Analysis of Film Citizen Kane Produced by Orson Welles

619 Words2 Pages

Even by today’s standards, Citizen Kane is an extraordinary movie, and it is full of complex filming techniques. Orson Welles produced the film Citizen Kane, and it is considered by some to be one of the greatest films of our time. Orson Welles shows the fragments of the life of Charles Foster Kane, attempting to explain a complex character. During the film, Kane hides his true feeling and emotions behind an impenetrable wall. Even at the end of the film, the audience still does not really get to understand who Charles Kane was. Throughout the film, Kane is shot in such a way that he appears to be larger than life. Citizen Kane is a unique and wonderful film that challenged the traditional elements of classic Hollywood cinema because of the film’s use of narration, mise-en-scene, and unique camera angles.
Citizen Kane is a unique and film that challenged the traditional elements of classic Hollywood cinema because of the film’s use of narration. The film provided a narrative perspective that introduced a relationship of trust between the audience and the characters. This new type of ...

Show More
Related

  • The Significance of Lighting, Blocking and Panning in Kane’s Declaration of Principles

    898 Words  | 2 Pages

    Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.

    Read More

  • The Use of Classical Hollywood Theory in Die Hard

    574 Words  | 2 Pages

    Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...

    Read More

  • Shadows In Citizen Kane Symbolism

    1153 Words  | 3 Pages

    Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that

    Read More

  • Common Themes and Elements in Psycho and The Birds

    656 Words  | 2 Pages

    Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.

    Read More

  • The Nature Of Ego In Orson Welles's 1941 Film Citizen Kane

    1056 Words  | 3 Pages

    The nature of ego is a fundamental concept in Orson Welles’ 1941 film ‘Citizen Kane’. Through presenting the life of Charles Foster Kane, Welles explores how time and place are critical in the development of an individual’s ego. The ideas of childhood and adulthood life and Kane’s need for control in his public and private environment assist in shaping audience’s understanding of the nature of ego. Essentially, Welles uses Kane’s life to explore how time and place are crucial elements to consider when exploring the nature of ego.

    Read More

  • Film Analysis: Citizen Kane

    859 Words  | 2 Pages

    Citizen Kane, Orson Welles’ cinematic classic, is a film that centers on a group of reporter’s investigation into the meaning of Charles Foster Kane’s last uttered word, “Rosebud.” Citizen Kane ' brings into light many social problems between countries, relationships, and also between competing newspaper companies. It brings into light how a newspaper should react and also brings the corruption of politics. War was breaking out in Europe and throughout the entire film Kane states there will be no war. He ignores the fact people are being killed, tortured, and rounded up like livestock.

    Read More

  • Analysis Of The Movie Citizen Kane

    1636 Words  | 4 Pages

    The cast members were classically trained theatrical actors, and none had ever made a movie. While there are many unimpressive performances in Citizen Kane none of them were weak. It was filled with an A-rate cast and the actors worked together well as an ensemble. Perhaps, no performance was better than Orson Welles portraying all of Kane’s walks of life. From young and charismatic, to middle aged somber and assuming the end justified the mean instead of arguing it, to old quiet and wounded a man who had fought and lost time and time again Orson Welles delivers stunningly convincing performances at every “age”.

    Read More

  • Editing And Film Techniques In Orson Welles's 'Citizen Kane'

    1436 Words  | 3 Pages

    Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing

    Read More

  • Breakfast Montage Clip in Orsen Welles' Citizen Kane

    694 Words  | 2 Pages

    Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.

    Read More

  • The Complex Nature Of Happiness In Orson Welles's Citizen Kane

    1196 Words  | 3 Pages

    In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?

    Read More

  • Citizen Kane Mise En Scene Analysis

    711 Words  | 2 Pages

    Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.

    Read More

  • Cinematography and the Film Citizen Kane (1941)

    867 Words  | 2 Pages

    The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.

    Read More

  • Empathy and (Film) Fiction, by Alex Neill

    1015 Words  | 3 Pages

    Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.

    Read More

  • David Fincher Analysis

    1235 Words  | 3 Pages

    “Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.

    Read More

  • Classical and Post-Classical Hollywood Cinema

    2472 Words  | 5 Pages

    Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...

    Read More

More about Analysis of Film Citizen Kane Produced by Orson Welles

Open Document