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123 essays on character analysis
The stronger character analysis
123 essays on character analysis
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The Diving Bell and the Butterfly is a script which falls somewhere in the middle of the Classical Design Triangle. It presents moments of causality in a non-linear temporal arrangement. The single protagonist, Jean-Dominique Bauby, is passive due to his affliction yet struggling with both his inner conflict to resolve his life’s choices and the external conflict to regain some semblance of a normal existence. Plot points for this script were not as clearly defined as they are in a script which fully utilizes the Classical Hollywood narrative structure. Some categories of the beat sheet were difficult to realize and therefore my interpretation at some points may be purely subjective and coerced.
The script’s opening image defines the film’s POV, by using the camera to subjectively identify our protagonist’s recent affliction as he awakens paralyzed from a stroke induced coma. Jean-Dominique Bauby, a.k.a. Jean-Do, is informed of his condition by the doctor. He is unable to respond to the doctor’s questions, which sets-up the conflict that he will struggle to communicate his thoughts throughout the script. As Jean-Do looks around his hospital room, we are informed by pictures and drawings beside his bed that he was a successful editor of a fashion magazine who led a comfortable and pleasurable lifestyle. There are images of his children alongside drawings that they have made for him. There is a sense of hopelessness and despair expressed through his interior monologue when he asks, “Is this life”? There are several unified themes stated in the opening pages of the script. First, there is a bell heard in the distance which informs the reader that our protagonist is trying to somehow communicate with others, but cannot do so throug...
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...isability and personal relationships, but never completely loses the hope that he will someday again live a normal existence. His father, on the other hand, seems to recognize that Jean-Do is lost forever and that they will never see each other again.
When the script breaks into Act 3, we find Jean-Do resigned to accept his condition. He realizes that he is just passing time in the same place and will continue to do so season after season and year after year.
In the finale, Jean-Do’s book is published soon after he dies from pneumonia. The final transcription of his books narrative details the moment of his stroke, which was a moment he had to struggle to recall. The use of symbolic inserts help to inform the reader as to Jean-Do’s final moment. A butterfly flaps its wings loudly, resembling a heartbeat, as it flies away leaving a flower swaying in the breeze.
In Part I, Meursault is spending the night next to his mother's coffin at a sort of pre-funeral vigil. With him are several old people who were friends of his mother at the home in which she had been living at the time of her death. Meursault has the strange feeling that he can see all of their faces really clearly, that he can observe every detail of their clothing and that they will be indelibly impr...
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
end. This essay will further show how both stories shared similar endings, while at the same time
Had Jean agreed to see a doctor, he may have been saved. By seeing the
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
Rife with different themes in every storyline, Les Misérables entices critics to examine the numerous themes and speculate as to their meanings. These themes that they elicit from the text include, but are not limited to, fate dictating the course of one’s life, good works saving every soul, evil being the root of all of the problems of humanity, society weighing a person down, misfortune being the sole cause of faults in a person, love being the meaning of life, and the ability of love to alter a person. Many who read the novel are enamored with the many themes and agree that they are all explicitly explored. First, according to the critic Reeves, one can try to shape his own destiny all that he wants by “[chiseling] the ‘mysterious block’” from which his fate is made. However, no matter...
The story unfolds in the form of letters written between the principal characters, giving it a unique literary texture. By using this style, de Laclos is able to give the reader a shockingly intimate look at these people as they divulge their most intimate secrets and bring to fruition their sinister plans.
In “The Horse Dealer’s Daughter,” symbols are used to fulfill the quest of happiness and love. This love story has many symbols, which show hidden meaning. One can fully understand a story, if one can point out certain symbols. Symbols create ideas and images for the reader to better understand the story. (Symbol)Mabel, one of the two main characters in this story, is depressed and suicidal. After her mother died, she feels like there is nothing to live for. Her mother was the love and joy in her life; without her, she is lost. All she has left is her house, which she is extremely proud of, and her brother, which she seems not to care for. She decides to release herself from her troubles by drowning herself in a pond. The other main character, Dr. Fergusson, sees her and tries to save her life. This pond is a strong symbol with many meanings. It is a start of a new experience, and a change of two people’s lives.
...llowed to flow. He also manipulates Miss Julie's emotions by appealing to the romantic child in her. It is Miss Julie's fall from her high social status and her consequent fall to a childish ego state that makes Jean adapt his ego. She starts out thinking she is better than Jean because he is her servant. As they get closer she feels he is her equal so she talks to him as an adult from an adult standpoint. By the end when she has fallen from grace she feels so low that she is talking up to Jean and wants him to tell her what to do. All the while Jean is on the opposite side of the wheel that Miss Julie is on.
If he said yes, I would want to know if that answer would change if he had lost the ability to blink his left eye, his only means of communicating with the world. I had never taken the time to seriously consider what life would be like if I could not move or speak. While reading this book, I seriously contemplated what it would be like and was overwhelmed about how tremendously a person’s life can change within a few minutes. There is a chapter in the book when, on Father’s day, Jean’s children come to the hospital to see him. Jean is overwhelmed with emotion during a game with his son because he realizes the unfairness of the circumstances. Jean begins to cry, and his son is slightly startled. Jean wants to tell his son that it’s ok, and he loves him; but he can’t do this. He also discusses how he stopped using humor in his speech because his comments no longer seemed witty by the time they have been translated letter by letter. He referred to himself as “a tiny fragment of a dad” in this chapter. This line is heart-breaking and a brutally honest confession of how he views his life and relationships. He clearly has endless love for his children, but his ways of communicating with and being a part of their lives have almost
The relationship shared by Pierre and Helene is best described as a lustful charade. It is no coincidence that Pierre, one of the most introspective characters in the novel, first marries a shallow, inwardly-ugly adulterer. His first recorded attitude towards Helene is one of admira...
Through most of the characters’ passion for filmmaking, this movie teaches the audience the great significance of film history. Many people in modern day tend to take film and its history for granted, but they do not realize the depth and effort that mankind has put into such a development. In Hugo, the theme of film history revolves around the entire production, and the audience sees flashbacks of Georges Méliès’ past that reveal his vital role in movie-making. By investing a deep meaning to the tale, viewers start to understand the great emotional and intellectual characteristics of movies. Additionally, Hugo himself delivers a message to his counterpart characters, which also serves as a lesson for the onlookers. He shows the audience that everyone has a part and purpose in this world. Protagonist Hugo Cabret says that “everything has a purpose, even machines. Clocks tell the time, trains take you places. They do what they’re meant to do.” Voicing through Hugo, the filmmakers illustrate how every individual has a reason to live and discover their calling. With a statement about the forgotten grandeur of film history and a valuable message to the crowd regarding one’s purpose, Hugo inspires and presents itself as a noteworthy and unforgettable
As a result, the best and most efficient way to analyze this film is to compare and contrast two characters that are central to the theme of the film: Comte de Reynaud and Vianne
On the way to the funeral Meursault is greatly affected by the sounds and smells of the bus and sleeps the whole way to escape his physical discomfort. When he arrives at the home the caretaker asks him if he would like to see his mother one last time before the casket is closed and he declines. Sitting down near the casket, his attention is focused not on his mother, but rather on his own physical discomfort and the “two hornets buzzing against the glass roof.” After listening listlessly to the caretaker’s endless stream of chatter, Meursault drinks a cup of coffee and smokes a cigarette. Meursault, never shedding a single tear, keeps an all-night vigil at the casket, surrounded by his mother’s sobbing friends. He seems to regard the whole night as somewhat pointless, and comes away feeling very tired.
Jean is a wife of a powerful man. Based on her husband word and actions, image and work are his primary concerns. In the beginning, Jean say that " Rick spent dinner on his phone most of the night and not showing Jean an attention." He Mentions that he thinks Jean is jealous of Karen, who works closely with Rick. Later, while Jean is extremely emotional and upset because rick doesn't take her seriously and shuffles her off to bed so he can work on his image and how voters will respond to the robbery. Moreover, this shows that Jean does not have any responsibilities or any true friends throughout the film. The character of Jean Cabot allowed her past to interfere with her life during the whole movie. For example, when Jean and her husband Rick SUV was stolen by two black men with guns; Jean wouldn't let it go she always had something to say about it. Jean was the type of character that try to make others feel how she feel and also try to make others characters feel sorry for her. Most of Jean's fear would come from her personal problems. However, Jean's blind fear, anger and her emotions are a result of how alone she feels. For the most part Jean does not even exhibit interpersonal immediacy with others. Therefore, Jeans perception with herself is consistent with the way others see her