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Articles on psycho analytic view of The Tempest
Psychoanalysis found in the tempest
Articles on psycho analytic view of The Tempest
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A Jungian Interpretation of the Tempest
Shakespeare’s Tempest lends itself to many different levels of meaning and interpretation. The play can be seen on a realistic plane as a tale of political power and social responsibility. It can be seen as allegory examining the growth of the human spirit. The Tempest investigates marriage, love, culture. It is symbolic of man’s rational higher instincts verses his animal natural tendencies. This is a play of repentance, power, revenge and fate that can also be seen as fantasy, dream, imagination, metaphor or magic.
The Tempest should be allowed to represent many points of view, even those that the author was not consciously or unconsciously aware when he wrote it. One outlook does not invalidate the others. I propose to illustrate The Tempest as a play about what is occurring in the protagonist’s mind. To be more specific, it is the growth, maturing and individuation of Prospero. Shakespeare, in a sense of which he could not be conscious, was anticipating Freud and Jung. His servants, Ariel and Caliban, are the agents of synchronicity. By synchronicity, I mean meaningful coincidence; an acausal principle relating inner mind to the external world; a vehicle whereby the ego, if it is open, can glimpse the Self. In Jung’s terms, it is strongest when an emotional attachment exists and when there is an element of risk or death. When the subject is ready to learn, the unconscious mind can affect physical reality. By individuation, I mean, "becoming a single homogenous being …. Becoming one’s own self …. Coming into selfhood." 1
To begin showing how this process takes place in Prospero, I would like to take issue with some traditional views of the character. Many critics see Prospero as completely in control of everything that takes place on his island. He is seen as all-knowing, having a perfect plan in place, often seen as calm, as good, as the main force of reason and logic and Man’s highest qualities. I do not dispute all of this. Prospero is an amazingly talented, wise, mature man in control of himself and his environment, but he is not perfect. This is a play showing growth and education in its characters, but most of all, the growth and education of Prospero himself. At the outset, he is a man in struggle, an embittered man, a vengeful tyrannical man; not God, unless it is the cruel anthropomorphic God of the early Old Testament.
In the comedic, yet thrilling play, The Tempest, William Shakespeare uses characters such as Caliban, Alonso, and Ariel to show Prospero’s immense cruelness and pure monstrosity. Moreover, these Shakespearean characters are also used to highlight Prospero’s change in character into a kinder and more forgiving person. Prospero starts the play out as a vengeful monster, after an illuminating moment however, his persona transforms into his true identity of a compassionate man.
“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has perfected his skills during twelve years of exile on a lonely island. Prospero creates the tempest to make his enemies’ ship to wreck and lead them to the island. Meanwhile, Antonio takes Prospero’s place and starts to make everyone believe he is the duke and makes an agreement with the King of Naples, Alonso. Besides the drama happening in the island, Prospero forgives Alonso and the others.
In today's world, the subject of abortion is a very controversial issue. Some people are totally decided on pro-life or pro-choice, but most are somewhere in between and have mixed feelings. Abortion has been a very important issue since the early 1980's when the topic started to gain popularity. Since then, horrible things have happened to put abortions in the hot seat. There have been bombings on clinics, murders of abortion doctors, and protests that have turned violent. There should be a more discrete and private way to have an abortion without all those hassles. There has been development of a new pill that can help to cool down some heated abortion issues. The new pill is called the RU-486, or commonly referred to as the morning after pill. If the new pill is made legal, it can create a private way for women to have an abortion without having a surgical procedure done, and the pressures of the surrounding world would not be there influencing their decisions.
The early twentieth century was a time of change for America with western expansion, discrimination, and innovation. The western United States became one of the places to live because of its sense of wild lands and industrial progress. This time of change paved way for legendary literature including great authors such as Ernest Hemingway, F. Scott Fitzgerald, and even the great J. R. R. Tolkien. However, one of the best authors during this time was John Steinbeck. Born and raised in California, he wrote many novels that were influenced by his childhood backyard and experiences in the Central Valley and Monterey areas. Steinbeck’s short story collection The Long Valley shows Steinbeck’s influence from his childhood home in the settings around the Salinas and Monterey regions in many of the short stories, as well as prominent and common themes such as communion, unfulfilling marriages, and the road to manhood.
Having good health is not a promise, it mainly depends on what one does in a lifetime in regards to proper nutrition and care of the body systems. Notwithstanding the predisposed health disorders that one may genetically succumb to, lifestyles and vices/bad habits can greatly influence one’s existence of well versus ill health issues. Vices, that one develops over the course of a lifetime when in regards to ones health, such as addictive behaviors to illegal substances can be highly detrimental to one’s health.
In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires. He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect.
...s. Another problem is that different traits would be more effective in different situations and some traits may be gender or culture based.
Malcolm X or Malcolm Little and also known as “El-Hajj Malik El-Shabazz”, was an African-American Muslim minister and a human rights activist. He had a hard child a young adult life. His admirers he was a courageous speaking for the rights of blacks, a man who accuses white America in the meanest terms for their crimes against black Americans; critics accused him of preaching racism and violence. “He has been called one of the greatest and most influential African Americans in history along with martin luther king jr.” based on some of the things malcolm has done, Martin luther king jr. definitely had a different way of approaching issues. with both of their totally different way of getting their point across, discussion could be made on who was more effective in the civil rights movement as a whole. If Malcolm x wasn't around and fighting for civil right around the same time as MLK was doing it here he probably would of had much of a chance and would have just been killed, he in a way motivated the whole world into fighting for civil rights in their country, without his “black power” philosophy. he was easily in the top five people that got the civil right movement to follows it course and end up get equality for black and white.
Shakespeare was intending to represent several different groups of people in society through his plays and “The Tempest” was no exception to the rule. I aim to show how the “human” relationships in the play reflect real life relationships within Shakespeare’s own society (as well as his future audience), for which his plays were written and performed.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
In The Tempest, Art is that which is composed of grace, civility and virtue. It is represented by Prospero, the other members of the nobility who belong to the court party and their servants. The world of the court is synonymous with the world of Art in the play. In contrast, Nature is bestial, brutish and evil; and manifest in the form of Caliban and the natural world. With two such extremes brought together, debate between the two is inevitable.
In the world of the Tempest, we have moved beyond tragedy. In this world Hamlet and Ophelia are happily united, the Ghost comes to life again and is reconciled with his brother, the old antagonisms are healed. Lear learns to lessen his demands on the world and to accept it with all its threats to his own ego. This is not a sentimental vision, an easily achieved resolution. It takes time--in this case sixteen years--and a measure of faith in the human community that one is prepared to hold onto in the face of urgent personal demands. This play seems to be saying that theatrical art, the magic of Prospero, can achieve what is not possible in the world of Milan, where everyone must always be on guard, because it's a Machiavellian world ruled by the realities of power and injury and there is no Ariel to serve us with the power of illusions.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
The Tempest by Shakespeare is his most fanciful of works. There are elaborate tricks and ideas that Shakespeare has put into play. That’s what many might see on the surface when reading The Tempest for the first time. But what some might be able to explore when digger deeper into the work, is the theme of colonization that Shakespeare bestows upon his characters.
William Shakespeare’s play The Tempest tells a story involving unjust acts, and Caliban trying to take over Prospero’s power of authority, Prospero’s mission to was to build righteousness and honesty by returning himself to rule. The idea of justice and injustice that the play works toward seems extremely independent meanwhile the impression of the play shows the view of one character who controls the purpose and fate of others.