Analysis of Sula by Toni Morrison
Toni Morrison wrote a touching story of two childhood friends who test the bonds of friendship and love. Throughout the story there are many themes that implore the reader to look more in depth at their meanings and consequences.
The main theme throughout the book is that of friendship. In the novel we are introduced to two young girls from very different backgrounds, Sula and Nel. These two girls are like two sides of one person; they know each other's thoughts, "a compliment to one was a compliment to the other." Although they appear to be best friends through much of the novel, they betray one another in the end.
As the reader follows along with the story it becomes quite obvious that Sula and Nel are polar opposites in their actions and their lifestyles. Sula depended upon Nel for sturdiness and comfort, while Nel preferred the unpredictable nature of her counterpart. They used the other's lifestyle to compensate for their shortcomings by placing themselves in the other's surroundings. When Sula visited Nel's home, she was comfortable in it, while Nel regarded the oppressive neatness with dread, but felt comfortable in it, with Sula. In the same way, Sula found comfort within the walls of the Wright home. They took solace in each other's presence. Each one finds comfort in what the other finds bothersome. Sula dislikes her disheveled house, and wishes that she could live in the clean house of Nel's. Nel likes the homeliness of Sula's house.
Abandonment plays a major role in the novel as well. This theme is evident in many different points in the story. Boy-Boy, Sula's grandfather, leaves Eva, Sula's grandmother, after a long unhealthy marriage. He left her w...
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...ple's fears of death and make them realize that it is unpredictable, many people of the Bottom die in a presentation following the annual parade. Sula and Nel are two halves of a whole. The conforming Nel searches for a sense of order in her life when she marries Jude at a young age, which in the end seems to fail in giving her a happy life. Sula, on the other hand, opposes the conventions of society and ends her life rather satisfied.
Throughout the novel there were many themes present. Ms. Morrison did a wonderful job of writing an entertaining story while providing the reader with many opportunities to look for deeper meanings and analyze the story. In looking for a deeper meaning the reader is presented with an unforgettable portrait of the effects friendship and love on a relationship.
Works Cited:
Morrison, Toni. Sula. Plume. New York: 1973.
Toni Morrison’s novel Sula is rich with paradox and contradiction from the name of a community on top of a hill called "Bottom" to a family full of discord named "Peace." There are no clear distinctions in the novel, and this is most apparent in the meaning of the relationship between the two main characters, Sula and Nel. Although they are characterized differently, they also have many similarities. Literary critics have interpreted the girls in several different ways: as lesbians (Smith 8), as the two halves of a single person (Coleman 145), and as representations of the dichotomy between good and evil (Bergenholtz 4 of 9). The ambiguity of these two characters allows for infinite speculation, but regardless of how the reader interprets the relationship their bond is undeniable. The most striking example of their connection occurs right before the accidental death of Chicken Little. In the passage preceding his death, Nel and Sula conduct an almost ceremonial commitment to one another that is sealed permanently when "the water darkened and closed quickly over the place where Chicken Little sank" (Morrison 61):
In addition to appearance, the two women have extremely different relationships with Ethan. In order to portray each woman’s relationship with Ethan, the author uses the motif of silence.
The Notebook (Cassavetes, 2004) is a love story about a young couple named Allie Hamilton and Noah Calhoun, who fall deeply in love with each other. The Hamilton’s are financially stable, and expect for their daughter Allie to marry someone with the same wealth. Noah on the other hand works as a laborer, and comes from an underprivileged family. Throughout the film there were several negative behaviors, and interpersonal communications within the context of their relationship, which relates to chapter nine. This chapter explores relationships, emphasizing on affection and understanding, attraction, and the power of a relationship. The focus of this paper is the interpersonal conflict with Noah, Allie and her mother, Anne Hamilton.
In order to understand what changes happen to twist the views of the 2 main characters in both novels, it is important to see the outlook of the two at the beginning of the novels in comparison ...
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
The symbiotic nature between Sula and Nel began during their adolescent years. Sula depended upon Nel for sturdiness and comfort, while Nel preferred the unpredictable nature of her counterpart. They used the other's lifestyle to compensate for their shortcomings by placing themselves in the other's surroundings. When Sula visited Nel's home, "Nel, who regarded the oppressive neatness with dread, felt comfortable in it, with Sula" (Morrison 29). In the same way, Sula found comfort within the walls of the Wright home. They took solace in each other's presence. Each one finds comfort i...
In examining the two distinct characters of Nel (Wright) Greene and Sula Peace from Toni Morrison's Sula, a unique individual soul emerges from the two women. This soul takes into account good, bad, and gray area qualities. They gray area qualities are needed because, while Nel exhibits more of the stereotypical "good" qualities than Sula, the stereotypes of good and bad don't fit the definition completely. Nel and Sula combined create a type of ying and yang soul, each half including some of the other half. While at times the two women are polar opposites of one another in point of view, they arrive at their opinions with the help of the other. The two characters need each other in order to exist to the extent that they become "two throats and one eye" (Morrison 2167). A physical example of how connected the two girls are is seen when they line up head to head forming a straight, continuous, and complete line (2124).
In the book, Beloved, by Toni Morrison and the movie, One Flew Over the Cuckoo’s Nest, featuring Jack Nickolson, both share a common theme of love and loving oneself. Morrison’s character, Baby Suggs, is the source of love for her people. Similarly, Jack Nicholson’s character McMurphy tries to give the men confidence, so that they can love themselves. To be loved is to be supported, whether succeeds or fail. This support gives the confidence needed to go day to day. In both situations, deprived characters have experienced traumatic events, which have made them unsure of what love is or even feels like. The roles of McMurphy and Baby Suggs are to show these characters that despite their troubled pasts, they can make it in the world, with proper support and love.
Nel is able to express her feelings and emotions when she is with Sula, which is good because she can’t do that at home because she has to be the obedient one. They understand each other completely, they never argue or compete with each other. Their relationship is invaluable; they met each other at the time where they both needed it the most. Their friendship is not dependent on obligation, compassion, or love, but on their conjuction of sameness and autonomy. At this point they are together because they want to, not because they have to or need to be. When Sula and Nel meet it’s the time when they realize that their spot in society is disadvantage, “because each had discovered years before that they were neither white nor male, and that all freedom and triumph was forbidden to them, they had set about creating something else to be” (Morrison, 50). They are best friends mainly because they grew up in the same neighborhood, they are the same race, gender, and age. They understand the needs of each other and each other’s problems. They experience the intimacy they were looking for in each
Through the negative experiences that she has had with motherhood, Sula does not want to become a mother. She sees Hannah’s sadness and frustration with Eva and recognizes her poor relationship with Hannah and does not want to repeat it. Sula’s insufficient relationship with her mother is exposed when Sula watched her mother burn and die. Sula does not attempt to help her mother, she only stands silently and watches her mother die. Eva notices this but, “remained convinced that Sula had watched Hannah burn not because she was paralyzed, but because she was interested” (78). This shows her lack of care for motherhood. She does not have kids and dies without having any. But during her life, she ends up in a similar situation as her mother She focuses only on men and people begin to hate her for this. She begins to take friends’ and neighbors’ husbands the same way Hannah did. Sula even turned on her only friend, Nel, and took her husband too. She is the reason that Nel’s husband left her. Sula adopted the same principles as her mother, and Hannah was shaped by Eva.
There are many aspects of story that come together to create a complete narrative. A lot of the tools used by writers are intentional and serve the purpose of driving home certain aspects of the story or creating and engaging, and entertaining narrative. Toni Morrison—the author of Sula—is no different. Morrison employs many writing techniques and tools in her narrative Sula. It is important for the reader to be aware of and understand some of these narrative tools that the author uses because it allows the reader to gain a better understanding and appreciation for the narrative. In Sula a few narrative techniques that allow for the argument of women experiences to shine through are the use of a third person narrator, and gaps; throughout the story these tools allow the reader to become interested in and focus in on women experiences.
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...
“Violence repeatedly usurps the space that love might hold. Commonly the fantasied antidote to psychic wounds and losses, real and imagined, love is an expected unguent, a form of medication, pain's "natural" anodyne. But Morrison takes a harsher, tougher, less romantic view of love, one fashioned from the accumulated wisdom of the ages, a wisdom infused throughout her novel”. (Mc Dowell)