Analysis of Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' and 'Smoke Signals' Sherman Alexie based on some short stories included in his book, 'The Lone Ranger and Tonto Fistfight in Heaven,' wrote the screenplay for the movie 'Smoke Signals.' Both the movie and the book portray problems that Indians had to deal with, and how they dealt with it. The book is far more complex than the movie, showing a wider variation of characters facing different situations. In the movie there is Victor, the main character, which tries to be the typical Indian, or maybe just a typical man. He shows just hate towards his father, who left Victor and his mother alone and fled to Phoenix. The picture Victor has about his father is that he was an alcoholic and always tried to talk with his fists. On the other hand there is Thomas, the other main character. He lives a mystical life and is far more emotional than Victor. Thomas has also another point of view about Victor?s father. He remembered him as a nice guy, who took him to Denny?s once. When Victor?s father died, Thomas offered money to help Victor to get to Phoenix and get his father?s ashes and belongings, as long as he could go with Victor. On this part of the movie, it is easy to understand how Victor sees the Indians before the whites. On the bus, he tells Thomas that the only way that white people would respect them is by being serious; showing no feelings, not even a smile, being ...
Thunderheart is a movie inspired by the sad realities of various Native American reservations in the 1970’s. This is the story of a Sioux tribe, conquered in their own land, on a reservation in South Dakota. Thunderheart is partly an investigation of the murder of Leo Fast Elk and also, the heroic journey of Ray Levoi. Ray is an F.B.I. agent with a Sioux background, sent by his superior Frank Coutelle to this reservation to diffuse tension and chaos amongst the locals and solve the murder mystery. At the reservation, Ray embarks on his heroic journey to redeem this ‘wasteland’ and at the same time, discovers his own identity and his place in the greater society. Certain scenes of the movie mark the significant stages of Ray’s heroic journey. His journey to the wasteland, the shooting of Maggie Eagle Bear’s son, Ray’s spiritual vision, and his recognition as the reincarnation of “Thunderheart,” signify his progression as a hero and allow him to acculturate his native spirituality and cultural identity as a Sioux.
Throughout the film of Smoke Signals, the story centers on two characters, Thomas and Victor. Thomas, through his storytelling shows Victor that there's more to life than cynicism and pure anger, while Victor let's Thomas know what it means to be a real Indian. We can see this in the scene where Victor tells Thomas that Indians are not supposed to smile to white people and that Indians always should look mean in order to gain the respect of white folks. However, we can see that after they return to the bus their seats have been taken by two white men and neither did Victor’s mean face and faded smile help him gain their seats back. This scene shows us that those stereotypes about how what an Indian is supposed to act are not in fact true because
Victor uses specific details of a hurricane to describe the rising tension during his parents’ party. “The two Indian raged across the room at each other. One was tall and heavy, the other was short, muscular. High-pressure and low-pressure fronts.” (2) Victor then goes on to compare curses to wood breaking and describes his father’s voice “…coming quickly and with force. It shook the walls of the house.” (2) As the storm escalated Victor depicts everyone who had begun to watch as simply as bystanders. “”They’re going to kill each other,” somebody yelled from an upstairs window. Nobody disagreed and nobody moved to change the situation. Witnesses. They were all witnesses and nothing more. For hundreds of years, Indians were witnesses to crimes of an epic scale.” (3) With this quote, he demonstrates a comparison between Native American experiences now and their painful history. “Victor’s uncles were in the midst of a misdemeanor that would remain one even if somebody was to die. One Indian killing another did not create a special kind of storm. This little kind of hurricane was generic. It didn’t even deserve a name.” (3) Here Alexie gives insight into how Victor
Sherman Alexie's literature often uses symbolic features relating to Native American culture. His characters tell their stories while Alexie tells his own story simultaneously. His 1993 short story, This is What It Means to Say Pheonix Arizona and later film adaption Smoke Signals focuses on two young native American men, Victor and Thomas on a journey to collect Victor's father's ashes. Throughout the journey, Victor reflects on previous events that relate to the death of his abusive father. Fire and Ash continually show up throughout the story; it can be seen through Victor's anger, actual fires and even symbolic fires. Although different,
In “This Is What It Means to Say Phoenix Arizona”, Victor has become psychologically troubled because he has put his own traditions behind. Throughout the story, the readers find out that Victor has an internal conflict due to the unhealthy relationships in his life. His father abandons him at a very young age, which causes Victor’s loss of guidance and self-identity. The day that Victor’s father abandons his family, Victor gets “really drunk and beat[s] Thomas up for no apparent reason at all”(276). If no one would have stopped Victor, Thomas-build-the-fire would have died which clearly shows the readers that Victor is mentally troubled. Not only does he lose his father but, Victor also loses his best friend on that same day. In other words, Victor is mentally traumatized after the abandonment. In fact, Rothe Eugenio, a professor in the department of Psychiatry & Behavioral Health at Florida Inter...
People mistake the Indian culture for living in T-Ps and going to powwows and always being drunk. But Smoke Signals really shows how the Indian culture really is. It includes how their culture is different from the white man but the stereo types that people put out for Indians are really inaccurate. Victor and Thomas not only take us on this interesting adventure to see his dad but they show us all of the Indian stereo types.
Overall, Alexie clearly faced much difficulty adjusting to the white culture as a Native American growing up, and expresses this through Victor in his essay, “Indian Education.” He goes through all of the stages of his childhood in comparison with his white counterparts. Racism and bullying are both evident throughout the whole essay. The frustration Alexie got from this is clear through the negativity and humor presented in the experiences he had to face, both on and off of the American Indian reservation. It is evident that Alexie faces discrimination from white people, who he portrays as evil in every way, to show that his childhood was filled with anger, fear, and sorrow.
In the movie we see a native American man giving a man a woman and
In “This Is What It Means To Say Phoenix, Arizona,” Alexie creates a story that captures the common stereotypes of Native Americans. For instance, in the story the narrator states, “Who does have money on a reservation, except the cigarette and fireworks salespeople?” (Alexie). This quotation shows that the narrator addresses the idea that all Native Americans must own businesses that sell fireworks and/ or cigarettes in order to be successful. In this example, Victor is shown to not identify with the Native Americans because he does not pursue the same job opportunities as many Native Americans do. Victor's character is used as a contrast to the stereotypes that , there he represents reality. Another instance in which the author incorporates a stereotype about Native Americans is when Thomas-Builds-the-Fire first makes conversation with Victor. Thomas-Builds-the-Fire informs Victor about the news of Victor's ...
Victor knew he was a Native American that lived on the reservation. However, as he has grown up, it seems he has forgotten the tribal ties of the Native Americans. The people of that culture consider everyone in the tribe to be family and they are not ashamed of who they are and where they come from. Towards the end of the fictional narrative it is said, “Victor was ashamed of himself. Whatever happened to the tribal ties, the sense of community? The only real thing he shared with anybody was a bottle and broken dreams. He owed Thomas something, anything” (519). At the end of the story, Victor has finally realize that he is acting self absorbed. He realizes that this is not who he wants to be and he should not be ashamed to talk to Thomas Builds-a-Fire. Remembering his tribal ties, Victor gives half of his father 's ashes to Thomas. By doing that, Victor is thanking Thomas in his own way. Victor said, “listen, and handed Thomas the cardboard box which contained half of his father. “I want you to have this” (519). Individuals on the reservation thought Thomas was just a madman with weird stories. But in reality he was always true to his tribal identity and has even taught Victor how to get back to that. For example Thomas says, “I’m going to travel to Spokane Falls one last time and toss these ashes into the water. And your father will rise like a salmon, leap over the bridge, over me, and find his way
Victor sees the Indians continuously drink alcohol to mask the emotions and the hard ships they have to endure. Victors’ father would drink vodka on a daily basis. The alcohol is like “a wall of water, a reservation tsunami. Maybe it was like Hiroshima or Nagasaki” (Alexie 6). Victor watched as the alcoholism descend over the Natives at their New Year’s Eve party. While Victor laid in bed restless, he felt as though he was being smothered by the depression as everyone continued drinking. He crawled out of his bed on a search to find his parents. He cried while asking people where his parents were until he found them passed out in their bedroom. Kissing them goodnight he could taste the alcohol and cigarettes on their skin and wondered if he laid there long enough, would he get drunk as well and be able to fall asleep.
The narrator from The Toughest Indian in the World starts off my withholding his struggles with self- identification. Only to then have it exposed in a defining moment when he asks the fighter to stay the night with him. The repercussions of his overnight visit with the fighter serve as an unfamiliar course of action. Initially the narrator reserves many of his natural inclinations as a sign of struggle with his self- identity. This can be demonstrated through “I almost protested, but decided against it.” (p.37) This quote demonstrates the internal struggle the narrator is feeling. He is unsure as his stance with the fighter and doesn’t voice his true feelings. This can be further illustrated by “I wanted to tell him how much I cared about my job… I wanted to tell the fighter that I picked up all Indian hitchhikers… I wanted to tell him that the night sky was a graveyard… I wanted to know if he was the toughest Indian in the world.” (p.38) This quotes illuminates how many feelings and emotions the narrator is suppressing. The repetition of the phrase “I wanted” proves the narrators true intentions, but he does not express them verbally. The narrator is internalizing his true thoughts as a coping mechanize to deal with his wavering identity. The narrator is unsure how to relate to the fighter who is so immersed in the traditional Indian culture, so he remains more reserved. Just like Bernard from Brave New World the narrator copes with his lack of homogeneous cultural characteristics but bottling everything
...as made of different people, so he had different personalities, and therefore could not be expected to act as a normal person. Upon his creation, he was left not receiving the protection and guidance he desperately needed. His feelings were the same as any other humans: grief, and distress, anger. But, instead of calmly diffusing his anger, he chose to destroy that which made his “enemy” happy. There was never a good reason to bring the dead to life, despite all of Victor’s claims. Because of his arrogance, and lack of a functioning human heart, he disregarded everyone’s opinions and advice and sought to do what was right for himself and not even attempting to protect his family, regardless of how he claimed he did. His incompetence cost his entire family’s life, but fortunately, saved that of Walton and his crew mates. So, at least, he did one good.
Thomas is a hero because the second is that he follows the hero’s journey like ordeal, Death, and Rebirth. The elevator comes back up with a girl and some pipes filled with something and the girl makes Thomas remember more about himself. Later on, they use the needle on Alby and it heals him but he won't speak. Then later on, when its night, the doors don’t close and the grievers start coming and killing people. This is a wake-up call for Thomas that and some people else since Alby is dead by the grievers. Thomas takes the lead to get out of the maze and some people follow him like a leader. When Thomas says something to the people that are left in the glade it sparks something a leadership role for Thomas. “We can't stay here forever.” When Thomas says this to the glade the people are deciding is it ok to break the rules that they have followed for years and go into the maze to try and find a way out with Thomas leading them. In This Ordeal, Death and Rebirth people die yes but Thomas did become more of a leader of the effects that played
The film Smoke Signals, screen written by Sherman Alexie, examines the small, ordinary Native American life of a boy that lives on the Coeur d’Alene Indian reservation with family problems. The story is set in 1998 but also has flashbacks throughout the lives of Thomas Builds-the-Fire and Victor Joseph. Both Victor and Thomas must go on a trip to take care of Victor’s father’s business since he has passed away. Victor and Thomas both must be saved from situations throughout the film. In the film, the theme of salvation preserves both Victor and Thomas from death and conserve Victor from living a life of hatred toward his father and others around him, which allows him to understand why his life is filled with pain due to his father’s actions.