Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Portrayal of Faustus in dr.faustus
Critical analysis on Dr faustus
Doctor faustus conclusion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Portrayal of Faustus in dr.faustus
Analysis of Dr. Faustus' Closing Speech
Doctor Faustus’ closing speech is unquestionably the most emotional scene in Dr. Faustus. His mind moves from idea to idea in desperation. It highlights the many times that Faustus could have repented, but did not. Yet he shows remorse, calling upon the Christian view that all who repent will be saved, however, this does not hold true for Faustus, indicating that Marlowe is not writing this scene from a Christian point of view.
Faustus’ mind is fraught with despair in his final, closing speech. It jumps frantically from thought to thought: one moment he is begging time to stop, or slow down, the next second, he is pleading to Christ for mercy and salvation. He asks to be hidden, the next instant he is asking for his punishment in hell to last ‘A hundred thousand [years], and at last be saved’ (1.13.95). These various attempts to escape his imminent doom ultimately lead to him to realise that the situation is entirely his fault, just before midnight, he finally realises to ‘curse [him] self’ (1.13.106). This extremely passionate remorse leads to a recurring theme in the play, namely, the reasons behind him not repenting at earlier stages.
Faustus’ arrogance, perhaps, is the chief reason behind the rejection of penitence. He deceives himself into believing either hell is not so bad, or that it does not exist at all. Perhaps he is afraid of Mephastophilis tearing his body apart. Even close to the end, in the penultimate scene, Faustus is seen, eager to ‘confirm/ [His] former vow’ (1.12.62-63). This suggests that Faustus’ delusion continues until his time is up, perhaps he has served the devil for so long he has lost any thought of breaking free of his pact.
In the speech, Faustus turns to Christ, asking that the Christian doctrine that repentance can be accepted at any time in one’s life be granted to save him. Significantly, he is not rescued. This shows that this play is not written from an entirely Christian perspective, as Faustus would have been saved. However, it could be argued that something within Faustus ‘pulls [him] down’ (1.13.71) from leaping ‘up to [his] God’ (1.13.71), and therefore keeping the Christian principle intact.
The pathetic actions that Faustus performs when he gets ultimate power seem to indicate that Faustus has wasted his soul.
Faust also gets out of his contract. He is finally pleased with this paradise he is going to build. The ability for following generations to enjoy this paradise was his pleasure. This selfless act of joy was what allowed God to save him, even though the contract said otherwise.
in his invention. Faustus too is very consumed in the idea of forgetting his own existence
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
Faustus' hunger for immediate gratification suggests immense self-torment and self-denial. Weighing his options at each instant of time, he maximizes his pleasure and minimizes his pain, apparently discounting the implications of his decisions on his prospects and happiness in the future. Rebelling against God, he invites the devil's temptations, hoping to obtain an offer like Satan's to Jesus in the desert wilderness. One understands why Satan imputes an infinite value to Christ's soul. However, why does Faustus' soul warrant twenty-four years of service by Mephostophilis?
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
While voluntarily excommunicating themselves from society, both characters accomplish a portion of their goal and yet they remain unhappy because they never control the "perfect" life they have built for themselves. In Faust, the intelligent gentleman Faust, seeks spiritual wholeness in knowledge. Through years of hard study, Faust becomes knowledgeable in math, science and religion and yet he becomes inept and incapable of having any romantic or physical relationships with the outside world. As Faust strives to become the "over man" through knowledge, he realizes that books will not satisfy his curiosity and that sensual pleasures will. Therefore, in the process of creating his new life, Faust, becomes distant and unconcerned with all reality and humanity around him.
The play progresses to Faustus gaining power but doing nothing productive with it because he has no wisdom to guide himself on. Faustus wishes for power and has plans looking forward to his future life but as he gains it, he starts to lose his wisdom as power clearly took a toll on his mind. He becomes a performer for an emperor and finally ends up believing there is no redemption for his life as he knows he has sinned against God before and after his deal with the devil which what he believes - his last straw with God. Faustus crumbles after he has too much of the weight of power in his hands to the point it ruins him, as he has no wisdom to properly organize his goals or
After meeting Mephastophilis, Faustus’s second request from him is a wife, stating: “But leaving off this, let me have a wife, the fairest maid in Germany, for I am wanton and lascivious, and cannot live without a wife,” (I.V.138-140). Faustus clearly states in these lines that he desires someone to control him, especially in a sexual manner, and has yet to find someone capable of doing so. However, it is after hearing about how trivial marriage is from Mephastophilis that Faustus takes this desire a step further. He says to Mephastophilis: “And long ere this I should have slain myself, / Had not sweet pleasure conquered deep despair,” (I.V.200-201). By expressing his utter sadness with not being able to fulfill his desires, it becomes clear that even though Faustus has been able to accomplish everything he has ever wanted, by not fulfilling this desire, he will never be satisfied with his life. By meeting Mephastophilis, Faustus is persuaded that he would finally be able to fulfill his desires at the price of his soul, a sacrifice he was willing to make as his final
Unaware that he is guilty of committing these sins, pride first leads Faustus into being extremely greedy, and this greediness acts in opposition to the will of God. While ambition is admirable, it appears to be a negative trait when it is not used for good. It appears that Faustus wanted to gain this knowledge for himself and not for the well-being of all people. Being so adamant about gaining this power
Had it not been for the enticement of having Helen in his bed, Faustus may have repented, and turned from his deal with the devil. But because he let his baser desires rule him, Faustus promised to do whatever necessary for the devil, just so that he may have Helen of Troy as his “paramour.” This carnal desire sealed Faustus’ fate, and in the end, he is taken away to hell by fiends.
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his
The struggle between Faustus' superego/good angel and his id/bad angel continue throughout the play and the possibility of achieving a balance doesn't seem to exist. In the society of the sixteenth century repressive moral standards prohibited a possible balance between ethical demands and human passions, causing psychological traumas as the reader can observe it in this play. Society of this time, forcing their limited understanding of God on people, caused thinkers like Faust to lose their chance for a supernatural experience with God that could have solved their questions. It would take another two hundred years until in the period of Enlightenment a new Faust, created by Goethe, would retain his noble character and conquer with reason the trivial attempts of Mephistopheles.
In Act I, Faustus is given the chance to ask Mephostophilis whatever he wants to know. Faustus asks where hell is and he wants some information about hell. When the play starts Faustus is not scared of death and he later tells Mephostophilis "I think hell's a fable" (Marlowe 43). You can also make the assumption that he believes that the only place you go after you die is to heaven. Towards the end of the play he believes that heaven and hell exists and that you can spend eternity there. Faustus could be also thought of as an Atheist because during some of the acts of the play he denies that there is a God and he thinks of religion as a false ritual. Faustus even calls on God, "Ah my God... I would weep, but the devil drains my tears"(96). The part of the play that best describes his beliefs is right after he sells his soul to the devil and he deciding whether or not to repent. He states," My heart is hardened, I cannot repent. Scarce can I name salvation, faith, or heaven. Swords, poison, halters, and envenomed my steel Are laid before me to dispatch myself.......I am resolved, Faustus shall not repent"(45). When he does finally ask for forgiveness and wants to repent to God, he is denied and is forced to spend eternity in hell. The Cultural Studies method describes someone's moral or beliefs. It can relate to other methods, but they are not as well described in this play. In the play we learn about what Faustus' religious beliefs are and how it relates to Cultural Studies. The book was written during Shakespeare's time and what they knew about Heaven or Hell is probably different than what we believe today.