Even though James Joyce’s short story Araby could be identified as a simple love story which ultimately ends up ending in failure, it is clear that the work discusses much more than the ideas of love and failure. Through the lens of a young man who has become immersed in a culture with a belief set derived from the concepts of materialism and capitalism, the reader experiences a unique journey of a poor, disillusioned human being. While love might be seen as one of the most powerful emotions felt by man, it is clear that love’s intentions can become corrupt, driven off the rightful path by a loss of reality. Though it is true that Araby’s primary focus might not be to examine the concepts of philosophical position and its effects on the individual, it seems practical for a Marxist to perceive the work as an observation of capitalism and materialism, because of the way such ideas are contrasted with the ideas of charity and emotion through literary devices.
Joyce opens his work with the depiction of a deserted residence, and while this may come off as an insignificant detail in the unnamed narrator’s perception, the late priest’s rotting home is crucial to the opposition between materialism and emotion or sympathy. First of all, it is important to note the fact that the reader is provided with little insight of the deceased man, except for the fact that he was “charitable.” Thus, it seems quite reasonable to state that the specific values stressed by the priest are decaying or rotting away, just as his house is. This is evident through the stale, decomposing tone depicted by Joyce through this passage, and the utilization of such imagery as “musty air”, “littered”, “curled and damp”, and “straggling bushes” only serves to cement...
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...storical analysis of James Joyce’s short story reveals that the work analyzes how such a quest can become corrupt, maintaining only a monetary-related objective, or a society that has commonly accepted the ideas of materialism and capitalism. Araby signifies the significance of value systems within a given culture, emphasizing the glaring effects an absence of charity or emotion might have on a small boy who simply desires affection from a female. Unfortunately for him, Joyce depicts a confusion between the ideas of romance and emotion, and materialism, creating a tone indicative of a loss of emotion and stressing the fact that even love can become indicative of capitalism. Thus, Joyce’s work thrives on the opposition between emotion and materialism, utilizing this binary opposition to depict the effects of societal mindsets on one confused, frustrated individual.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
In the short story “Araby,” James Joyce uses religious and biblical allusions to portray a young narrator’s feelings about a girl. Through these allusions, readers gather an image of the narrator’s adoration of his friend’s, Mangan’s, sister. James Joyce’s allusions to the Bible and religion relate to the idolized image the narrator has of a girl.
According to Edgar V. Robert’s (b.1928), in his twelfth chapter from Writing about Literature titled “Writing about Tone: The Writer’s Control over Attitudes and Feelings” (1961) the theory of tone refers to the methods by which writers and speakers reveal attitudes or feelings. In both the short stories “The Greatest Gift” (1943), by author Philip Van Doren Stern (1900-1984) and “Araby” (1914), by author James Joyce (1882-1941) the tone is shown by the attitudes the authors set through the protagonist of each story.
It is my opinion that the main character moves from dislike of social divide, and a dislike of her elevated status, to complacency, and finally gratitude; and that these changes are brought on due to her own experiences of hardship. Throughout this essay I will attempt to demonstrate and rationalize this belief.
The novella "The Dead" by James Joyce tells the tale of early twentieth century upper class society in the Irish city of Dublin. The story tells of the characters' entrapment, and the tragic lives they lead, hiding behind the conventions of their society. Joyce uses the symbolism to draw a parallel between the natural way in which the snow covers the land and the way in which the characters use their culture unnatural to cover reality. This story comes together, not only to tell of the individual tragedy of these peoples lives, but to tell the tragic story of all of Ireland, as it's true problems become obscured in so many ways.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
How the Setting Reinforces the Theme and Characters in Araby. The setting in "Araby" reinforces the theme and the characters by using imagery of light and darkness. The experiences of the boy in James Joyce's The "Araby" illustrates how people often expect more than ordinary reality can. provide and then feel disillusioned and disappointed.
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
"Araby" is a short complex story by Joyce that I believe is a reflection of his own life as a boy growing up in Dublin. Joyce uses the voice of a young boy as a narrator; however the narrator seems much more mature then the boy in the story. The story focuses on escape and fantasy; about darkness, despair, and enlightenment: and I believe it is a retrospective of Joyce's look back at life and the constant struggle between ideals and reality.
In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).
In their short stories “The Dead” by James Joyce and “A Modest Proposal” by Jonathan Swift, the author sought to express the disgruntled emotions felt by young men and women of their era. Both authors use commentary and powerful language to justify the emotions felt during this time. They express their displeasure with society, in the case of Swift’s “A Modest Proposal” and the strife of expectations of a man in Joyce’s “The Dead”. The author’s use of tone in both stories reflects the feelings each felt and themes each attack display the emotional state of society of their time.