the number six. Why is it so important? This poem also informs us of how much he loves his big brother and the importance he thinks he has in this world. He also questions his worth in life. Although I am not sure what this poem is trying to make us feel, I think it can try to make us question certain things like is one truly the loneliest number?
Sandra Cisneros writes a memoir through the eyes of an eleven year old. Turning eleven happens to be a tragic day for the main character, Rachel. Through various literary techniques such as hyperbole, simile, and syntax, Rachel is characterized. Rachel is a fresh turning eleven year old who finds herself in an awful situation on her birthday. Forced to wear a raggedy old sweater that doesn’t belong to her, she makes it defiantly clear her feelings towards the clothing item, and we see this through use of hyperboles. Rachel describes the sweater as ugly and too “stretched out like you could use it for a jump rope.” This extreme exaggeration demonstrates the fire within Rachel. She is a defiant and pouty little girl who out of stubbornness has to defy the sweater in her mind. “It’s maybe a thousand years old”, she says to herself in act to degrade the filthy red sweater even more. The sweater to Rachel has become an eternal battle of ages. She is torn on whether or not to stand up and act bigger th...
It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.” -pg. 85
Emelie's childhood had an affect on her sense of happiness. "I had a dear mother who had multiple sclerosis, but that never got me down. I also had three brothers. There were difficulties in my childhood, but I was fortunate to h...
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
Despite the gathering winter she felt relieved to see that her sixteen- year old daughter, now her only child after the early death of her son James, was acting normal again. For the past fortnight the younger Elizabeth had been carrying herself in a strange manner. While walking along normally she would sometimes cry out. Last week she had shrieked at extremely inappropriate time in Sunday dinner and that day in church she had been overcome with irreverent laughter. She was always quick to offer a reasonable excuse to spare the swift punishment usually dispensed to children at the time, but the extravagance and immodes...
Standing in the front of the mirror every day, people see themselves gradually become an adult from a little boy or a little girl. In “Childhood Dreams”, Jennifer Yee describes a story that her father and she used to spend a lot of happy time in the amusement park together, riding carousels and so on, but now she felt lost and uncertain about her life. The reason why the author felt she was smothered by the real world was probably because she found out that as growing older, life became more complex, and she did not have as much time as she used to have to enjoy life in the childhood, and therefore felt quite depressed about the way she was.
Most of us can easily picture a typical child's party, loud and hyper boys running about, noise and fun and screaming kids and chaos, but this party seems to be viewed differently by the mother. It is a more serious and quiet event. She sees the boys as "short men" gathering in the living room, not as children having fun. The children seems subdued to us, with "hands in pockets". It is almost as if they are waiting, as the readers are, for something of imp...
Spark Notes Editors. “Spark Note on Diary of a Young Girl.” SparkNotes.com. Spark Notes LLC. 2003. Web. 17 Mar. 2011.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
At the age of ten, most children are dependent on their parents for everything in their lives needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl.
Victoria’s early childhood was a very sheltered and reserved one, her best friends growing up was her nanny’s a...
Tobias Wolff’s memoir, This Boy’s Life, is filled with colorful characters and comic incident, and yet has a more grounded and realistic tone than Hegland’s tale. The author, as a young boy and then a teenager, shares none of the bravery and moral fiber of Hegland’s Nell and Eva. In fact, his behavior is problematic throughout the narrative. The parental context for young Toby is a shattered one; a struggling mother paired ...
In the first few lines of the poem she talks about going to different dances and how the frequently switched partners, until one day she met Davis. They were soon married and stayed together for seventy years. She and Davis had twelve children, but eight of them died. How the eight children died was never explained in the poem, but it could relate to the time period in which the poem was placed. In the early 1900?s it was normal to have many children, but unless a family had the resources needed, some of the children may die.