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Recurrent themes of sylvia plaths poetry
Recurrent themes of sylvia plaths poetry
Sylvia plath daddy explication essay
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Analysis of Daddy by Sylvia Plath
In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.
In the first stanza the reader realizes that Sylvia Plath is scared of her father. It is quite clear that she never spoke up to him to defend herself. In the first line it is apparent that something is ending. “You do not do, you do not do any more, black shoe,” this shows that she feels that her father cannot hurt her anymore. Also, she knows that she has to let him know how she feels. “In which I have lived like a foot for thirty years, poor and white, barely daring to breathe or achoo,” this expresses her fear of her father, and illustrates the fact that she has remained silent, unable to speak up or even breath any words against him. “Daddy, I have had to kill you. You died before I had time--,” this portrays the extent of her hatred toward him. That she was so appalled by his character that she would end his life if only she had the strength. But he died before she grew strong enough to stand up to his horrible countenance. The next portion of the poem, “Marble-heavy, a bag full of God, Ghastly statue with one grey toe big as a Frisco seal,” shows how large she sees his presence. Comparing him to the weight of marble with the powers of God. However the one grey toe, which was injured, and allowed for sickness to set in, brought ...
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... to the discrimination Germany had toward the Jews. Sylvia had many struggles in her life that were cause by either her father, Germany, or her husband. All of which left her with a feeling of insignificance, as if they would have been happier without her. It is certain that this feeling she expresses is also felt and carried by other German wives and children. The basic purpose of the poem is to dictate her feelings toward all of these men, mainly her father. This release of all that has been carried inside her is a means of closure for the treatment she has received. As a larger picture, Sylvia has also documented, from the inside, what it was like for the German dependent in a time of terrible hatred toward people who were seen as weak and insignificant.
Works Cited
Butscher, Edward. Sylvia Plath: Method and Madness. New York: The Seabury Press, 1976.
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life circumstances. Ironically, their fathers were their muses for writing and are what made them the women they are today.
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
...stent use of theme, internal conflict, and Realism adds a deeper meaning to the story. Every element works together to show Sylvia’s determination to disregard her romantic feelings and keep her integrity and loyalty to something that had shown her consistent love. Whereas the young man contradicted himself , Sylvia saw that the wilderness was beautiful from every direction she viewed it in. Compromising something as innocent (add a noun) would have caused her to feel guilty of the fact that she exposed something so pure. Nature is her resolution to happiness and anything that conflicted with that, such as the hunter, would have evidently made her unhappy. It is even repeated throughout the story, her ‘fear’ of people . Besides, when there was no one else that understood her and her social awkwardness, the wilderness offered her a place of refuge and a friend .
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
Sylvia Plath was born on 27 October 1932 in Boston, Massachusetts. Plath’s father was a very strict man with dictatorial attitudes that stuck with and scarred Plath. Her father died due to complications with his diabetes when Plath was only eight years old, inspiring her poem “Daddy” (Academy of American Poets). “Daddy” is one of her most famous works that basically declares her hatred for her father.
Sylvia's genuine emotion that shines through her work is rooted deep in her childhood. Sylvia was a perfectly normal child that enjoyed life until at age eight when she lost the closest person to her. Her father, Otto Plath, died from complication with diabetes. (Kehoe 1) Sylvia had been his favorite and hit her the hardest. The toughest part was that because of her age she was not permitted to go to the funeral so she was never able to let go and say goodbye. She never fully recovered and later in life became convinced that the majority of her pain was caused by losing her father. A. Alvarez, a friend and critic, stated years later “The death of her father, whom she loved, who abandoned her, and who dragged her after him into death.” (Kehoe 1) She tried to pick the pieces up and move on. She moved on to become a good student. In all her years of s...
...lems, such as depression, sadness, overbearing and domineering figures. The themes shared in each poem is also a common similarity, such as the example of numbness. The choice in the speaker of each poem is also important, and also share a similarity between the two poets. The idea that the two women wrote poems that shared stories from their own life is not far-fetched, especially in the case of Sylvia Plath’s “Daddy”. Of the three poems, I found “Daddy” to be the easiest to understand because of its full sentences and vivid description. Furthermore, since the poets wrote as if the speaker of the poem was themselves, I found that their poems were more emotional and gripping than if they were not. Because of this, I considered their poetry very similar in that the speakers are like-minded emotionally, but the writing style of the poets themselves is different.
The poem begins with a childlike tone, misleading the reader on the upcoming subject matter. The first line echoes a nursery rhyme, feeling like a charm against some brooding curse. “You do not do, you do not do/ anymore black shoe” (lines 1-2). Metaphorically, the shoe is a trap, smothering the foot. The adjective “black” suggests the idea of death, thus it can relate to a coffin. The speaker feels a submissiveness and entrapment by her father. In an attempt to rid herself of the restriction in her own life, she must destroy the memory of her father. “Daddy, I have to kill you” (line 3). However, the description of the father as “marble-heavy” and “ghastly statue” reveals the ambivalence of her attitude, for he is also associated with the beauty of the sea. The speaker reacts with hate to her father who had made her suffer by dying at such a point in her development.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Sylvia, not yet a woman, is at the threshold of womanly changes. As a child she has no “need” yet for a man. She has been taken out of the city into the backwoods where she has no need for societal norms and she is still developing (in all sense, ...
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
The foot is also located at the lower of the body which could be interpreted as Plath saying that men are below women, which could link into a gender hierarchy of women being above men, predominantly giving them more power and control, empowering women rather than victimising them. As well as this , it could be seen as the speaker declaring that she will no longer put up with the black shoe that she lived in. She could be comparing this shoe to men in which she’s been living an ill-fated life under male control, drawing attention to the misogynistic attitudes and abuse that men have inflicted upon women.
Sylvia wrote “Daddy” in 1963 about a girl’s emotional struggle with her German father who died and was like a monster. This father represents Sylvia’s own father who died when she was young. She wants to destroy him but he cannot come back to life. His death has caused Sylvia to have problems with all the men in her future including her former husband Ted, who she also refers to in the poem. This is the first type of literary criticism that stands out, feminist ...